Weeny Rocker by Bill Jacklin Ra, 1973, 6 Etchings, Signed and Dated

Lithographs on arches, with initials, inscribed AP and numbered in pencil. Published by Waddington Graphics, London. In new high quality black ash box frames.

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

England, oil on canvas - 1968 Warm and leafy architectural composition of a malt house in profile with trees. Ochre and green hues applied in the British School style. A timeless an...

Oil on canvas, Villa Albrizzi - Veneto, 1963 Teddy Millington-Drake (1932-1994) was a nomad, linguist, bon viveur, aesthete and master gardener, but above all an artist. Discharged from service and in part inspired by his sister's anecdotes of her travels abroad, Millington-Drake embarked on a painting tour that took him to Lebanon, Iran, Iraq and Syria. He then rented a house, the Villa Albrizzi at Este, Veneto in Italy, and became a more frequent painter, particularly now of abstract murals. He befriended Freya Stark, a writer and traveler who lived nearby, and in Venice he became friends with Daisy Fellowes, Peggy Guggenheim, Barbara Hutton and Elsa Maxwell. In Este, he painted continually and more boldly, turning his hand to abstract murals. He later transformed a neglected Tuscan farmhouse in the village of Poggio which was co-decorated by his friend the designer John Stefanidis. There were vine-hung terraces and a skillfully landscaped garden. A swimming-pool was built on a shelf cut into the hillside, so that you felt yourself gliding towards the horizon, suspended in space as you swam. There Millington-Drake worked passionately at all forms of painting. There are haunting large abstracts inspired by Jung, hard-edged acrylic wave paintings and some intriguing semi-calligraphic works on paper based on phrases taken from the works of poets such as Cavafy, Mandelstam and Elizabeth Bishop...

Etching signed and dated by Rolf Rose. This etching by Rolf Rose is signed and dated in pencil lower right. The print is unframed and will be sent in a roll. Rolf Rose is an autodidact artist, he is a member of the Deutscher Künstlerbund, lives and works in Krempe and Berlin. Rose left figurative painting at...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

A breathtaking, large in scope and scale, rivetting work by American abstract expressionist painter, and master printmaker Robert Motherwell (1915-1991). This aquatint/lift ground ...

A wonderful and strong print or image by Canadian born artist Marjorie Tomchuk of a Native American chief. The print is pencil signed, titled (Sac...