Chrysocolla Pendant Necklaces

18kt gold Cammeo Pendant Brooch Dama cammeo pin that can be used as a pendant too totally handmade in italy

Diamond Brooch, 18 Karat Gold, in floral design. Brooch can also be worn as a pendant. The diamonds are of very good quality, color and purity.

Italian convertible pendant brooch with coral. A very versatile convertible pendant and brooch, created In Italy during the post modernism period, ba...

Catholic Rosary Necklace in Sterling Silver (92.5% pure silver). This necklace is your perfect prayer and it can be worn around your neck. There is a g...

One of a Kind Hand Carved Black Obsidian Pendant reminiscent of a Scarab, surrounded by beautiful clean White 3mm Sapphires. Bold statement piece. S...

A Genuine & Natural Plain Emerald Beads Necklace with an Indian Kundan Enamel Pendant. The emerald beads are 5 to 6MM. The clasp is 14K Yellow Gold. Tota...

Exceptional modernist spikes pendant-brooch. A contemporary statement piece crafted in the shape of a Maltese cross in solid 18 karats of textured yellow gold. Is suited at the reverse with a horizontal hinged pin bar, with a lock. This can be used also as a pendant to hang into a chain. Is mounted in the center, with one Mabe white pearl of 21.5 mm and four spiky elements carved from natural translucent white quartz with a combined weight of 28 carats. The scimitar shaped rays are accented with 4 calibrated marquise cuts diamonds symmetrically placed, 0.40 carats, F/G color, VS-2 clarity. Although this design had already been used for more than 2000 years since ancient times, fashion and jewelry houses such as Verdura, Channel and Bvlgari integrated this very popular model into their designs. Being since then an icon of high fashion. One of the most iconic pieces of jewelry depicting a Maltese cross, was designed by Fulco Di Verdura (1899-1978) in 1920, when he created the iconic Maltese cross cuff bracelet for his friend Coco Chanel. Have a total weight of 43.5 grams and a measures of 96 mm by 96 mm (3.77 inches). Note: The Maltese cross, is a cross symbol, consisting of four "V" or arrowhead shaped concave quadrilaterals converging at a central vertex at right angles, two tips pointing outward symmetrically. It is a heraldic cross variant which developed from earlier forms of eight-pointed crosses in the 16th century. Although chiefly associated with the Knights Hospitaller (Order of St. John, now the Sovereign Military Order of Malta...

Exquisite Chinese sterling Lapis figural enamel necklace c 1930s The fabulous Chinese sterling necklace merges two extraordinary designs into...

Vintage Chinese cinnabar and silver pendant,with red cinnabar beads,black onyx and sterling silver beads comprise this one of a kind, handmade necklace ...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

YVES SAINT LAURENT vintage rare necklace created for the launch of the perfume CHAMPAGNE by ROBERT GOOSSENS. This textured links chain necklace is embellished with rock crystal beads and a miniature CHAMPAGNE glass bottle pendant...

A showstopping necklace from Heidi Daus. This bold pendant necklace features amethyst, jade, & citrine crystals, and natural carnelian beads for a stylish, exotic, look. Brass tone....