Signed Serigraph by Henry Miller from the “Insomnia“ Series

This signed and numbered lithograph was done by the very well known British artist and sculptor Henry Moore in approximately 1980-1982 in his Modernist style. This lithograph comes f...

ABOUT Merle Izard serigraph titled The Eagle Cries, limited edition on wove paper, signed by artist and numbered in pencil 32/200. CREATOR Merle Izard. DATE OF MANUFACTUR...

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...

Hand signed limited edition serigraph entitled "Provence" by Arthur Second, circa 1980. The print is in very good vintage condition and is numbered 8 / 150; it is signed in lower rig...

Yamin Young, 1980s Serigraph Signed And Numbered "Quartet" Variation Of The Gouache 29/175 Framed. Serigraph Is Professionally Framed And Ready To Hang. The Substantial Frame Itself...

Original serigraph on white cardboard, signed by Erwin Heerich below the image. Dimensions sheet: 50.0 x 70.0 cm. Dimensions illustration: 40.0 x 57.5 cm. Published by the Griffelkunst-Vereinigung, Hamburg, 1973. Griffelkunst, list of editions: choice 190 B1. 1 corner with crease (about 20 cm), very shlightly rubbed. Good condition. Erwin Heerich, born November 29, 1922 in Kassel, died November 6, 2004 in Meerbusch-Osterath. Studied from 1945 to 1950 at the Düsseldorf State Art Academy (with Ewald Mataré...

For Sale: "Expanded Inversions" Serigraph by Roy Ahlgren – Signed, Dated & Numbered Add a bold statement to your collection with this exceptional serigraph, "Expanded Inversions", b...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Earl Biss (American, 1947-1998), "Rising to The Call of the Fog in the Morning", lithograph on paper, signed to the lower margin 'Biss, 80" and with Peter C. Holmes of Origins Press ...

Presented is a charming, hand colored engraving of “The President’s House, From Washington.” The engraving is after William Henry Bartlett’s “The President's House, From The River,” ...