Richard Kozlow Rio Blanco Signed Modernist Serigraph 55/100 Unframed

An abstract modernist serigraph on paper titled "Crater Lake" by Richard Kozlow. Hand signed in pencil on the lower right. Titled and annotated 55/100 on the lower left. Published ci...

An abstract modernist serigraph on paper titled "Keflavik" by Richard Kozlow. Hand signed in pencil on the lower right. Titled and annotated 59/100 on the lower left. Published circa...

An abstract modernist serigraph on paper titled "Reflection" by Richard Kozlow. Hand signed in pencil on the lower right. Titled and annotated 51/100 on the lower left. Published cir...

An abstract modernist serigraph on paper titled "Even Tide" by Richard Kozlow. Hand signed in pencil on the lower right. Titled and annotated 1/100 on the lower left. Published circa...

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

A wonderfully kinetic abstract expressionist composition depicting a herd of majestic mustangs running free under the moonlight. It’s comprised of a multitude of complex, expertly la...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...