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Item Ships From: Asia
Dots Infinity (1986). Screenprint. Limited Edition 58/100 by Yayoi Kusama ABE 94
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Dots Infinity (1986). Edition 58/100
Screenprint
[2 screens, 2 colors]
Signed, titled, dated and numbered 58/100 in pencil by the artist
28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category
1980s Pop Art Asia - Abstract Prints
Materials
Screen
Infinity Nets (1986). Screenprint. Limited Edition 57/100 by Yayoi Kusama ABE 95
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Infinity Nets (1986). Edition 57/100
Screenprint
[2 screens, 2 colors]
Signed, titled, dated and numbered 57/100 in pencil by the artist
28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...
Category
1980s Pop Art Asia - Abstract Prints
Materials
Screen
Abstract Landscape India Edition 3/5 Linocut Print Nature Ecco of Passion Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Rajasthan Light Natural Mustard Earth Blue Yellow
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut
Abstract India Edition 5/8 Linocut Print Nature Orange Black Red Love
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper
Edition: 5 of 8, 1999
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Wave Crest (1999). Screenprint. Limited Edition of 60 by Yayoi Kusama (ABE 251)
By Yayoi Kusama
Located in Hong Kong, HK
Yayoi Kusama
Wave Crest (1999). Edition 15/60
Screenprint
[3 screens, 2 colors, 3 runs]
59.7 x 47.8 cm (image)
76x 56.5cm (sheet)
Edition of 60 + 6 Artist Proofs + 5 Printer Proof...
Category
Early 2000s Pop Art Asia - Abstract Prints
Materials
Lithograph
Abstract Landscape India Geometric Spiral Light Viscosity Print Nature Red
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
2010s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper
Eau Forte XXV, 1974, Etching, Limited Edition of 100 by Pierre Soulages -BNF27
By Pierre Soulages
Located in Hong Kong, HK
Pierre Soulages
Eau Forte XXV 1974
Edition number: 82/100
Etching in colors, signed in pencil by the artist on Velin d'Arches paper
Printed and published by Lacouriere-Frelaut, Paris...
Category
1970s Abstract Asia - Abstract Prints
Materials
Etching
Abstract India Edition 3/5 Linocut Print Nature Love Purple Blue Turquoise
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape Indian artist Natural Pigments Australia Earth Brown Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Paper, Printer's Ink, Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Orange Black
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration “O”, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
"In this piece I use multiple layering of image, repetition of shape, layered shapes to inform my life celebration and my investigation into Indian culture"
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape Rajasthan Light Viscosity Print Natural Seasons Earth Blue
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...
Category
1990s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Abstract Landscape Rajasthan Print Nature Multicultural Faces Earth Orange Brown
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Landscape Rajasthan Light Viscosity Print Natural Jali Earth Red
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper
Abstract Landscape Rajasthan Light Viscosity Print Natural Green Turquoise
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Archival Pigment
Abstract Landscape India Rajasthan Editioned Linocut Print Natural Blue Green
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Asia - Abstract Prints
Materials
Archival Paper, Linocut, Archival Pigment
Ecriture No. 2 - 06 (2006) Limited edition of 99 by Park Seo-Bo
By Park Seo-Bo
Located in Hong Kong, HK
Park Seo-Bo
Ecriture No. 2 - 06 ((2006). Edition 66/99
Print (casting with handmade paper), hand-coloring with acrylic
76 x 55.5cm (sheet)
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Color
Source n.7 (1965) . Lithograph. Limited Edition of 16 by Toko Shinoda
By Toko Shinoda
Located in Hong Kong, HK
Toko SHINODA
(Japanese, 1913‐2021)
Source n.7, (1965) ,Lithograph on cream BFK Rives Paper
Artist Proof from an Edition of 16
25 x 19 in (sheet)
63.5 x 48.3 cm (sheet)
80 x 62 x 4 cm (framed)
Executed in 1965
Signed, dated, and inscribed "A.P."
PROVENANCE
Private Collection United States
A rare and historic print...
Category
1960s Abstract Asia - Abstract Prints
Materials
Paper, Lithograph
Caisse, 2013, Digital print on Fine art 100% cotton paper Limited edition of 300
By Bernard Frize
Located in Hong Kong, HK
Caisse, 2013,
Digital print on Fine art 100% cotton paper
Edition 294/300
Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in)
Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in)
Limited edition signe...
