"View of the Capitol at Washington" Print, after William Henry Bartlett

This engraved print shows a view of the United States Capitol Building, in Washington, D.C. The print depicts the neoclassical building from the northeast orientation, with a bustling street scene in front. The steel engraving is a proof printing, drawn and engraved by Henry Sartain and published in 1858. Plans began in May 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce...

Presented is a handsome engraved portrait of George Washington by artist H. B. Hall. This engraving was published in New York, in a limited edition of 125 impressions. The engraving is based on a painting by William Birch Gilbert Stuart, a small miniature in enamel, completed in 1796. Birch painted Washington from life in his office in Philadelphia, by the request of I. G. Van Staphorst, Esqr. of Amsterdam. In the small portrait, Washington is depicted in a head and shoulders pose, facing right. He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the American Revolutionary War (1775-83) and served two terms as the first United States president...

Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...

Presented is one of the most important historical prints ever published, "The Death of General Wolfe," an engraving by William Woollett, after the painting of the same title by Benja...