Belgian Tapestries

An antique 18th century Flemish mythological tapestry, size 11'0 H x 12'6 W. This period European tapestry depicts the Greek God Apollo, who is the deity of the arts, poetry, crops, ...

An absolutely gorgeous Louis XIV style Brass Ormolu Mounted and Framed wool Handvoven Tapestry. Tapestry depicts an music room / orchestra scene with a young lady / organ or piano pl...

A Museum Quality piece, this is an exquisite example of a late 17th/ early 18th Century Brussels Baroque Mythological Tapestry. It is a complete piece with its original border, measu...

A fine and large Flemish 17th-18th century Baroque figural historical tapestry fragment. The large tapestry depicting an allegorical Royal family scene of a warrior meeting his new b...

This Beautiful Large Tapestry Style Velvet Picture, depiciting an Elizabethan Courlty Scene. Possibly originating from Belgium this wonderful Piece sits in Large Wooden Dark Oak Fram...

17th Century Flanders Biblical Tapestry ( 10' x 12'8" - 305 x 385 ) Subject: Scene from a life of Moses Series, probably the reconciliation of Miriam and Zipporah Period: Late 16th ...

Converse #2 Wall Sculpture by Delphine Cobbaert Dimensions: W 49.3 x D 3 x H 47.3 cm Materials: Wool, Linen, Mohair, Silk, Painted wood. Delphine Cobbaert is a Belgian textile arti...

Provenance: Oudenaarde manufacture, Flanders, Mid-16th Century Tapestry wool and silk texture Dimensions 340/330 x 340/338cm Extremely rare piece In good condition Washed and lined It is a typical Flemish tapestry "with large leaves", well preserved, woven with green, yellow and brown yarns whose colors have remained fresh and intense. The market and collectors in recent decades have greatly re-evaluated tapestries with "large leaves", appreciating their high decorative value and ability to blend in with modern furnishings. Our tapestry belongs to a very particular subcategory of the "feuille de...

Rare Mid 1800's Antique Flemish Tapestry Fine wool & silk beige 7'1" x 8'8" (216cm x 264cm) Circa 1850 "This is a very fine Authentic Antique Flemish Tapestry in Wool & Silk hunti...

'Noyau' (Nucleus) tapestry by Veerle Dupont (b. 1942, Belgian), 1979. Mixed natural fibres are woven in abstract, sculptural design. Various weaving techniques were employed to enha...

Hand-woven in Flanders (part of modern-day Belgium) during the 1700s, this wool and silk tapestry features a thick canopy of trees outside of a walled city. This style of weaving, kn...

Rare 18th century wool and silk tapestry by Leyniers Belgian, 18th Century Length 247cm, width 283cm Beautifully executed and vibrantly coloured, this large tapestry was made in 18th century Brussels by Urbanus (1674-1747) and Daniel III Leyniers (1705-1770). The tapestry depicts ‘Eumenes’ wrestling match’ or ‘Eumene’s Struggle’ (‘La Lutte d'Eumenes') inspired by the Greek philosopher and historian, Plutarch’s ‘Parallel Lives’ written around second century A.D. King Phillip...

A Flemish Renaissance Biblical Tapestry 16th century In an open architectural setting, the central crowned and enthroned female figure flanked by three handmaidens, a fourth to the left urging a boy towards a kneeling woman on the right with an apple in her right hand, on the left a wooded landscape with a man walking in the distance, a man striking another over the head in the mid-ground, and a man, a woman, and a handmaiden approaching the scene in the foreground, on the right a man gesturing while others flee up a staircase and out of the scene, within a flower and fruit cluster surround punctuated along the top and bottom edges by balustrades and sphinxes, and along the sides by a figure, a mask, and a beaded and crowned man...

An antique late 17th century Flemish Biblical tapestry, size: 9'5 H x 6'5 W, envisioning the Old Testament Biblical conflict between Cain and Able, with ...

Grand 17th century Oudenaarde tapestry is a work of art that only the masters of Flanders could produce. Works from the region were in demand the w...

Period: 18th century - 1780 Condition: Perfect condition Material: Wool & Silk Width: 185cm Height: 85cm Depth: 1cm

16th century, Flemish storied wood tapestry Flanders Brussels The beautiful and precious tapestry, of fine workmanship and made with wool yarns, was made in the 16th century in F...

