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Pocahontas and John Smith, Chromo-Lithograph, Dated 1870, Rare
$2,995
£2,277.57
€2,627.06
CA$4,195.45
A$4,695.53
CHF 2,451.80
MX$57,285.79
NOK 31,122.40
SEK 29,533.25
DKK 19,617.65
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About the Item
"Pocahontas Saving The Life of Captain John Smith" is a chromo-lithograph made by the "New Eng. Chromo Lith. Co. Boston" (printed on the lower left border). It is dated 1870. The hand colored lithograph depicts Chief Powhatan attempting to execute Captain John Smith by clubbing him to death, but he is prevented from doing so by his daughter (Pocahontas) who throws herself between the two adversaries. John Smith had been captured two months earlier---the incident having taken place in Virginia in 1608. He recounts his adventures in his memoirs in 1624. The story has never been authenticated, but the event has, nevertheless, become a permanent part of the annals of American historical folklore.
In 1614, England had commissioned a then 34 year old John Smith to explore the territory of Maine and Massachusetts. Almost immediately upon arrival he named this area "New England". It seems only fitting that a Boston based firm, the "New England Litho.Co," would make this lithograph in 1870.
The lithograph came out of an estate where it had been for over 100 years.
I have kept the original "rough sewn" backing for date validation.
Condition:
I have had the back professionally protected with conservation board. Preservation rice paper has been applied to a time related rear tear which extends from the lower right third, to the right hand third of the image, and through the border to the lower right (see image). The tear is visible on the border, but it is not discernible in the field. There is a "bar" stain to the border on the upper left and upper right (1" x 1 1/4") but it does not extend through the image. The original walnut frame is in excellent all original condition except for a minor 2" loss to a lower right edge (see specific image).
Dimensions:
24 1/4" wide x 19 1/4" high (in walnut frame)
21" wide x 16" high (actual lithograph)
The exceptionally vibrant colors on this lithograph are as strong and vibrant as the day it was originally made. There is no indication of any fading. The images I have exhibited, are very representative. The strength of the hand painted colors rival those of, then competitor, Currier and Ive's.
It is a beautiful rare image in it's original frame which shows very well.
Note: I am a second generation antiques dealer and have been in business for 50 years; I am also a member of several prestigious antique associations. Thus, I am well qualified to inspect and evaluate the products I offer for sale and I guarantee this to be authentic and as I have described.
- Creator:New England Chromo Lithograph Co. (Illustrator)
- Dimensions:Height: 19.25 in (48.9 cm)Width: 24.25 in (61.6 cm)Depth: 2 in (5.08 cm)
- Style:Victorian (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1870
- Condition:Wear consistent with age and use. Colors exceptional.
- Seller Location:Incline Village, NV
- Reference Number:Seller: #155-28/06301stDibs: LU97321189984
About the Seller
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In addition to the Amon Carter Museum in Dallas, an example of "Summer's Evening" is in The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert).
Dimensions: actual= 16 1/2" h x 23 13/16" w
matte= 19 1/2" h x 25 1/4" w
folio= 19 7/8" h x 26" w
with frame= 26 1/4" h x 32 1/4" w
frame= 1 1/4" burl bird's eye maple
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This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
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Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
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The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y."
"F.F Palmer...
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Museum of Fine Arts Boston (Donated by Lee M. Friedman)
The Library of Congress
The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection)
Dimensions: actual= 16 1/2" h x 23 13/16" w
matte= 19 1/2" h x 25 1/4" w
folio= 21 1/4" h x 27 3/4" w
with frame= 26 1/4" h x 32 1/4" w
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This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
Spring "May Morning";
Summer "Summer Evening";
Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor.
The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business.
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(The firm was located here in lower Manhattan from 1837-1872)
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In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in:
The Library of Congress
The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert)
Metropolitan Museum of Art (Gift of Colgate 1962)
Museum of Fine Arts Boston (Donated by Lee M. Friedman)
Dimensions: actual= 16 1/2" h x 23 13/16" w
matte= 19 1/2" h x 25 1/4" w
folio= 21 9/16" h x 27 1/2" w
with frame= 26 1/4" h x 32 1/4" w
frame= 1 1/4" burl bird's eye maple
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The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs.
This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named;
Spring "May Morning";
Summer "Summer Evening";
Fall ""October Afternoon"; and
Winter "Pleasures of Winter".
The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor.
The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business.
The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y."
"F.F Palmer...
Category
Antique 1850s American Victorian Prints
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