Category
2010s Abstract Geometric Asia - Abstract Prints
Materials
Cotton, Paper, Digital
Eau Forte XVIII, 1962, Etching, Limited Edition of 100 by Pierre Soulages -BNF19
By Pierre Soulages
Located in Hong Kong, HK
Pierre Soulages
Eau Forte XVIII, 1962
Edition number: 69/100
Etching and aquatint in colors, signed in pencil by the artist.
1 Plate on Velin d'Arches paper
Printed by Lacouriere, Pa...
Category
1960s Abstract Asia - Abstract Prints
Materials
Etching, Aquatint
Untitled (2004)
Located in Hong Kong, HK
Chiyu Uemae
Untitled
2004.05.05
Screenprint on wove paper
Signed, dated, and numbered by the artist
Edition: 14/23
Image size: 21.5 x 15.5 cm
Sheet size: 36.3 x 25.8 cm
Description:...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Paper, Screen
À la gloire de l'image et art poétique 15 lithographs by Zao Wou-ki AGE271-285
By Zao Wou-Ki
Located in Hong Kong, HK
À la gloire de l'image et art poétique,
1976 by Zao Wou-ki
Printed by Ediciones Polígrafia, Barcelona
The portfolio, comprising 15 Lithographs in color,
With the printed signatures and dates on each.
accompanied by the title page and text in French by Roger Callois,
lacking the justification, loose, as issued,
contained in a paper wrapper, lacking the cloth wrapper case,
with central fold as issued.
image 40 x 67 cm; sheet 49.7 x 71.6 cm
image 15 ³/₄ x 26 ³/₈ cm; sheet 19 ⁹/₁₆ x 28 ³/₁₆ cm
Edition of 300 plus 15 Artist Proofs.
Literature:
Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plates 271-285
About the Artist:
Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...
Category
1970s Abstract Asia - Abstract Prints
Materials
Paper, Lithograph
Néoci, 2013, Digital print on Fine art 100% cotton paper Limited edition of 300
By Bernard Frize
Located in Hong Kong, HK
Néoci, 2013,
Digital print on Fine art 100% cotton paper
Edition 126/300
Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in)
Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in)
Limited edition signed...
Category
2010s Abstract Geometric Asia - Abstract Prints
Materials
Cotton, Paper, Digital
Ecriture No. 1 - 06 (2006) Limited edition of 99 by Park Seo-Bo
By Park Seo-Bo
Located in Hong Kong, HK
Park Seo-Bo
Ecriture No. 1 - 06 ((2006). Edition 72/99
Print (casting with handmade paper), hand-coloring with acrylic
Signed, titled, dated and numbered in pencil
76 x 55.5cm (shee...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Color
Aimé, 2013, Digital print on Fine art 100% cotton paper. Limited edition of 300
By Bernard Frize
Located in Hong Kong, HK
Aimé, 2013,
Digital print on Fine art 100% cotton paper
Edition 35/300
Image: 46.9×40.0cm. (18 ¹⁵/₃₂ x 15 ³/₄ in)
Sheet: 70.0×50.3cm (27 ⁹/₁₆ x 19 ³/₄ in)
Limited edition signed and...
Category
2010s Abstract Geometric Asia - Abstract Prints
Materials
Cotton, Paper, Digital
Figurative Couple India Ltd Ed A/P Linocut Print Tender Days II Turquoise Brown
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
1990s Abstract Asia - Abstract Prints
Materials
Printer's Ink, Woodcut, Archival Ink, Archival Paper, Archival Pigment
Abstract India Landscape Rajasthan Tarzan Horse Viscosity Print Nature Teracotta
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
2010s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Washi Paper
Abstract Landscape Indian Art Edition 3/5 Linocut Print Nature Orange Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me."
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Red Navy Primitive
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M3, Lino-cut chin-coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Green Yellow Leaves
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Untitled, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 1999
Image size: 50 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'This work reminds me of my childhood and early youth, growing up in a village that was full of nature, surrounded by lush green. The towering Aravalli hills left a strong impression on me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Green Blue Turquoise Architectural
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Celebration B, Lino-cut on Drawing paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract India Edition 3/5 Linocut Print Nature Australia Aborigine Purple Lilac
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limite...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Edition 3/5 Linocut Print Nature Aubergine Green
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Frenzy M1, Lino-cut chin- coll’e on German Ivory paper
Edition: 3 of 5, 2005
Image size: 45 x 33 cm / Sheet size: 79 x 55 cm
Unframed
'In this work in particular I feel that a true work of art is the creation of an experience from the interaction between the human self and the outside world'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Landscape India Light Viscosity Print Yellow Red Orange Nature Harmony
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category
2010s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper
Abstract India Edition 3/5 Linocut Print Nature Sea Jetty Yellow Green Australia
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Jetty 2, Lino-cut on German Ivory paper
Edition: 3 of 5, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me.'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Abstract Print India Artist Proof Linocut Nature Earth Love Red Orange
By Mukesh Sharma
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest.