17th Century Flemish Garden tapestry depicting a serene countryside landscape. Woven in wool and silk, this tapestry displays an exquisite sense of artistry and depth. Two charming animals are depicted in the foreground surrounded by lush foliage revealing a view towards the formal gardens...

A Flemish historical tapestry panel from the 17th century, featuring the famed Roman general, Gaeus Marcius, now called Coriolanus, returning triumphantly from the battle in which he captured the Volscian town of Corioli, arriving on horseback with his Volscian prisoners in tow, and greeted by his domineering mother, Volumnia, as well as the cheering Roman townspeople. Enclosed within a narrow monochrome border. Wool with silk inlay. Measures: 8’6” H x 7’10” W. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...

A beautiful pair of tapestry fragments, hand-woven in Flanders (now Belgium), circa 1580. At roughly 132 inches (11 feet) long, the fragments were, originally, vertical borders to a very large and brightly colored tapestry. The colors have maintained their vibrancy over the last 400+ years, with deep blue, brown, green, and red accents over a gold and cream background. Although the fragments do not have identical scenes, it is readily apparent that they originated from the same source. At the top of each fragment is a bearded warrior clad in golden armor with a flowing blue cape and green greaves. A shield rests on the ground, supported by the soldier’s left hand, while his right hand lifts a spear into the air. Towards the center of the textile is a pair of musicians, one strumming a lute, while the other plucks a lyre. At the bottom of each tapestry is a single female figure, well-dressed and sitting on a bench with one arm overhead. The remaining areas have been filled with fruit bouquets, architectural elements, and other figurative representations. A more recent navy blue border surrounds the scenes and the backs have been lined with a mauve colored linen. Our hand-woven tapestry borders...

Antique 17th century Flemish tapestry with the Liberal Arts & Areas of Knowledge An antique 17th century Flemish genre tapestry panel, size 13'1 H x 9'0 W, depicting the Liberal A...

17th Century Pair of Flemish Tapestry ( 2' x 3'4" - 62 x 102 )

This is a lovely Antique 17th Century Square Green Floral Flemish Verdure tapestry depicting a nobleman out for a stroll with two noblewomen on a beautiful summer day in the countrys...

A Brussels historical tapestry from the late 16th century, featuring several armed figures in the foreground about to engage in battle, as other figures on horseback draw closer from the distance; within a wooded forest setting. Wool with silk inlay. Measures: 8’0” H x 5’7” W. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...

A large and impressive 17th century Flemish handwoven Flemish tapestry. Titled: "Battle over Jerusalem" depicting a battle between the crusaders and the Muslims over Jerusalem,  ...

"Discover Lion II – Darius Tapestry – A stunning vintage Belgian tapestry showcasing a captivating design inspired by the rich history of Pers...

An exquisite 17th-century Flemish Baroque tapestry fragment, beautifully preserved and presented in a later giltwood frame. This fragment captures the richness of Baroque artistry wi...

Brussels 18th century Bacchanale Tapestry, circa 1760 7'4 x 10'6 wide. A Brussels tapestry early 18th century. A Bacchanale scene of young children drinking from wine barrels under a...

Monumental landscape espace XXXIV handmade wool tapestry by Mira Sohlen Dimensions: D 200 x H 200 cm Materials: Wool Weight: 18 kg Monumenta...

Very beautiful tapestry describing a verdure from the end of the 17th century/beginning of the 18th century from the Flanders Elegant tapestry representing a deer and a doe in the f...

A very fine baroque Franco-Flemish 18th century figural tapestry allegorical to triumph and love, depicting three maidens within a verdure backgro...

A spectacular flemish 17 century combined verdure and mythological handwoven wool tapestry in a simple palette of beige, green, brown and blue, framed with a complete floral border and its original protective burlap backing .Combining romanticism, classicism and baroque artistry, this tapestry is a quintessential example of this highly evolved art form that flourished in Dutch-influenced Flanders throughout the 17th century. The exact mythological event represented by the tapestry is unfortunately not known and I urge viewers and readers of this write up who may recognize the scene to please contact us with the information, for which we would be greatly appreciative. The scene depicted by the tapestry revolves around three life-size classically draped figures with the leading protagonist consisting of a plumed helmeted and uniformed high ranking Roman official in the foreground taking up the entire left hand side of the tapestry. The official is holding the hand of a young woman and is pointing in the direction of a partially visible masted galleon suggesting a departure or a sea faring...

