Selection of Art Works by Ana Rosa de Ycaza

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

Selection of Modernist Art, circa 1950s. From top left to right, then bottom left to right, they are: 1) *ON HOLD* Abstract lithograph by , circa 1960s. Pencil signed by the artist, ...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These are most likely from the limited edition folio “Derriere Le Miroir”, published by the legendary Galerie Maeght. Please see our other 1stdibs listings for more Alexander Calder and Joan Miro lithographs from...

Selection of Alexander Calder color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that lived in France from 1951-1983. These are most likely from the limited edition folio “Derriere le Miroir”, published by the legendary Galerie Maeght. Please see our other 1stdibs listings for more Alexander Calder and Joan Miro lithographs from...

Selection of Alexander Calder color lithographs, circa 1960s. They have been recently framed in clean lined black lacquered wood gallery frames...

Selection of Joan Miro large color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that l...

Works on Paper; a Selection of Drawings, Graphic Works and Collages By Czech Artists from the Jan and Meda Mladek Art Collection. Museum Kampa. Prace Na P...

" Flux de L' Aimant " drypoint & color aquatint on BFK Rives paper by Joan Miro; circa 1964. Signed lower right, and numbered 20/75, lower left, in pencil. Published by Maeght Editeu...

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Untitled silkscreen by Dutch American abstract expressionist artist Willem de Kooning (1904-1997). Signed and numbered 42/75.

Nakol Art is an ironic intellectual, narrative, Ukrainian brand. The prints, on the basis of which the fabric for the collection is created, are independent author's works with a pronounced fantastic plot. Each illustration is painstakingly drawn by hand, sometimes taking up to six weeks to print a single design on the finest silk, These are large silk scarves...

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague,Bologna,Amsterdam or London,among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...