Mukesh Sharma, Twin Showcase, Lino-cut on German Ivory paper
Edition: AP, 2005
Image size: 47 x 39 cm / Sheet size: 79 x 55 cm
Unframed
'We belong where love finds us'
Mukesh Sharma's work:
It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio.
Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed.
In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...
Category
Early 2000s Abstract Asia - Abstract Prints
Materials
Archival Ink, Archival Paper, Linocut, Archival Pigment
Untitled, Etching on Paper, Blue, Green by Indian Artist Dipak Banerjee-In Stock
By Dipak Banerjee
Located in Kolkata, West Bengal
Dipak Banerjee - Untitled
AP - 25/32, Etching on Paper
11 x 10.5 inches, 1985
( Unframed & Delivered )
Dipak Banerjee is today the undisputed leader and ‘creator’ of what was earlie...
Category
1980s Modern Asia - Abstract Prints
Materials
Paper, Etching
Untitled, 1994, Limited Edition of 20, Screenprint by Chiyu Uemae
Located in Hong Kong, HK
Untitled (1994)
Screenprint on wove paper
Date: March 1994
Ed. 19/20
25.2 x 16.4 cm (Image)
39.4 x 28 cm (Sheet)
This 1994 screenprint by Gutai artist Chiyu Uemae presents a dense, ...
Category
1990s Asia - Abstract Prints
Materials
Screen
Untitled, 2004, abstract screenprint by Chiyu Uemae, signed, edition of 15
Located in Hong Kong, HK
Untitled (2004)
Screenprint on wove paper
Signed, dated and numbered by the artist.
Date: 2004 11 19
Ed. 4/15
27.5 x 39.2 cm (Image)
37.4 x 53 cm (Sheet)
This screenprint by Chiyu U...
Category
Early 2000s Asia - Abstract Prints
Materials
Screen
Empresses: Wu Zetian, Limited Edition by Damien Hirst (H10-1)
By Damien Hirst
Located in Hong Kong, HK
The Empresses: Wu Zetian (H10-1 )
Laminated Giclée print on aluminum composite, screen printed with glitter.
Limited Edition: Edition Number 154/2853
Artwork dimensions: 100 x 100 cm...
Category
2010s Contemporary Asia - Abstract Prints
Materials
Giclée
Small circles with blue, red and green circles, screenprint by Atsuko Tanaka
Located in Hong Kong, HK
Atsuko Tanaka
Small circles with blue, red and green circles
screenprint,
14.5 x 9.5cm image
37.7 x 27 cm sheet
42 x 32 cm framed
ed. 61/100
Small circles with blue, red and green ...
Category
Late 20th Century Abstract Expressionist Asia - Abstract Prints
Materials
Screen
Voiles à la mer lithograph by Zao Wou-ki 1953 (AGE 81)
By Zao Wou-Ki
Located in Hong Kong, HK
Voiles à la mer, color Lithograph on Rives paper
1953 by Zao Wou-ki
Printed in 5 colors by E. and J. Desjobert, Paris
Published by La Hune, Paris
signed and numbered
image 36.5 x 49 cm; sheet 50.0 x 65 cm
Edition 106/120
Provenance:
Private Collection Germany
Literature:
Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 81
About the Artist:
Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...
Category
1950s French School Asia - Abstract Prints
Materials
Paper, Lithograph
Dry Point, Etching on Paper, Black color by Modern Indian Artist “In Stock”
By Amitabh Sengupta
Located in Kolkata, West Bengal
Amitabh Sengupta - Dry Point - 25.5 x 19.5 inches (unframed size)
Etching on Paper , 2012
Inclusive of shipment in roll form.
Style : In Amitabh SenGupta's works TIME is depicted in...
Category
2010s Modern Asia - Abstract Prints
Materials
Paper, Etching
Untitled, Digital Graphics on Paper by Modern Indian Artist “In Stock”
By Amitabh Sengupta
Located in Kolkata, West Bengal
Amitabh Sengupta - Untitled - 13 x 19 inches (unframed size)
Digital Graphics on Paper
Inclusive of shipment in roll form.
