Old Engraving of Eleazer Killing a War Elephant, Title in Six Languages, 1728

Antique religion print titled 'Jephthah's daughter meets him at the door of his house'. The story of Jephthah’s Daughter (Judges 11) tells us that Jephthah the Gileadite made a vow to the Lord before going into battle with the Ammonites. This print originates from 'Figures de la Bible'. Artists and Engravers: Published by P. de Hondt. Illustrated by Gerard Hoet...

This exceptional antique map, titled "Nouvelle Carte Marine de Toute les Cotes de l´Amerique" and alternatively known as "Nieuwe groote en seer Curieuse Paskaart van Geheel-WestIndie...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

One leaf with an engraving on each site and text in old Dutch. One side shows the War Council of the locals in Bantam and the other side show some vegetables traders of Bantam. B...

These hand colored engravings are old English crests/coats of arms -- two in each frame: Ashburnham & Effingham; Portland & Manchester; Northington & Radnor; and Peterboro & Hamford....

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

ST/520 - Old rare Italian map of England, dated 1826-1827 - by Girolamo Tasso, editor in Venise, for the atlas of M.r Le-Sage.