Belgium - Portrait Paintings

Portrait of Jesus Christ with thorn crown, painted on a lead or zinc panel. Signed on the back by Gabriel Planella Major De Edat 81.As. Period unknown.

18th century English school portrait of a lady, said to be Mrs. John Ruscombe of Colne, Lancaster, as the muse Erato This very skilfully painted portrait depicts a lady as the muse ...

Fernand Toussaint 1873 – Brussels – 1956 Belgian Painter ‘Lady in a Pink Cape’ Signature: signed lower left ‘Toussaint’
 Medium: oil on canvas
 Dimensions: image size 46 x 38 cm, f...

"Large Oil Painting On Canvas Belle époque Art Nouveau With Frame" Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Belle ...

"Oil On Canvas From The Eighteenth Century Entourage De Largilliere With Frame" 18th Century French School, Surroundings of Nicolas de Largilliere Presumed portraits of Louise Elisa...

Georges Redon (1869-1943) is a famous French painter, draftsman, caricaturist, poster designer and engraver. Art Nouveau portrait oil on canvas mounted on panel "The elegant with the...

“A portrait of three children, one of them holding a basket of grapes, while another plays the flute” Oil on canvas Housed in a blackened 17th-century frame. We'd like to thank dr...

Oil on panel Signed and dated lower left. Quiringh van Brekelenkam was a Dutch genre painter, who studied under Gerard Dou. As a result, his paintings from the 1640s and 50s are si...

Sweet and large oil painting "Sisterly love" signed and dated 1902 by August Algermissen The present painting depicts two sisters seated in an interior, the youngest is gleefully lo...

"Portrait of Emperor Rudolph of Austria (1557-1619)" circle or studio of Josef Heinz the Elder Emperor Rudolph II, born in 1552, was a visionary ruler whose reign as the Holy Roman ...

Konstantin Yegorovich Makovsky (Russian 1839 – 1915) was an influential Russian painter At the World's Fair of 1889 in Paris, he received the Large Gold Medal for his paintings Deat...

Unsigned oil on board painting painting of a 19th century woman holding a book and dressed with a lace hat and collar. The level of det...

'Room without a view' (2016) by Patrick Vertenten Born in 1964 in Sint-Niklaas, Belgium—Patrick Vertenten is a contemporary artist who paints from ...

17th century German portrait of the wine merchant Caspar Roemerskirchen at the age of 26 in 1628, attributed to Gottfried de Wedig This highly decorative portrait depicts the 26 yea...

Swyncop Charles Brussels 1895 – 1970 Belgian Painter ‘Le Petit Déjeuner – A Breakfast’ Signature: Signed, monogram top right and on revers
 Medium: Oil on canvas
 Dimensions: Image size 60,50 x 50,50 cm, frame size 78 x 68,50 cm Biography: Swyncop Charles  was born in Brussels on March 21, 1895 emerged as a distinguished Belgian painter during the first half of the 20th century, leaving an indelible mark on the art world with his vibrant and captivating works. Born into a family with a passion for art, Charles inherited his artistic inclination from his older brother, Philippe Swyncop...

Arthur Bésengez 1867 – 1947 Belgian Painter 'Portrait of a Boy' Signature: Signed lower right and dated 1913 Medium: Oil on canvas Dimensions: Image size 168 x 103, frame size 186 ...

During the Counter-Reformation, the traditional cult of saints was encouraged, and spiritual exercises were recommended to come closer to God. In the pai...

Oil On Canvas Portrait Of A Young Lady 19th century dated and signed 1874 ( Portrait of the artist's daughter ) Henri-Guillaume Schlesinger, originally Wilhelm Heinrich Schlesinger...

Jean Laudy Venlo 1877 – 1877 Sint-Lambrechts-Woluwe Dutch-Belgian Painter 'Man with a Book' Signature: Signed top right and on revers Medium: Oil on canvas Dimensions: Image size 8...

17th century old master Portrait painting of Anna Maria De Camiudo Anna Maria de Camiudo was a Spanish noblewoman and daughter of Don Pedro Velasques de Camiudo and Dona Maria de l...

Portrait of the family of Dutchess Ozarowska Adèle (born Matthiessen) The present work depicts the family of the owner of a porcelain factory in St. Petersburg. The back of the (poss...

