Victor Pasmore Lithograph Vigma Antoniniana 1980 Limited Edition 30/90

Victor Vasarely "Trimdim" 1968 Lithograph, Signed, 56/300 and has a blind stamp. Circa 1968, Titled "Tridim". Victor Vasarely’s complex paintings and s...

Alexander Calder (1898-1976) lithograph "Potpourri en Ciel" in colors, circa 1975. This lithograph is an artist proof apart from the edition of 90 published by Maeght, Paris. 24" x 3...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

Robert Rauschenberg: Untitled "Harp." 1989 framed lithograph. Published by Dallas Cares / The American Foundation for AIDS Research Edition: 53/500 Robert Rauschenberg (October 22, 1925–May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, paper making...