19th Century Buddha Figure in Prayer Hand-Carved from Sandstone

A pair of 19th century Hindu temple fragments. This pair of antique fragments were elements of a section of hand-carved wood frieze, within a...

A European carved stone lion from the 19th century, or potentially older. This antique stone lion statute features nice hand carved details, includ...

A pair of 19th century Hindu temple fragments. This pair of antique fragments were elements of a section of hand-carved wood frieze, within a...

An exquisite pair of hand carved Hindu wooden temple struts, mounted on stone bases, from the 19th century. This pair of antique temple struts from S. In...

A European carved stone lion garden statue from the 18th century. This antique sculpture from Europe has been hand-carved in the image of a m...

A pair of French carved stone ducks from the 19th century. This delightful pair of antique stone ducks from France have been hand carved in primitive fashion and feature a sleeping d...

A sublime and well carved Korean lacquered and gilt wood figure of Amitabha Buddha (Amita Bul), Joseon Dynasty, early 19th century, Korea. The Budd...

18th/19th century Buddha Statue carved of Alabaster. Burmese Shan Buddha Statue 1800ca, collected in Myanmar Shan State 1998. Legs crossed, the left hand in the lap, and the right ha...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

Monumental Chinese carved and painted Quan Yin figure 19th century Remarkable large scale statue of Quan Yin (Goddess of Mercy and Compassion) Am...

A sculpture of a male torso in traditional attire, hand carved from a single piece of sandstone. From Thailand. Mounted on a wood / metal stand. Size: 27 inches high.

A lovely sandstone Buddha head on wooden base, early 1900's, Utttar Pradesh, Northern India. The hand-carved features include the typical snail-s...