Bay Area - Landscape Prints
to
29
191
196
170
128
105
Overall Width
to
Overall Height
to
185
60
47
36
15
13
4
2
1
1
1
1
130
41
29
23
23
157
171
229
233
2
1
1
6
1
1
1
5
8
3
105
469
287
26
197
179
151
137
102
98
96
70
62
54
45
44
43
43
36
33
32
32
31
29
203
196
187
184
145
224
344
790
11,688
4,624
Item Ships From: Bay Area
Morning Valley Light (Hand-printed cyanotype, 18 x 24 inches)
Located in Oakland, CA
Unframed. New from 2023.
This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. Four have sold. Only six...
Category
2010s Realist Bay Area - Landscape Prints
Materials
Photogram
Golden State I -study of a desert botanical phenomenon California's super bloom
By Frank Schott
Located in San Francisco, CA
Golden State I by Frank Schott
a photography study of a rare desert botanical phenomenon, California's "superbloom", a rare desert botanical phenomen...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée
Cloud Study III - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea
CLOUD Study III...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Black and ...
Southern & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Estats de L'Empire des Turqs en Europe, ou sont les Beglerbeglicz our Gouvernements" was originally created by Nicholas Sanson d'Abbeville and this version was published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts the territories of the Ottoman Empire in Europe, predominantly Eastern Europe. Highlights include, the Mediterranean Sea, the Adriatic Sea, the Black Sea, the Dalmation Coast including present day Croatia, Bosnia and Herzegovina, Montenegro, Serbia, Slovenia, Italy, Greece, North Macedonia, Turkey, Romania, Hungary, Albania, Kosovo, Bulgaria, Transylvania, Moldova and southern portions of France, Switzerland, Germany, and Poland..
The map consists of two sheets joined as one along a vertical joint. The map has original hand-coloring. It is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 24.88" high and 38" wide. There is a central vertical joint, as issued. The map is in very good condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
1690s Bay Area - Landscape Prints
Materials
Engraving
Palm Springs ( Water ) - a study of iconic mid century desert architecture
By Frank Schott
Located in San Francisco, CA
Palm Springs ( Water ) by Frank Schott
40 x 32 inches ( 132 x 81cm )
edition of 25 signed
60 x 48 inches ( 152 x 122 cm )
edition of 7 signed
72.5 x 58 inches ( 184 x 147 cm )
e...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée
Johns Hopkins Hospital
By Samuel Donovan Swann
Located in San Francisco, CA
This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Africa: A Large 17th Century Hand-colored Map By Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large original hand-colored copperplate engraved map of Africa entitled "L'Afrique divisee suivant l'estendue de ses principales parties ou sont distingues les uns des autres, L...
Category
1690s Bay Area - Landscape Prints
Materials
Engraving
"Une Partie de Campagne": 19th Century Honore Daumier Caricature
By Honoré Daumier
Located in Alamo, CA
This is a 19th century Honore Daumier lithographic caricature/satire entitled "Une Partie de Campagne" (Part of the Campaign), plate 59 from the ser...
Category
Mid-19th Century Other Art Style Bay Area - Landscape Prints
Materials
Lithograph
Barocco Romano II - large format photograph of Baroque marble sculpture textiles
By Frank Schott
Located in San Francisco, CA
Highly detailed large format photograph of the iconic marble sculpture of Urbano VIII by Bernini at the Palazzo dei Conservatori, from a series of photographic observances capturing the intricate sculptural tactile details of iconic Baroque marble works in Rome.
Gian Lorenzo Bernini (1598-1680) was an Italian architect and more prominently the leading sculptor of his age, creating the Baroque style of sculpture under Pope VIII Urbano. A promoter of the arts, Urban VIII was the foremost patron of this important Baroque sculptor and architect, some of whose finest works he commissioned, including the loggias of St. Peter, Rome, and Urban’s tomb in the basilica.
Barocco Romano II by Frank Schott
30 x 45 inches / 76cm x 114cm
signed edition of 25
48 x 72 inches / 122cm x 188cm
signed edition of 7
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
________________________
About the artist:
Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence.
Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels.
Influenced by a number of photographic piers and precursors such as Candida Höfer, Andreas Gursky. Thomas Struth. Jeff Wall, Hiroshi Sugimoto, Steven Shore...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
YES (framed) - large format photograph of conceptual motivational sign at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph with "frameless" glass face mounting from a series of conceptual motivational messages on classic Americana billboard signs in the iconic landscape of...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Plexiglass
An Antique Engraved View of "Romelborg", Sweden in the 17th C. by Erik Dahlberg
By Erik Dahlberg
Located in Alamo, CA
An antique engraved view of "Romelborg", Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johan...
