Set of Four Serigraphs by Milan Dobes

New Year’s greeting ushering in the year 1967 mailed out by renowned Italian artist and educator Eugenio Carmi (1920-2016). Folds out to a serigraph measuring 39.25” x 26.75”. This e...

A portfolio of 12 offset-printed heart designs by noted German graphic designer Pierre Mendell (1929-2008) assembled from his work at Mendell & Oberer -...

Screenprint on linen with biomorphic animal motifs by Chicago-based painter, weaver, and fabric designer Angelo Testa. Literally the first student to graduate from Moholy-Nagy’s New ...

Aquatint and drypoint etching by Pablo Picasso titled “Dans l’Atelier III,” executed in 1965. Number 34 from an edition of 50. Signed l/r Picasso, numbered lower left. In a custom gi...

Set of four Design For Leisure barstools in chrome with original black Ultrasuede fabric. Well-made with heavy columnar chrome bases with footrests. ...

Group of four sculptural planters of aluminum and iron, designed by Estelle & Erwine Laverne and produced by Laverne International circa 1950's. Accordin...

Set of 4 "Women of Hawaii" Serigraph artwork prints by Pegge Hopper including "Na Kua'Ana", "Woman with Fan", "Calico Popoki", and "Woman with Lei" each comes in a matching gold-tone...

Three colorful geographic serigraphs by Ilya Bolotowsky. All three prints have been re-framed with UV protected acrylic. Along with new matting. Diamond, circle and diamond are sign...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Two Ilya Bolotowsky serigraphs. One is signed on the bottom right and then numbered and.

Set of three Itzchak Tarkay serigraphs of nudes. Each By Itzchak Tarkay who was born in 1935 at the Yugoslav-Hungarian border all are finely f...

Print, Serigraph on paper with the size 70 × 50 × 0.1 cm 27.6 × 19.7 × 0.1 in Edition of 60, hand-signed by artist in pencil. Printed by Edition Partanen, Schluchsee (Germany) J...