The Martyrdom of Santa Barbara Wool and silk tapestry Bruges, 1530-50 270 x 198 cm Expertise by Professor Guy Delmarcel This Flemish tapestry is a remarkable example of 16th-century craftsmanship, distinguished by its exceptionally well-preserved color palette. The medaillon-shaped center stands out against a background of dark blue roses and acanthus leaves. It depicts the martyrdom of Saint Barbara, identified by the tower where she was imprisoned. According to legend, her father, Dioscorus, is about to behead her with a scimitar, while an angel descends from the heavens to strike him with lightning. At the bottom, beneath Saint Barbara, two fantastical creatures. On the left is a griffon depicted with the body of a lion and the head and wings of an eagle. On the right is a creature with the body of a leopard, the head of an elephant adorned in a fancy blue cloak. Both animals face each other standing either side of a green hill top in the middle of the tapestry. The lavish scene of the tapestry is framed by a border which is embellished with foliage, flowers and fantastical elephant heads in blue and white on a red background. The corners and center of the edges display goldsmith-objects. The vibrant brick-red colour and striking bluish-green leaves create a stunning visual impact, showcasing the outstanding state of conservation. Professor Guy Delmarcel connects this tapestry to a series of textiles produced in Bruges after 1530, characterized by their fantastical nature scenes populated with imaginative creatures. Most feature similar roses and acanthus-leaves as well as other vegetation, with wild animals appearing ready to attack. Two almost identical pieces preserved at the Art Institute of Chicago (Bruges, 336 x 599 cm) and the Rijksmuseum in Amsterdam ("Tournai," 285 x 490 cm) serve as prime examples. The entire surface is filled with greenery, along with birds and fantastic animals. This tapestry exemplifies the rich decorative style of the time, merging naturalistic and poetic elements with exotic animals that spark the imagination. Other works of this type follow the theme of the "Closed Garden." In the lower register, fantastical creatures occasionally appear, as seen in the exquisite Bruges Tapestry displayed at the Museum of Decorative Arts in Paris, and in the example from the Burrell Collection in Glasgow. The Parisian tapestry from Bruges features a mythical animal in the lower register, dressed in blue fabric, which closely resembles the animal in our tapestry. If Enghien or other centers produced similar pieces, several elements suggest a stronger connection to Bruges for two formal reasons: The overall colour-palette of our tapestry fabric characterized by pronounced brick-red colours and bluish-green leaves, aligns more closely with Bruges than with Tournai or Enghien. The intricate border design with the warm brick-red background, adorned with floral motifs, goldsmith-inspired elements such as incense burners and small bells, can be traced back to Bruges around 1530. This style, often associated with heraldic imagery, underscores the tapestry's connection to the city's rich artistic heritage. A comparable example is the tapestry featuring the Arms of Paolo Giovio, now part of the Prince of Liechtenstein's collection in Vaduz. This piece, set against a brick-red background, depicts arms and armors, cornucopias, boys riding grotesque dolphins, as well as various flowers and leaves. All available literature dates this group of tapestries to the second quarter of the sixteenth century. A key formal element further supports this dating: the executioner, depicted preparing to behead Barbara, wields a Turkish scimitar, a reference to the frequent Ottoman incursions into Central Europe beginning with the 1529 siege of Vienna...

