Object d’Art Brass Pomellato King

1920´s Holy Water Font with Lady of Guadalupe and angel in light green alabaster and agate with a beautiful translucent quality and the many colors that can be achieved from this special stone...

1880´s An antique French Wedding Globe or Globe de Mariée Made for a Spanish client because it has a love angel with AMOR on it side. These are the mo...

1920´s Holy Water Font with Lady of Guadalupe and angel in light green alabaster and agate with a beautiful translucent quality and the many colors that can be achieved from this special stone...

Beautiful happy and vibrant macaw in 18k gold, diamonds and lapislazuli stone standing on a branch tree made of 18k gold Branch tree is adorned with yellow gold, diamonds, rubies, s...

Unique only One in series of two Limited Edition 18k Yellow Gold Salvador Dali Madonna de Port Lligat Pendant Necklace / Bracelet This is a limited edition numbered piece from 1970's, number 1 out of 2 ever made. This necklace comes with a pouch and a frame for collectors piece exhibit Accompanying card from Exmundart Original rights from Land Spring Enginering Ltd, propietor of the exclusive world-wide rights on this sculpture-jewel as stated in the document ordained by Salvador Dalí, and legalised by Mr. José Gómez de la Serna, Notary of Barcelona Spain. Details: Sculpture-Jewel cast wit the use of the lost wax process and denominated Madonna de Port Lligat Length: Bracelet 8¨"/ 20cm Necklace alone 19,68" / 50cm Necklace with bracelet...

Limited Edition 18k Yellow Gold Salvador Dali Christ Saint John On The Cross Pendant Necklace / Bracelet This is a limited edition numbered piece from 1970's, number 108 out of 1000 ever made. This necklace comes with a pouch and a frame for collectors piece exhibit Accompanying card from Exmundart Original rights from Land Spring Enginering Ltd, propietor of the exclusive world-wide rights on this sculpture-jewel as stated in the document ordained by Salvador Dalí, and legalised by Mr. José Gómez de la Serna, Notary of Barcelona Spain. Details: Sculpture-Jewel cast wit the use of the lost wax process and denominated Cristo de San Juan de la Cruz Length: Necklace 25" (or 17" if wearing bracelet) Bracelet: 8" You can add bracelet to the necklace. Length: Bracelet 8¨"/ 20,32cm Necklace alone 17" / 43,18cm Necklace with bracelet...

Gold & Coral Resting Lady Object By Romolo Grassi The Lady is 18k Yellow Gold on one very fine solid coral. Accented with diamonds and mounted on quartz Gold Gram Weight: 766.7 grams...

This one of a kind sculpture made from silver and marble designed to hold perfectly the 'Blue Sea' Earrings and together to be a striking Art Object. You can choose two of the three ...

Ancient Greek Rosette Necklace which can be transformed into Object D'Art, decorated with Red Coral beads in 18kt Gold and sterling Silver. "Roxanis's...

Ancient Greek Rosette Object D'Art which can be transformed into a Necklace, decorated with Red Coral beads in 18kt Gold and sterling Silver. "Roxanis's Neck" is an exceptional piece...

Unique. One of a Kind Collection Piece. Jewel Eyed Shark Figurine in Sterling Silver. This palm sized Desk and Curio Showpiece is constructed in Highly Polished Solid Sterling Silver...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...