Fabric Tapestries

Artful and exceptional handwoven wool tapestry or Gobelin called Wieze in polish, means Towers. Designed by Polish Artist Piotr Grabowski and handwoven by Szczakiel Elfryda in 1982 a...

Bacchus and Ariadne, early 18th Century mythological tapestry Flemish, early 18th Century Width 428cm, depth 276cm, height 2cm The tapestry is rec...

Huge 17th C. Regal Flemish baroque Historical tapestry Royal court Antique LA CA . The period followed Renaissance and preceded Rococo and Neoclassical styles. The movement exuberant...

Textile of the Royal Manufacture of Aubusson of the 19th century. Representation of some flowers. Perfect state of preservation. Reinforced by a fabric on the back of the work Dimen...

This antique needlepoint tapestry was hand woven in France, circa 1920. Rectangular in shape, the colorful wall decor depicts a large central medallion framed by curling acanthus lea...

Very beautiful late 20th century little rug with a beautiful design of the tree of life, with beautiful flowers and nice colors, entirely and very finely hand knotted with silk velvet.

Philippe Hecquet, Birds of the Sun - Tapestry Manufacture Aubusson - L200xh150 - No. 1477 Located a stone's throw from the Eiffel Tower in Paris, we are a French family business spe...

This Beautiful Large Tapestry Style Velvet Picture, depiciting an Elizabethan Courlty Scene. Possibly originating from Belgium this wonderful Piece sits in Large Wooden Dark Oak Fram...

73014 Antique French Silk Aubusson Tapestry, 05'00 x 07'00. French Aubusson tapestries are exquisite handwoven textiles originating from the town of Aubusson in central France. Craft...

Rug, or tapestry, after the work of Jean-Michel Basquiat entitled « Têtes de poule » and dated 1982. Hand-knotted and in Merino wool. Can be installed on the floor or displayed o...

Midcentury tapestry designed by Rene Perrot 91912-1979) and woven at Atelier Riviere des Borderies in Aubusson, France. Handwoven in wool, it dates to 1946...

A striking example of American textile artistry, this mid-19th century blue and white Jacquard coverlet is dated 1847 and showcases rich patriotic and natural symbolism. The central field features repeating floral medallions, while the border is adorned with stylized trees and birds — a motif popular in folk art textile traditions. The corner block displays a bold American eagle flanked by stars, underscoring the patriotic spirit of the era. Woven entirely by hand using a Jacquard loom, this coverlet not only exemplifies exceptional craftsmanship but also the uniquely personal tradition of the time, where the names of recipients or makers were often woven into the lower corners of the textile. While this particular piece does not bear a legible name, it's clear date and iconic design elements speak to its authenticity and heritage. A museum-quality piece, ideal for collectors of American folk art, decorators working with historic interiors, or anyone seeking a meaningful textile accent with both visual and historic impact. Dimensions: 80” x 82” Date of Manufacture: Mid 19th Century (1847) Place of Origin: United States Material: Wool Condition: Wear consistent with age and use The Persian Knot Gallery, SKU: 2225 19th century American coverlet, blue and white Jacquard coverlet, 1847 dated coverlet, eagle and stars coverlet, antique...

Aubusson Tapestry, The Scene of the Birth of Jesus Christ - 2m24x1m72, No. 1045 Cleaned and Lined by our Artisan Workshop Era: 19th century Condition: Perfect condition Material: Woo...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

73703 Antique Persian Kerman Pictorial rug, Nader Shah Afshahr, Tapestry Wall Hanging. This antique Kerman rug displays a pictorial scene of Nader Shah Afsh...

French vintage flower printed linen and cotton curtains Dimensions : Hanging length 96" Width (each) 47" One curtain is made up of thre...

77259 Tree of life design vintage Hereke Turkish prayer rug, Garden of Paradise tapestry wall hanging. This hand knotted silk vintage Turkish Hereke prayer rug displays a tree of lif...

78927 Vintage Egyptian Pictorial Kilim Rug, 05'00 x 03'05. Step into a world where the sands of time meet the vibrant traditions of village life with this stunning handwoven wool vin...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

An 18th century Brussels mythological hunting tapestry, size 9' H x 8' W, depicting the Roman goddess of the hunt, Diana, reposing in a forest setting with her attendants, with one h...

Very beautiful mid century polish tapestry Kilim, with beautiful native design and nice colors, entirely hand woven with wool on cotton foundation. ✨✨...

Nice little French needlepoint tapestry with beautiful floral design and nice natural colors, entirely hand embroidered with needlepoint method with wool. ✨✨✨ "Experience the epitom...

FLOW is a fiber art tapestry made out of hundreds of knots, a technique also known as macrame. The design is an exploration of form and texture, examining the interplay between fluid...

This dramatic piece is an impressive statement piece for almost any room.Custom sizes and others colours available by request. Each piece is completely made to order and is availabl...

This elegant and large antique tapestry was woven in the town of Aubusson, France, circa 1760. The rectangular landscape scene depicts fishermen...

