Sergio Gonzalez-Tornero Chilean Signed Aquatint Etching Portrait of the Artist

A beautiful aquatint etching by French Modernist/Impressionist artist Édouard Manet titled "Jeanne (Spring)". The work is signed in the plate by Manet in the lower margin. It was created in 1882 and is based on his oil on canvas painting Jeanne or Le Printemps (Spring) currently on view at The Getty Museum in Los Angeles. The work has been professionally matted and framed and comes from the prestigious Kelton Collection in Los Angeles. There is what appears to be a collection accession number on the paper frame backing. This exact piece can be found in The Metropolitan Museum of Art (The Met) in New York. Frame dimensions: 15.5" high, 10.35" wide, and .75" deep Viewable art...

A breathtaking, large in scope and scale, rivetting work by American abstract expressionist painter, and master printmaker Robert Motherwell (1915-1991). This aquatint/lift ground ...

A wonderful, attractive, and striking image of the New York City skyline and towering classic buildings by German artist Anton Schutz. Schutz was commissioned by The New York Times ...

An engaging work titled "Jeux de Gladiateurs" by famed Spanish artist Pablo Picasso. The etching was created in 1968. It is hand signed in pencil by Picasso and numbered 33/50, lo...

A wonderful and strong print or image by Canadian born artist Marjorie Tomchuk of a Native American chief. The print is pencil signed, titled (Sac...

A rare and hard to find owl image by Vietnamese born renowned French printmaker / artist Hoi Lebadang. The print is pencil signed and noted as artist proof in French by the artist...

A wonderful work by Chilean painter/artist Sergio Gonzalez-Tornero. This color etching with aquatint is pencil signed, titled (A Tree), dated (1964), a...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

A pair of Richard Anuszkiewicz Intaglio etching with aquatint on somerset. Signed and numbered in pencil. Archivally framed in 12-karat white gold frames using acid free archival mat...

Signed, dated and numbered, 1981 aquatint and color etching on Rives BFK paper- Periscope, by iconic American artist, Jasper Johns (b. 1930). Marked 22 /88 on the lower left. Signed ...

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...