Robert Smithson Torn Photograph from the Second Stop (Rubble) 1970

Josef Albers – Interaction of Color (V-5), 1963 Medium: Offset lithograph on paper Dimensions: Double sheet, approx. "20 H × 26" W (each sheet approx. 13" H × 20" W) This double-shee...

Victor Vasarely screenprint in color M.C.-2 1970 unframed image: 21 h × 20 w in sheet: 33 h × 26 w in Signed and numbered to lower edge /300 Vasarely’ with publisher's blindstamp. Th...

Josef Albers Formulations - Articulations I & II Edition 974/ 1000 1972 screenprint on paper Embossed with Josef Albers initials, portfolio and folde...

Josef Albers formulations - Articulations I & II Edition 974/ 1000 1972 screen-print on paper Embossed with Josef Albers initials, portfolio and folder...

Vintage, Alpine Ski photograph. 'THE JUMP', a new mounted black and white photographic image after an original 1930s skiing photograph. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. The price displayed is for the mounted photo only. Image size 25.5cm x 40cm = 10 X 15 ½" ". The alpine photograph...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Vintage, antique alpine ski photograph. 'On the Alpspitze with Zugspitze Behind', a new mounted black and white photographic image after an original 1930s m...

Alpine Ski photograph. 'SCHEIDEGG', a new mounted black and white photographic image after an original 1930s skiing photograph. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. The price displayed is for the mounted photo only. Image size 40cm x 25.5cm = 15 ½" x 10". The alpine photograph...