Brussels late 17th century tapestry, "Asia" from a Four Continents series. Designed by Lodowijk van Schoor, Woven in the Workshop of J. van der Borcht I Size: 9'4 high x 18' wide. Wool, silk and metal thread pattern wefts This extremely colorful and attractive late Baroque Flemish tapestry with a popular iconography is the product of two important figures in 17th century Brussels weaving. J. van der Borcht I (circa 1650–1713) was a master weaver and tapestry entrepreneur who established a most distinguished family tapestry firm and was followed by J. van der Borcht II, Jasper van der Borcht, Pieter van der Borcht and Jan Frans van der Borcht, taking the operations into the mid18th century. Their wealthy patrons allowed the firm to engage some of the best designers and as a result the artistic quality, as well as the sheer technical execution, is always high. The Van der Borchts wove tapestry series (or single pieces) of Mythological Scenes, Months, Allegories, Armorials, Triumphs of the Gods, The Continents, as well as more down-to-earth genre scenes designed or inspired by David Teniers II or Teniers III. Their artist designers included, besides the Teniers, Jan van Orley, Augustin Coppens, Gerard Lairesse, Phillipe de Hondt, and the Antwerp-born Lodowijk van Schoor (circa 1650–1702), the designer of U-1362. Van Schoor was the successor of David Teniers III. He was the designer or co-creator of about fifteen sets of tapestries. His cartoons were utilized and copied in both the Northern and Southern Netherlands, and continued popular well into the 18th century. His style, especially in his later works, is more harmonious and refined than Teniers and he avoided genre scenes with peasants. Van Schoor sometimes collaborated with other artists, for example Lucas Aertschellinck (1620 – 1699) who specialized in landscape backgrounds as in the set of Mythological Scenes” woven circa 1700 in the Van der Borcht shop. He did not collaborate on this tapestry, Van Schoor’s figures are graceful and his color schemes vivid, in keeping with the best of contemporary Flemish tapestry. Van Schoor’s designs influenced artists working at great remove from Brussels, even so far as the Florentine workshop of Bernini and Demignot where a Van Schoor inspired “Four Continents” set was woven in the early 1720s. The “Four Continents” or “Four Parts of the World” was a popular theme in the 17th and 18th centuries for tapestry patrons. Each continent was identified by native peoples and animals: America (North and South together) by Indians and the Turkey bird...

A museum quality piece, this is an exquisite example of a 17th century antique Flemish mythological tapestry depicting Mercury, Janus, and the Sabine Women...

16th Century Antique Flemish Silk And Wool Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 2 in x 10 ft 9 in (3.1 m x 3.28 m)

An antique 17th century Brussels Old Testament Biblical tapestry, size 11 '3 H x 10'10 W, featuring Isaac with his sons, Jacob and Esau, and other figures nearby. Enclosed within an ...

A fabulous 19th-century handwoven tapestry in an excellent condition. The scene of celebration among nature. A similar technique is used for making the tapestry as in Aubusson and Ne...

16th Century Antique Flemish Silk And Wool Biblical Scene Tapestry, Country Of Origin: Belgium, Circa Date: 16th Century. Size: 10 ft 8 in x 11 ft 3 in (3.25 m x 3.43 m)

In the late 17th century, Brussels tapestry weavers achieved remarkable heights of artistry and technique, exemplified by a fine tapestry from circa 1680 that vividly depicts a dramatic battle scene. This masterpiece, crafted from a blend of silk and wool, showcases a rich array of colors—primarily blues, greens, and reds—that create a visually arresting narrative. The central motif of the tapestry is a dynamic and detailed battle scene, where the vibrant hues of blues, greens, and reds intertwine to convey the intensity and chaos of the conflict. The blues range from deep, somber tones that suggest a foreboding sky or tumultuous waters, to lighter, almost ethereal shades that might evoke a sense of movement or distance. Greens provide a lush, verdant backdrop, perhaps representing a forested terrain or rolling hills, and contrast strikingly with the reds that highlight the uniforms of the soldiers, the banners they bear, or the flashes of conflict. The tapestry’s execution in silk and wool adds a luxurious texture and depth to the image. The silk contributes a lustrous sheen to the colors, enhancing their vibrancy and making the reds particularly vivid. The wool, with its more subdued texture, provides a rich, tactile quality that adds to the overall grandeur of the piece. Framing this central battle tableau is an intricately detailed border that serves as both a decorative and narrative element. This border features a lively array of figures, fruits, and birds, rendered with the same meticulous attention to detail as the central scene. The figures, often depicted in an elegant and somewhat theatrical style, may include allegorical or mythological characters, adding layers of symbolism and context to the tapestry. The fruits, depicted in lush, vibrant colors, provide a contrast to the intensity of the battle, symbolizing abundance and prosperity. Birds, possibly rendered in mid-flight or perched gracefully, enhance the sense of movement and liveliness that permeates the artwork. The border’s detailed design serves to frame the central action, drawing the viewer's eye inward and providing a harmonious balance to the overall composition. It is not merely a decorative element but an integral part of the tapestry, enriching the narrative and adding to its visual complexity. In its entirety, this Brussels tapestry from the late 17th century stands as a testament to the skill and artistry of its creators. Its use of color, texture, and detailed border elements reflects the opulence and sophistication of the period, making it a significant example of the era's weaving artistry and a captivating portrayal of historical and artistic grandeur. The Battle of Cannae: Hannibal's Masterstroke The Battle of Cannae, fought in 216 BC during the Second Punic War, is one of the most celebrated and studied military engagements in history. The conflict took place between the forces of Carthage, led by the brilliant general Hannibal Barca, and the Roman...