Style : In Amitabh SenGupta's works TIME is depicted in va...
Category
2010s Modern Asia - Abstract Prints
Materials
Paper, Digital
Empresses: Suiko, Limited Edition by Damien Hirst (H10-4)
By Damien Hirst
Located in Hong Kong, HK
The Empresses: Suiko (H10-4 )
Laminated Giclée print on aluminum composite, screen printed with glitter.
Limited Edition: Edition Number 157/3310
Artwork dimensions: 100 x 100 cm
Sig...
Category
2010s Contemporary Asia - Abstract Prints
Materials
Giclée
Empresses (5 prints) Limited Edition by Damien Hirst (H10-1, -2, -3, -4, -5)
By Damien Hirst
Located in Hong Kong, HK
The Empresses:
Wu Zetian (H10-1 )
Nūr Jahān (H10-2 )
Theodora (H10-3 )
Suiko (H10-4 )
Taytu Betul (H10-5 )
Laminated Giclée prints (5) on aluminum composite, screen printed with gl...
Category
2010s Contemporary Asia - Abstract Prints
Materials
Giclée
Empresses: Taytu Betul, Limited Edition by Damien Hirst (H10-5)
By Damien Hirst
Located in Hong Kong, HK
The Empresses: Taytu Betul (H10-5 )
Laminated Giclée print on aluminum composite, screen printed with glitter.
Limited Edition: Edition Number 157/2814
Artwork dimensions: 100 x 100 ...
Category
2010s Contemporary Asia - Abstract Prints
Materials
Giclée
Nu Debout etching by Zao Wou-ki 1951 (AGE 71)
By Zao Wou-Ki
Located in Hong Kong, HK
Nu Debout, Etching on Rives paper
1951 by Zao Wou-ki
Printed in 2 colors and 2 plates by G. Leblanc, Paris
signed and numbered
image 29.7 x 23.7 cm, sheet 29.7 x 23.7 cm
Edition 5/50
Provenance:
Private Collection United States
Literature:
Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 71
About the Artist:
Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...
Category
1950s French School Asia - Abstract Prints
Materials
Paper, Etching
Empresses: Nūr Jahān, Limited Edition by Damien Hirst (H10-2)
By Damien Hirst
Located in Hong Kong, HK
The Empresses: Nūr Jahān (H10-2 )
Laminated Giclée print on aluminum composite, screen printed with glitter.
Limited Edition: Edition Number 157/3041
Artwork dimensions: 100 x 100 cm...
Category
2010s Contemporary Asia - Abstract Prints
Materials
Giclée
Extension 2, 2013, Digital print on Fine art 100% cotton paper. Edition of 300
By Bernard Frize
Located in Hong Kong, HK
Extension 2, 2013,
Digital print on Fine art 100% cotton paper
Edition 64/300
Image: 46.9×40.0cm. (18 ¹⁵/₃₂ x 15 ³/₄ in)
Sheet: 70.0×50.3cm (27 ⁹/₁₆ x 19 ³/₄ in)
Limited edition sig...
Category
2010s Abstract Geometric Asia - Abstract Prints
Materials
Cotton, Paper, Digital
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #11
By Yang Dongying
Located in Beijing, CN
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #11
The piece is signed and numbered, limited edition of 99 A.P
About Spring Rosy Clouds
The highly conceptual series has drawn materials from the rocks of Chinese Gardens. Garden rocks, viewed as mountains -the larger world of nature in microcosm, often supplanted actual scenery as sources of inspiration for images of landscape. Whether it’s garden design or Chinese landscape painting, one of the most important considerations is the harmonious arrangement of elements expressing different aspects of yin( metaphor of feminity) and yang(metaphor of masculinity).
In this series, the artist uses digital techniques to combine the image of flower (feminity) and rocks (masculinity), expressing the vitality of life. Behind the simple lines lie an outstanding creating ability of lines that have long set the artist apart. The pink color, along with the implied meaning of Spring in the title of work suggests implicitly the repressed sexual concept in East, revealing in a moderate tone the artist’s insight about contemporary Chinese culture.
About The Artist:
Yang Dongying...
Category
2010s Pop Art Asia - Abstract Prints
Materials
Giclée
ZAO WOU-KI - L’encre, l’eau, l’air, la couleur. Encre de Chine et aquare
By Zao Wou-Ki
Located in BRUCE, ACT
ZAO WOU-KI (1920-2013) and Philippe DAGEN (born in 1959).
