Michael Kenna Untitled (Cityscape) Gelatin Print

Conceptual digital print by Michael Zenreich entitled 'Confetti Blue Circle' depicting a blue circle within a field comprised of multi-color confetti-like shapes made in 2019. The di...

Conceptual digital print by Michael Zenreich entitled 'Confetti White Triangle' depicting a white triangle within a field comprised of multi-color confetti-like shapes made in 2019. ...

Conceptual digital print by Michael Zenreich entitled 'Confetti Red Square V2' depicting a red square within a field comprised of multi-color confetti-like shapes made in 2019. The d...

Raymond Ciborowski (American, b. 1970) "Tamarack" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2010, together with a certificate of authenticity. ...

Lois Connor (American, b. 1951), "Cleveland, Ohio", Platinum Print, 1991, pencil signed, titled, dated, and inscribed on bottom margin, Lawrence Gallery label to verso, in black wood...

Edoardo Wantelli (XX) "Ferrocarriles De Cuba", Black and White Photograph, printed 1997, signed and titled in print, pencil signed, dated "January 27th 1998" and inscribed to verso. ...

Ink on paper serigraph by Dorothy Bowman (b. 1927) California. Signed, dated 1960, titled The Meeting, in pencil along lower margin. Horse and riders meeting before a fanciful city. ...

1970's signed and numbered Dutch abstract cityscape by unknown artist. Handsomely printed on paper. In original condition. Number. 5/100.

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Silver gelatin print depicting a close-up of a bell form architectural element more than likely part of a cityscape. Signed and dated 2003 along the lower left edge. Studio blind sta...

Jan Saudek, Czech photographer, born 1935 Original silver gelatin print, photograph Title : "Mothers & daughters" Model print # 186 Finished , September 17 1892 Signed lower right ...

K1 HRH Yacht Britannia, early silver gelatin photographic print by Beken of Cowes.