Notable 18th century Flemish Tapestry Depicting the Biblical Account (Genesis 19) of Lots Flight from the destruction of Sodom and Gomorrah with Lot...

Opus XLIII handmade wool tapestry by Mira Sohlen Dimensions: D70 x H130 cm Materials: Wool Weight: 4 kg Opus XLIII Each tapestry is calle...

Fountain and Architecture This narrow silk and wool tapestry fragment dates to the 1600s and is from Brussels. It is depicting a statue of the Greek God, Hermes (Mercury to the Ro...

Sverige by Natalie Van der Massen Limited Edition, 10 pieces. Dimensions: 195 x H 290cm Materials: 100% Linen. Dyed in Midnight Blue/ Anthracit...

Underneath #3 Wall Sculpture by Delphine Cobbaert Dimensions: W 100 x D 3 x H 105 cm Materials: Wool, Linen, Jute, Horsehair. Delphine Cobbaert is a Belgian textile artist, designe...

Vintage Tapestry Gallant Scene by Belge D' Art from the late 20th century. It is a beautiful tapestry, wall hanging, in Rococo style, featuring a gallant scene - a figural scene in n...

Opus XLII handmade wool tapestry by Mira Sohlen Dimensions: D49 x H235 cm Materials: Wool Weight: 5 kg Opus XLII Each tapestry is called ...

Late 16th century-early 17th century Flemish tapestry.

Magnificent Flemish tapestry after the renown painting of Peter Paul Ruben's "Decius Mus preparing for Death," 1616-1617. Upon hearing his fate pronounced by the High Priest of Rome, Decius Mus receives his last rites...

Antique pergola tapestry handwoven in wool and silk in Bruges, Belgium in the mid-16th Century. Pergola tapestries are typified by a harmony between ...

Curve #1 Wall Sculpture by Delphine Cobbaert Dimensions: W 54 x D 3 x H 44 cm Materials: Wool, Paperyarn, Linen, Hout. Delphine Cobbaert is a Belgian textile artist, designer and c...

Immense 17th Century Flemish wool verdure tapestry Flemish, 17th Century Height 323cm, width 424cm This very large and exquisite tapestry was crafted in wool in Flanders during the ...

This Flemish 18th Century tapestry features a man and woman in a landscape setting with a floral border above and below. Frayed edges and losses in fabric indicate age. Unusual size ...

Beautiful and well preserved 17th Century Flemish mythological tapestry, possibly Wauters Workshop, Flanders, Antwerp. Retaining good colour and backed in Belgium linen. With some be...

Impressive textured wall tapestry, Belgium 1970s. The tapestry is handwoven from different natural fibers and is exposing an interesting horizon...

An antique Brussels biblical tapestry from the late 16th century, attributed to Jan (Ian) Raes, depicting Moses at right, with Joshua kneeling before ...

Opus XLIV handmade wool tapestry by Mira Sohlen Dimensions: D 80 x H 174 cm Materials: wool Weight: 8 kg Opus XLIV Each tapestry is calle...

Our extraordinary 17th century tapestry from Brussels, in the manner of Jacques II Geubels (-1633), depicts Zeus and Hera being handed the world. 10 feet 8 inches by 13 feet 3 inches...

Good quality, early 18th Century (Circa 1730) tapestry wall hanging. Depicting people playing on a swing in a rural setting. Retaining bright colours throughout.

A Flemish Verdure Tapestry, 18th Century Depicting a woodland scene, with a large tree in the foreground and a city in the far background. Provenance: Private Australian Collection...