French mechanical tapestry with child's play design.

Each panel : Each panel = Height : 206 cm (81,1 in.) ; Width : 56 cm (22 in.) ; Depth : 4 cm (1,5 in.) Beautiful set of four tapestries representing children’s pastorals, woven by the Beauvais Manufacture on cardboards by F. Boucher, inspired by his serie of paintings delivered around 1751 to the marquise de Pompadour for her Château de Crécy...

This is an antique framed sampler. An English, needlepoint tapestry panel, dated to the Victorian period and later, circa 1850. Delightful ea...

Pretty vintage French Aubusson style tapestry with a nice design and light colours, woven in mechanical jacquard looms with cotton, wool and acrylic, ✨✨✨ "Experience the epitome of...

1060 - very fine and fresh Tapestry 19th century Aubusson With pretty colors with its original border.

A fine and large Flemish 17th-18th century Baroque figural historical tapestry fragment. The large tapestry depicting an allegorical Royal family scene of a warrior meeting his new b...

c. 1930 linen banner (likely cotton) advertising a dry/steam cleaner business. There are no identifiers as to which business, so this was likely placed on the storefront to draw in b...

Vintage Wall Tapestry in the style of Don Freedman c 1970s " great design and size" " this tapestry will make any room a little more cozy and soft"

An antique 18th century French Felletin verdure landscape tapestry, size 8'10 H x 9'7 W. This handwoven antique wall hanging feat...

Exquisite late 19th-century French needlepoint tapestry originally from a chair cover but can be also use for cushions, or frames. Adorned with a captivating floral design from the N...

Beautiful French Jaquar Aubusson style tapestry, with nice romantic design and beautiful colors, mechanical Jaquar fabric with wool woven. ✨✨✨ "Experience the epitome of luxury and ...

Mid-Century tapestry designed by Jean Lurcat and woven at Atelier Suzanne Goubely-Gatien in Aubusson, France. Hand woven in wool, it dates to the 1950s and entitled "Bahia La Rouge...

Antique Tekke Turkmen torba of very fine weave with turreted gul design. A good Tekke torba with excellent colour and good wool. The torba has survive...

This tapestry has already been cleaned, revised and doubled in our artisan workshop Period: 19th century Condition: Perfect condition Material: Wool & Silk Width: 208 cm Height: 240 ...

1960s wall hanging tapestry in the style of Joan Miro. Excellent condition.

Exceptional master tapisserie from Brocard Museum Royal collection, brought directly from the estate of the Museum; Vente collection brocard 1998; P.D... Silver thread tapestry origi...

Unique wall tapestry by Jean Leuenberger

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Wall Tapestry – Geometric Composition from the 70s This wall tapestry, created in France around 1970 by an unknown artist, is a textile work of art that stands out for its exception...

73692 Charles le Brun Gobelins Inspired Château Neuf Saint-Germain Tapestry with Louis XIV Style, Wall Hanging 06'00 x 07'03. This hand-woven wool Louis X...

"Exquisite fragment of a border of a French Aubusson tapestry from the middle of the 17th century, featuring a beautiful design of flowers and nice natural colours, entirely hand wov...

Victorian Sampler, 1839, by Emma Kite. The sampler is worked in silk threads on a linen ground. Meandering floral border. Colours green, blue, light brown, silver, black, gold and red. Verse reads, 'What is our God or what his name...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Outstanding hand printed on wool wall tapestry.    

Nice french Aubusson style tapestry with beautiful design of nature and town, and nice colors, woven by mechanical Jaquar manufacturing with wool and cotton. ✨✨✨ "Experience the epi...

Discover the elegance of modern French tapestry with the exquisite "Caraïbes" design by Jean Michel Lartigaud. This limited edition masterpiece, woven in vibrant shades of orange, ye...

Beautiful 17th Century French Aubusson Tapestry Measures: 281 x 235

Antique French Aubusson Tapestry Birds Wool & Silk Large 5x9 1900 4'10" x 9'2" 148cm x 280cm "This is an outstanding antique French Aubusson tapestry in a fantastic large square size- This wool & silk treasure incorporates impeccable attention to detail- Depicting a scene of Hermes and Mercury...

An English William Morris verdure tapestry from the turn of the 20th century, featuring several peacocks within a verdant setting of large leaves and floral sprays. Enclosed within a...

A wall hanging tapestry, simply put, is a textile specifically designed and woven to portray an artistic scene with the intent of hanging it on a wall. Antique tapestries, those that...

Bit map series 01 by Luft Tanaka Studio A multicolored and visually striking throw blanket / wall tapestry woven out of 100 % cotton yarn. Measures: ...

Vintage Swedish Modernist design wool wall rug Finely woven wool rug somewhat reminiscent of a native American Navajo Chiefs blanket 168 x 86 cm approximate Period 1960s Conditi...

Very beautiful late 19th century French Aubusson tapestry with a nice design in the garden, two women sitting and talking while a man plays music, with nice light colours with yello...