Category
Early 18th Century Naturalistic Bay Area - Landscape Prints
Materials
Laid Paper, Engraving
Murmures
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Murmures" 1989 is an original color lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A (Artist Proof) in pencil by the artist. Referenced and pictured in the artist's catalogue raisonne by Mazo. plate #31. The image size is 23.80 x 30 inches, framed size is 39.25 x 44.5 inches. Custom framed in a wooden gold frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist Bay Area - Landscape Prints
Materials
Lithograph
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
By Thomas Rowlandson
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Early 1800s Other Art Style Bay Area - Landscape Prints
Materials
Etching, Aquatint
Aspen Study III - large scale photograph of Indian summer autumnal color palette
By Frank Schott
Located in San Francisco, CA
Aspen Study III by Frank Schott
a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Colosseo Quadrato - iconic neoclassical architectural elements in Rome
By Frank Schott
Located in San Francisco, CA
Colosseo Quadrato (2020) by Frank Schott, from a series of photographic observances capturing Roman urban textures and color palettes of timeless ar...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée
Southern Greece: A Large 17th Century Hand-colored Map By Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...
Category
1690s Bay Area - Landscape Prints
Materials
Engraving
Overpass - large scape photograph of conceptual sign in desert landscape
By Christian Stoll
Located in San Francisco, CA
Overpass by Christian Stoll
48 x 72 inches (122 x 183cm)
signed edition of 7
27 x 40 inches (68 x 102cm)
signed edition of 25
archival fine art pigment print
signed + numbered by ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Circus Series C
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Circus Series C" c.1990, is an original monoprint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 1/1 in penc...
Category
Late 20th Century Abstract Expressionist Bay Area - Landscape Prints
Materials
Monoprint
Pine Ridge (24 x 16 inch hand-printed cyanotype)
Located in Oakland, CA
A larger hand-printed version of the 7.5 x 11" photograph of the same name. Only 10 editions made. These iconic Monterey pines can be found all up and down the coast of northern Cali...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Innenhof auf Schloss Schallaburg
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Innenhof auf Schloss Schallaburg" c.1930 is a color etching on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed by the artist's estat...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Mid-18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving, Mezzotint
The Journey's End (Framed hand-printed cyanotype: 24 x 36 inches)
Located in Oakland, CA
FRAMED. Image itself measured 20 x 30 inch original photograph and is matted and framed in 24 x 36 inch (60 x 91cm) white metal gallery frame with a 1-inch profile.
This photograph ...
Category
2010s Realist Bay Area - Landscape Prints
Materials
Photogram
Beach Comber - large format photograph of iconic utility truck at night
By Erik Pawassar
Located in San Francisco, CA
Beach Comber by Erik Pawassar
27 x 40 inches (69 x 102cm)
signed edition of 25
48 x 71 inches (122 x 180cm)
signed edition of 7
archival fine art pigment print
signed & numbered ...
Category
21st Century and Contemporary Contemporary Bay Area - Landscape Prints
Materials
Archival Pigment, Photographic Paper, Archival Paper, Giclée
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
1810s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Vienna Scene
By Robert Kasimir
Located in San Francisco, CA
This artwork titled "Vienna Scene, Austria" c. 1950 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
TODAY - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...
Category
21st Century and Contemporary Conceptual Bay Area - Landscape Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Forest Light (hand-stained cyanotype, 12 x 9" matted to 14 x 11")
Located in Oakland, CA
A glimpse between tree trunks of distant Monterey pines dissolving into the light and fog. This is a hand-stained contact photo using the antique cyanotype process from the 1800s. Th...
Category
2010s Contemporary Bay Area - Landscape Prints
Materials
Paper, Archival Paper, Rag Paper, Photogram
Untitled
By Billy Al Bengston
Located in San Francisco, CA
Artist: Billy Al Bengston – American (1934-2022)
Title: Untitled
Year: 1990
Medium: Lithograph, silkscreen on Arches paper
Sight size: 19.5 x 25.5 inches.
Sheet size: 24 x 30 inches.
Signature: Signed lower right
Publisher: Cirrus Editions, Ltd., Los Angeles, CA
Edition: 250 This one: 120/250
Condition: Excellent
This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches.
Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene."
Early life and education
Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956.
Career
Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang".
After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface."
Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...
Category
1990s Pop Art Bay Area - Landscape Prints
Materials
Paper, Lithograph, Screen
The Tallest Pine (Hand-printed cyanotype, 18 x 10 inches)
Located in Oakland, CA
This is a hand-printed photograph using a 19h century process. The view is of a very misty morning in the woods in the hills across the bay from San Francisco when one could only see...
