Robert Indiana Signed 1977 “Mecca I” Limited Edition Serigraph

A limited edition serigraph print by the Japanese-American artist Kikuo Saito (1939-2016). This abstract work has a central dark green rectangle printed on a silver background and ac...

A signed limited edition Op Art serigraph by Russian-American artist Ilya Bolotowsky (1907-1981). The work uses richly colored black, white, blue and yellow shapes to comprise a larg...

A 1969 limited edition abstract serigraph by the Russian artist Andre Lanskoy (1902-1976). Signed to the lower left, this vibrant piece depicts a composition replete with colorful abstract objects floating upon a bright red ground. The serigraph is stamped “Les Editions De La Tortue Paris” and signed “La Baule Blanc” in graphite verso. Numbered “99/100” and signed “Lanskoy 69” to the lower left. The print is unframed. Born in Moscow, Lanskoy moved to Paris in 1921 to study at the Academie de la Grande Chaumiere. During this time he also studied under Sergei Jur'evic Sudejkin. In 1924, Lanskoy exhibited at the Salon d'Automne where he attracted the interest of the German art collector and art dealer Wilhelm Uhde, who was known as one of the earliest collectors of Cubist paintings by Pablo Picasso...

A limited edition serigraph on metal foil titled, Coast Range, by the American printmaker Carol Summers (1925-2016). Known for using woodcut process to create his works, the metallic...

A limited edition relief print titled Nude by American artist Doug Delind (born 1947). A reclining nude female figure is depicted against a dark navy background in this abstract work...

An abstract lithograph titled "Exit" by the German-American artist Richard Lindner (1901-1978). In this print, two figures are in profile, facing inward. The top figure has orange ha...

Extremely rare original silkscreen poster to Robert Indiana's legendary stabile Gallery show, where he first introduced the LOVE design on canvas and...

After Robert Indiana, Golden Love, Screenprint, Serigraph. Unsigned color screenprint on heavy wove paper with bright pop art colors: orange, yell...

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

Robert Indiana "The Bridge" The Brooklyn Bridge 1983 241/250. Screen Print. Printed by Alexander Heinrici and published by The New York Graphic Society. Image size 23" wide and 32" t...

Peter Max (German/American, B.1937) signed limited edition color serigraph, "Brown Lady with Vase," female figure on a patterned background in pastel tones....

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...