Natural Pearl More Necklaces

Pendant in 18 karat rose gold, eagle's head hallmark. Probably the transformation of an antique earring, this pendant features a gold circle topped by a knotted ribbon, which holds a...

Pendant in 18 Karat rose gold, eagle head hallmark and silver. This sumptuous antique pendant features an openwork design of vegetal garlands, drapery and bows, set with rose-cut dia...

Original 1880's Victorian pendant with bow and wreath design pendant set with 43 natural untreated pearls along with one old cut diamond and one natural sapphire. Natural patina. 18 ...

An Holbein style amethyst, diamond, enamel, natural pearl and gold pendant, circa 1865 It is oval, carrying in its center an amethyst in a set, each punctuated by a rose-cut diamond. The entourage is enamelled in polychrome cloisonné, also enhanced with rose-cut diamonds. The border is of small fine pearls and a square pendant in tassel. The reverse is finely engraved with arabesques and foliage. The original jewelry drawings by German painter Hans Holbein the Younger (1497-1543), court painter of King Henry VII...

Antique, early 1800's garnet and pearl domed pendant necklace. Oval garnet center stone with a 3 row halo of pearls, set in 14k yellow gold with a pear sha...

Pendant in 18 karat yellow gold. Superb antique cameo of an elegant engraved on chalcedony, it is set on a satin yellow gold pendant set with a fall of half natural pearls on both si...

An English Antique 15 karat gold necklace with amethyst, diamond and natural pearl. The necklace has an oval cut amethyst approximately 9.50 carats, 30 old mine-cut diamonds with an ...

How sweet to discover this rare beauty of turquoise and natural pearls, still resting undisturbed in its original fitted box. A vivid garden of blooms for the neckline, in clear blue...

Spectacular Victorian Pave Turquoise and Pearl Sparrow Necklace from the mid 19th Century. Extremely high quality manufacture with fitted box as well ...

The fine quality of the natural pearl and banded agate locket made me stopped me in my tracks when in London.. The border glows with the luster of ...

Gone With the Wind era pearl necklace - approx 5000 seed pearls, all hand drilled. In original leather/velvet carrying case. It appears that there was once a bracelet and earrings to...

18 carat yellow gold and silver necklace eagle's head hallmark. Featuring an openwork floral design set with rose cut diamonds. The necklace features a yellow gold Iris motif set with a fine flat pearl...

Pendant in 18 Karat yellow gold, eagle's head hallmark. In the shape of an antique cross, this pendant is set with half natural pearls, and in pendent with 2 round amethysts set with...

Saint Cecelia chatelaine pendant by Froment-Meurice. A gold and silver pendant in the Renaissance Revival style, the main element composed of an ornately carved openwork architectural structure in the form of an altarpiece, the central niche surmounted by a cupola set with pearls, with scroll and scalloped details to the interior and suspending a fleur-de-lis, containing a figure of Saint Cecelia playing a viola da gamba with two dancing putti to either side, flanked by two smaller raised pedestals issuing fleur-de-lis, each set with a putto (one playing a harp, the other playing a triangle), suspending a double swagged gold chain set with pearls, with two further chains suspending on one side a circular lapis lazuli seal in a trumpet form mount and on the other a watch winder, the whole accented with blue enamel and set to the reverse with a hinged band loop, approximately 9.5cm in total length. Tested yellow gold and silver, French, circa 1850. François Désiré Froment-Meurice (1802-1855) was one of the most important French jewellery and silversmiths of the nineteenth century, described by Victor Hugo as the Cellini of his age. He exhibited in a number of International Exhibitions, where Queen Victoria and Prince Albert were among his clients. The Renaissance Revival, as seen here, and the Gothic Revival were his two major decorative styles. This piece is also typical of his penchant for placing a silver figure, usually female, within a yellow gold architectural mount. The central figure and flanking putti are identical to those found on two brooches by Froment-Meurice, one in the Birmingham Museum and one in the Schmuckmuseum Pforzheim. Another brooch by Froment-Meurice, in the collection of the Victoria and Albert Museum, features a similar central figure, but this time as an angel with wings, in a silver oval blue enamelled frame. These examples also bear a similar gold and blue enamel architectural mount, and differ only in the surrounding and pendulant embellishments. Saint Cecelia is the patroness of music, whose feast day is celebrated each November. A Roman maiden, she was amongst the earliest and most famous of the Roman martyrs, reputedly beheaded in 230 AD under the Emperor Alexander Severus. Throughout history, Saint Cecelia has inspired musicians and poets alike, appearing in John Dryden...

A very chic 1890s Russian necklace, beautifully composed with various fine gemstones. The center stone is a bright pear shaped imperial topaz, below...

Victorian onyx, gold and seed pearl locket pendant circa 1880's. Lovely buckle motif with photo compartment in back. USA 1880's. 2.25" x 1.5". Origin...

Natural pearls scattered artfully in Art Nouveau scroll work surrounding an exquisite show-stopping pear shaped amethyst. The beautiful hand made chain measures 22 inches in length a...

Pendant and its chain in 18 karat yellow gold, eagle head hallmark. Delightful antique necklace, it is constituted of a bird of prey in flight which holds in its beak a natural pearl...