Category
2010s Realist Bay Area - Landscape Prints
Materials
Photogram
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
By William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
1820s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category
1760s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
China: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...
Category
Mid-18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
East Cove
By Virgil Trasher
Located in San Francisco, CA
This artwork titled "East Cove" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and titl...
Category
Late 20th Century American Modern Bay Area - Landscape Prints
Materials
Screen
An Antique Engraved View of Copper Mining in Sweden in the 17th C. by Dahlberg
By Erik Dahlberg
Located in Alamo, CA
This is an antique engraved view entitled "Fodinae aerariae Falunenfis, qui orientem fpectat, delineatio" (Copper mining in Falun), Sweden in 1705 from "Sueciae Antiquae et Hodiernae"' published in Stockholm by Erik Dahlberg (1625-1703). The engraving was created by Johannes van den Aveelen (1650-1727), who was an accomplished copperplate engraver who emigrated to Sweden to work on Dahlberg's spectacular book, "Sueciae Antiquae et Hodiernae", which was focused on the views and architecture of Sweden, both in the ancient past and at the time of the publication.
This engraving depicts a very active 17th century working scene...
Category
Early 18th Century Naturalistic Bay Area - Landscape Prints
Materials
Laid Paper, Engraving
The Sun Flower
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "The Sun Flower" c.1990, is an original colors woodcut on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 9/20 in...
Category
Late 20th Century Abstract Expressionist Bay Area - Landscape Prints
Materials
Woodcut
Hoer Dachstein, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...
Category
Mid-20th Century Realist Bay Area - Landscape Prints
Materials
Etching
A Greenfinch & A Sparrow: An 18th Century Hand-colored Engraving by Martinet
By François Nicolas Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Greenfinch bird and a tree sparrow ("1, Le Friquet, 2. Le Verdier") by Francois Nicolas Martinet, plate 227 from 'Histoire Naturelle des Oiseaux...
Category
1760s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Great Britain, N. France: A Large 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored 17th century copperplate engraved map entitled "Le Royaume D Angleterre, distingué en ses Provinces. Par le Sr. Sanson. Geographe du Roy. Presenté A Monseigne...
Category
1690s Bay Area - Landscape Prints
Materials
Engraving
Danube River, Italy, Greece and Croatia: A Hand-colored 18th C. Homann Map
By Johann Baptist Homann
Located in Alamo, CA
"Fluviorum in Europa principis Danubii" is a hand-colored map of the region about the Danube river created by Johann Baptist Homann (1663-1724) in his 'Atlas Novus Terrarum', publish...
Category
Early 18th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Winslow Homer 19th Century Woodcut Engraving "The Morning Walk"
By Winslow Homer
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...
Category
1870s American Impressionist Bay Area - Landscape Prints
Materials
Engraving, Woodcut
Europa Regnorum Provinciarum: 18th Century Hand-colored Map of Europe by Lotter
By Tobias Conrad Lotter
Located in Alamo, CA
This is an 18th century hand-colored copperplate engraved map entitled "Europa Regnorum Provinciarum Regionum" created by the German cartographer Tobias Conrad Lotter. It was publish...
Category
Mid-18th Century Bay Area - Landscape Prints
Materials
Engraving
Munichau (Austria)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist Bay Area - Landscape Prints
Materials
Etching
Piranesi 18th C. Etching "Reliquiae Theartri Pompejani" an Ancient Roman Theater
By Giovanni Battista Piranesi
Located in Alamo, CA
This a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Reliquiae Theartri Pompejani" (Remains of the Theatre of Pompey) from "Il Campo Marzio dell'Antica Roma" (The Campus Martius of Ancient Rome), published in Rome in 1762. It depicts the remains of an ancient theater in Rome with exposed seating and an arch still standing in the foreground. An inset shows an architectural side view of a portion of the structure.
The etching is presented in an antiqued silver-colored wood frame with a cream-colored French mat. The frame measures 24" x 20.75" x 1.25". The print is in excellent condition.
The Theatre of Pompey (Latin: Theatrum Pompeii, Italian: Teatro di Pompeo) was a structure in Ancient Rome built during the latter part of the Roman Republican era by Pompey the Great...
Category
Mid-18th Century Old Masters Bay Area - Landscape Prints
Materials
Etching
Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category
Early 19th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Black-billed Cuckoo: An Original 1st Ed. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st octavo edition John James Audubon hand-colored lithograph entitled "Black-billed Cuckoo, 1. Male, 2, Female, Magnolia Grandiflora", No. 56, Plate 276 from Audubon's "Birds of America, lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a female black-billed cuckoo perched on a branch of a magnolia tree reaching for a flying insect. The male appears to be in flight in front of magnolia leaves on the right, perhaps after the same insect. Magnolia flowers are depicted, as well.
