Wilhelm Sasnal Untitled Print, 2011

Print Rubbing Measures: 40.00 x 28.25 in 101.6 x 71.8 cm Edition of 108 This work is signed and numbered by the artist. This work is part of the Vera List Anniversary Print P...

Print: Digital Print on Moab Entrada Size: 457 x 305 mm (18 x 12 in) Edition of 50 Signed certificate of authenticity (2017) The Bruce High Quality Foundation, the official ar...

Print Digital Print on Moab Entrada Measures: 15.87 x 12.00 in 40.3 x 30.5 cm Edition of 100 Art by Garrick Gott This print is from Oh So Pretty: Punk in Print 1976-80—an unrivalled collection of visually striking ephemera from Britain’s punk subculture. The volume presents 500 artefacts, 'zines,' gig posters...

Print Full bleed six-color silkscreen printed on Letra Ecru 300 gsm Measures: 34.00 x 24.50 in 86.4 x 62.2 cm Edition of 50 This work is signed and numbered by the artist on recto. The imagery for this edition is derived in part from what Michael Bauer calls his “telephone drawings”—quick, loose sketches made while talking on the phone or otherwise distracted. Bauer saves these doodles, no matter how rough or silly, and uses them as raw materials to be copied, scanned, altered, and combined. Bauer often works in series, making groups of paintings that metaphorically “talk back” to one another while simultaneously standing on their own as individual works. As he says, “Every painting that I do relies on the last twenty I did.” In a neat literalization of his process, this print includes the words “baba” and “creme,” recurring terms Bauer uses as verbal readymades for their phonetic qualities and mutable meanings. The amorphic, animalistic forms of German painter Michael Bauer are built upon color washes, meandering lines, and bulbous protrusions. Utilizing a variety of rendering techniques and materials, including pointillism, text and high-chroma colors, Bauer transforms his free-form compositions into dynamic and ornamented abstractions. He borrows from the colorful tradition of Modernist composition, juxtaposing collaged cutouts with a bevy of 20th century painting methodologies—including Cubist, Pop, and Surrealist techniques—to make the swirling paintings...

Possibility of laminated on dibond, with metal structure, on request. Depth 3 cm for lamination otherwise photograph sent in roll - Printing in seven copies. CEDRIC ROULLIAT...

Antique Vanity Fair Print 'Four-in-Hand' Baron Adolph Wilhelm Deichmann – 1903 This is an original Vanity Fair lithograph dated May 14, 1903, t...

This vinyl print is from the Belmont Park Racetrack in Elmont, New York. It features the horse of the year in 2011 named Havre de Grace. Great condition with minor scuffs on the righ...

This plate shows a ruin near the water. Source unknown, to be determined. Most likely engraved by C. de Bruijn, c.1700. Artists and Engravers: Cornelis de Bruijn (also spelled Cornel...