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Hammered Silver Bowl by Tapio Wirkkala, TW 278, Finland, 1968 Decorative Bowl

Name: Hammered Silver Bowl by Tapio Wirkkala, TW 278, Finland, 1968 Decorative Bowl
Brand: Tapio Wirkkala
Price: 2209.11 CHF
Availability: InStock
Rating: 4.8 (20 reviews)

About the Item

Rare and beautiful handmade, hammered .916H Silver bowl by Tapio Wirkkala. This was made to order. Not in serial production. Diameter 15 cm, height 7 cm. By Kultakeskus Hämeenlinna Finland Weight: 363g Marked KÄSITYÖ (handmade) and with designer's monogram TW. The equivalent is described in Tapio Wirkkala's books. Engraving on the side JR At the bottom Also see picture. A fine and rare bowl. Tapio Wirkkala (1915-1985) rose to world fame in the early 1950s following the breakthrough of Finnish industrial design. He was an exceptionally prolific artist who mastered almost any material and designed both everyday objects and unique works of art. Wirkkala graduated as a decorative carver from Taideteollisuuskeskuskoulu (the School of Art and Design) in 1936, after succeeding in various design competitions, he began to gain a reputation as a pioneer of glass and silver. One of Wirkkala's most important partners in the silver industry was Kultakeskus, whose production he renewed in the 1950s. During the three decades of cooperation, Wirkkala designed a large number of products for Kultakeskus, many of which were forged by hand. Tapio Wirkkala worked for several companies simultaneously on both serial production and more individual design work. Despite the variety of design tasks, certain themes can be seen repeated in his production. Wirkkala drew inspiration from the landscapes of Lapland, where he lived with his family for part of the year. The busy artist did not compromise on his travels to Lapland under any circumstances, and he travelled to the north regularly to explore nature and seek inspiration. The forms of snow and the melting ice was the inspiration behind many of his glass objects, and the shapes of boats and leaves came to serve as an inspiration for several silver objects

Creator:
Tapio Wirkkala
Metal:
Silver
Weight:
363 g
Dimensions:
Height: 2.76 in (70 mm)Width: 5.91 in (150 mm)
Style:
Modernist
Place of Origin:
Finland
Period:
1960-1969
Date of Manufacture:
1968
Condition:
Wear consistent with age and use. Engraving on the side JR At the bottom Also see picture. A fine and rare bowl.
Seller Location:
Orimattila, FI
Reference Number:
1stDibs: LU2119221365012

Shop All Tapio Wirkkala

Tapio Wirkkala

Along with architect Alvar Aalto, the designer Tapio Wirkkala was Finland’s leading contributor to the Scandinavian interpretation of modernism in the mid-20th century. Prolific and innovative, Wirkkala excelled in a wide range of fields, including glass, furniture, porcelain, jewelry and tableware. The hallmark of his talent was an ability to impart a craft aesthetic based on natural forms — leaves, ice, bubbles, birds — to industrially produced designs.

A native of Helsinki, Wirkkala studied at the national School of Applied Arts and took up a career in graphic design. After serving in the Finnish army during World War II, he joined the glassmaking firm Iittala, an association that would continue to the end of his life. Wirkkala learned every aspect of glassmaking in keeping with his belief that an artist-designer should be involved in all stages of production. His best-known works for Iittala are vases and drinking vessels that resemble either carved ice or icicles. In 1956, Wirkkala began a long relationship with the porcelain maker Rosenthal, for whom he designed elegant table pieces, such as the Finlandia coffee service and the biomorphic Pollo vases.

House Beautiful magazine declared Wirkkala’s Leaf platter the “most beautiful object” of 1951. (The acclaim led to his brief employment stint with industrial designer Raymond Loewy in New York.) That platter was one of the first designs Wirkkala made using laminated sheets of plywood sanded to a smooth surface that resembles an abstract leaf. It would go on to become a motif in many Wirkkala furniture pieces — most notably in inlaid coffee tables for Asko — and in a sense these are the works most emblematic of his personal aesthetic.

Wirkkala was a traditionalist in many ways, but he had a modernist’s practical approach, incorporating his leaf-like spirals into simple, functional objects. That is the core attraction of Wirkkala’s designs: They stand out with a striking, sculptural energy yet blend in as part of a warm and comfortable decor.

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