Steve Bloom '18th at Pebble Beach' Golf Game Signed Serigraph

After George Bouverie Goddard (British, 1832-1886) Hunting Scene, Color Engraving on Paper, printed by W. J. Palmer, two greyhound dogs running after a hare, titled "The Altcar Cours...

Raymond Ciborowski (American, b. 1970), "Mondrian's Facade", Archival Inkjet Print on Paper, numbered edition "1/100" and signed to verso, 2010, unframed. This work is accompanied by...

After Utagawa Hiroshige (Japanese, 1797-1858), "Shima Province: Mount Hiyori and Toba Harbor", Woodblock on Paper, 1853, from the "Famous Views of the Sixty-odd Provinces" series, wh...

Raymond Ciborowski (American, b. 1970) "Viscosa Pink" archival ink-jet print on paper, numbered "2/100", signed to verso, circa 2014, unframed. This...

A colorful serigraph depicting an abstract illustration of a golf tournament, made by the renowned artist Leroy Neiman; depicting a golf competitor as the main focal point and specta...

Fabulous vintage Howard Behrens original large-scale limited-edition hand-signed “Hillside at Fira” fine art serigraph on paper #246 of 250. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There was a nick in the lower left side of frame that we have filled and touched up. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1988. Fira Santorini, Greece… WOW!! If you’ve never been there, you’re about to feel as though you have. Howard Behrens has managed to preserve the magnificent, picturesque atmosphere and breathtaking scenic views of Fira Santorini Greece in this phenomenal original large-scale hand-signed limited edition fine art serigraph on paper called “Hillside at Fira.” This is #246 of 250 which was professionally matted and framed and is waiting to grace your home with fabulous panoramic cliffside views and charming hillside archeology from the island of Greece. At 44 x 53 this serigraph is large scale and the depth and detail in the buildings and distant mountains pulls you in… You’re standing on the edge of the hillside… you can feel the breeze in your hair, the warm sun on your face, and you can smell the salty air coming off the beach below. The tide is rolling in. Can’t you hear the crashing of the waves against the huge rocks and boulders in the distance? Fira Santorini is enchanting, relaxing, and a geographical treasure. Wouldn’t it be wonderful to travel in time...

Serigraph by Florida artist John Kiraly titled Midday at Madame Ada's depiction a lovely outdoor lounge area. Pencil signed on lower right and numbered 60/275 on lower left. Mounted ...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...