L’encre, l’eau, l’air, la couleur. Encre de Chine et aquarelles 1954 - 2007.
Paris : Albin Michel. 2008.
In-folio (455 x ...
Category
1980s Abstract Asia - Abstract Prints
Materials
Lithograph
$6,480 Sale Price
40% Off
Abstract Expressionist Prints - Long Night
Located in Beijing, CN
Description:
Tang Chenghua (B.1964)
Silk screen Prints
98 x 65 cm
Dated 2019
Edition 43 of 100, hand signed lower right
About Tang Chenghua
Tang Chenghua was born in 1964 in ...
Category
2010s Abstract Expressionist Asia - Abstract Prints
Materials
Pigment
Abstract Expressionist Prints - Sensations of Spring
Located in Beijing, CN
Description:
Tang Chenghua (B.1964)
Silk screen Prints
98 x 65 cm
Dated 2019
Edition 29 of 100, hand signed Tang Chenghua in chinese lower right
About Tang Chenghua
Tang Chen...
Category
2010s Abstract Expressionist Asia - Abstract Prints
Materials
Pigment
Abstract Expressionist Prints - Memory of Summer No.5
Located in Beijing, CN
Description:
Tang Chenghua (B.1964)
Silk screen Prints
55 x 45 cm
Dated 2018
Edition 08 of 100, hand signed Tang Chenghua in chinese lower right
About Tang Chenghua
Tang Chen...
Category
2010s Abstract Expressionist Asia - Abstract Prints
Materials
Pigment
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #9
By Yang Dongying
Located in Beijing, CN
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #9
The piece is signed and numbered, limited edition of 99 A.P
About Spring Rosy Clouds
The highly conceptual series has drawn materials from the rocks of Chinese Gardens. Garden rocks viewed as mountains -the larger world of nature in microcosm, often supplanted actual scenery as sources of inspiration for images of landscape. Whether it’s garden design or Chinese landscape painting, one of the most important considerations is the harmonious arrangement of elements expressing different aspects of yin( metaphor of feminity) and yang...
Category
2010s Pop Art Asia - Abstract Prints
Materials
Giclée
Abstract Expressionist Prints - The Charm of the South No.31
Located in Beijing, CN
Description:
Tang Chenghua (B.1964)
Silk screen Prints
42 x 76 cm
Dated 2018
Edition 08 of 100, hand signed Tang Chenghua in chinese lower right
About Tang Chenghua
Tang Chen...
Category
2010s Abstract Expressionist Asia - Abstract Prints
Materials
Pigment
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #12
By Yang Dongying
Located in Beijing, CN
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #12
The piece is signed and numbered, limited edition of 99 A.P
About Spring Rosy Clouds
The highly conceptual series has drawn materials from the rocks of Chinese Gardens. Garden rocks...
Category
2010s Pop Art Asia - Abstract Prints
Materials
Giclée
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #14
By Yang Dongying
Located in Beijing, CN
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #14
The piece is signed and numbered, limited edition of 99 A.P
About Spring Rosy Clouds
The highly conceptual series has drawn materials from the rocks of Chinese Gardens. Garden rocks...
Category
2010s Pop Art Asia - Abstract Prints
Materials
Giclée
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #10
By Yang Dongying
Located in Beijing, CN
Pop Style- Limited Edition Abstract Prints - Spring Rosy Clouds #10
The piece is signed and numbered, limited edition of 99 A.P
About Spring Rosy Clouds
The highly conceptual series has drawn materials from the rocks of Chinese Gardens. Garden rocks, viewed as mountains -the larger world of nature in microcosm, often supplanted actual scenery as sources of inspiration for images of landscape. Whether it’s garden design or Chinese landscape painting, one of the most important considerations is the harmonious arrangement of elements expressing different aspects of yin( metaphor of feminity) and yang(metaphor of masculinity).
In this series, the artist uses digital techniques to combine the image of flower (feminity) and rocks (masculinity), expressing the vitality of life. Behind the simple lines lie an outstanding creating ability of lines that have long set the artist apart. The pink color, along with the implied meaning of Spring in the title of work suggests implicitly the repressed sexual concept in East, revealing in a moderate tone the artist’s insight about contemporary Chinese culture.
About The Artist:
Yang Dongying...
Category
2010s Pop Art Asia - Abstract Prints
Materials
Giclée
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