This original 1st octavo edition hand-colored Audubon Black-billed Cuckoo lithograph is in excellent condition, other than a few tiny spots in the upper margin and a tiny faint spot in the lower inscription area. The sheet measures 6.5" high by 10.13" wide. The original text pages, 300-302, from Audubon's 19th century publication are included with the lithograph.
John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison, once stabbing a disgruntled investor in self-defense. However, his obsession with birds and art motivated him to persist in his goal of documenting every bird in America via his watercolor paintings and publishing his works for all to enjoy. Audubon's first illustrations were published in a large elephant folio size. Due to their expense they were purchased in rather small numbers by the wealthy. To reach a larger audience, Audubon, with the help of his sons and J. T. Bowen, published a smaller octavo sized lithograph version, which were much more affordable.
With the success of his bird projects, Audubon then turned his attention to four-legged animals. He explored the Missouri River in 1843 sketching the four-legged animals he encountered in their natural setting. His expedition covered some of the same regions recently explored by Lewis and Clark, traveling from present day Alaska to Mexico. Audubon realized that this was an opportunity to document these animals in the still relatively pristine American wilderness, before man encroached on their environment.
Between 1845 and 1848, Audubon and his sons John Woodhouse Audubon and Victor Gifford Audubon produced a set of elephant folio sized lithographs that were primarily engraved and hand colored by J. T. Bowen in Philadelphia. The publication, which included text descriptions of the animals was published 3 years before Audubon died. As with the birds, this was followed by a three-volume set of 155 octavo-sized plates entitled “The Quadrupeds of North America” completed and published by Audubon’s sons, John, Jr. and Victor.
Audubon prints continue to be popular and a wise investment. The double elephant folio set...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Circus Series C
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Circus Series C" c.1990, is an original woodcut monoprint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 1/1...
Category
Late 20th Century Abstract Expressionist Bay Area - Landscape Prints
Materials
Monoprint
Children in a Boat
By Ming Wai
Located in San Francisco, CA
This artwork, "Children in a boat" 1976 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 21.5 x 28.75 inches, sheet size is 32.5 x 39.5 inches. Custom framed in wood dark brown rustic frame and beige matting. It is in excellent condition
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Bay Area - Landscape Prints
Materials
Engraving
Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
By Gerard Mercator
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category
Early 17th Century Old Masters Bay Area - Landscape Prints
Materials
Engraving
Orchids" Framed 19th C. Hand-Colored Engraving of "Lycaste Harrisoniae" by Fitch
By John Nugent Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Lycaste Harrisoniae Eburnea" Orchids by John Nugent Fitch is plate 100 in Robert Warner's publication 'The Orchid Al...
Category
1880s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
"Landscape with Pond" Large original color serigraph
By Anton Sipos
Located in San Francisco, CA
This artwork titled "Lanscape with Pond" is an original color serigraph by noted Bosnian artist Anton Sipos, b.1938. It is hand signed and numbered 225/275...
Category
Late 20th Century Impressionist Bay Area - Landscape Prints
Materials
Screen
Willet or Stone Curlew: A First Octavo Edition Audubon Hand-colored Lithograph
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored royal first octavo edition lithograph entitled "Semipalmated Snipe, Willet or Stone Curlew, 1. ...
Category
Mid-19th Century Naturalistic Bay Area - Landscape Prints
Materials
Lithograph
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
1810s Naturalistic Bay Area - Landscape Prints
Materials
Engraving
"Subway Construction, Moscow": An Early 20th C. Woodcut Engraving by Abramovitz
By Albert Abramovitz
Located in Alamo, CA
This is a signed woodcut engraving entitled "Subway Construction, Moscow" created by Albert Abramovitz in 1935, after a trip to the Soviet Union. It depicts many Russian workers acti...
Category
1930s Bay Area - Landscape Prints
Materials
Woodcut
The Long Trail West
Located in San Francisco, CA
This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...
Category
Late 20th Century American Realist Bay Area - Landscape Prints
Materials
Lithograph
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
By Pierre-Joseph Redouté
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Bay Area - Landscape Prints
Materials
Engraving
Happy Sisters
By Ming Wai
Located in San Francisco, CA
This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright.
About the artist:
Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...
Category
Late 20th Century Realist Bay Area - Landscape Prints
Materials
Lithograph
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Bay Area - Landscape Prints
Materials
Etching