Very fine old master miniature of Queen Catherine of Braganza Catherine of Braganza's life is a compelling mix of heroism and valuable contributions. ...

Oil on canvas, portrait painting of a young sailor boy.

James Ormsbee Chapin New Jersey 1887 – 1975 Toronto American Painter 'Lady in a Fur Waistcoat' Signature: Signed lower left and dated 1913 Medium: Oil on canvas Dimensions: Image size 100 x 75 cm, frame size 117 x 92 cm Biography: Chapin James Ormsbee, born on July 9, 1887, in West Orange, New Jersey, was a distinguished American painter and illustrator. His contributions to the art world left a lasting impact, and his legacy extended beyond the canvas into the realms of music and family connections. Chapin’s artistic journey began with formal education at Cooper Union and the Art Students League of New York. Seeking further inspiration, he continued his studies at the Royal Academy of Antwerp in Belgium. Early in his career, he garnered recognition by winning the Temple Gold Medal of the Pennsylvania Academy for his compelling portrayals of the Marvin Family. Notably, Chapin created a series of portraits in the 1920s featuring the Marvin family, a body of work that significantly influenced the early history of Regionalist art. His artistic prowess extended beyond portraiture, as evidenced by at least five cover art commissions for TIME magazine during what has been termed the golden age of TIME covers, spanning from 1942 to 1966. Chapin’s artistic creations found homes in the private collections of art enthusiasts and various prestigious institutions, including The Pennsylvania Academy of Fine Arts, The Phillips Collection, The Art Institute of Chicago, and The Harvard Art Museums, among others. In 1918, Chapin married Abby Beal Forbes in New York, and they welcomed a son named James Forbes Chapin, who later gained fame as a celebrated jazz drummer. This artistic lineage continued with James’s son, singer-songwriter Harry Chapin. Despite the initial union with Forbes, Chapin later divorced. During the late 1930s, while teaching in California, Chapin encountered Mary Fischer...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

17th century Flemish old master painting, Allegory of taste The very fine painting depicts a young boy, cheekily tasting a delicious pie. He's looking at the viewer with eyes twinkl...

Cosola Demetrio (1851-1895) Demetrio Cosola lived his entire short life between Chivasso and Turin. At the age of eighteen he entered the Accademia Albertina in Turin, where he becam...

Portrait of a young girl Oil on canvas Dedicated to his girlfriend Berthe Morris, signed and dated 1890 at the top 46 x 38 cm (without frame) Marie-Anne Reine Thévenin is the daught...

Study head of nostalgia, portrait of a melancholy-looking boy in a white shirt. Oil/canvas, signed lower left Kunz Meyer Meyer-Waldeck Kunz, an artist of Latvian origin, was born o...

Victor Creten Brussels 1878 – 1966 Belgian Painter 'A Lady in Black with a Rose' Signature: Signed lower right Medium: Oil on board Dimensions: Image size 146 x 116 cm, frame size 1...

Oil on panel Portrait of a child holding peaches, accompanied by a dog. We are grateful to Fred Meijer for confirming the attribution on the basis of high-resolution photographs. The present portrayal of a silk-robed child, attended by a pedigree puppy and holding a sprig of expensive, exotic fruit, exudes the burgeoning wealth of the mid-17th century Dutch Republic, and is characteristic of the accomplished hand of Jacob Gerritsz. Cuyp. The sex of the present child is difficult to determine with certainty, as young boys also were attired in dresses at this time, but the silk bonnet...

17th century Flemish Old master painting "Adoration of the Shepherds" by Victor Wolfvoet the Younger Surrounded by an elegant and broad black frame, i...

Gustave Jean Jacquet Paris 1846 – 1909 French Painter 'La Belle en Bleu' Signature: Signed middle right Medium: Pastel on paper mounted on canvas Dimensions: Image size 46 x 38 cm, ...

Abbéma Louise Étampes 1853 – 1927 Paris French Painter 'Lady in Paris on a Winter Day' Signature: Signed lower middle right Medium: Oil on canvas Dimensions: Image size 100 x 120 cm, frame size 112 x 132 cm Biography: Louise Abbéma, a prominent French artist of the Belle Époque, was born on October 30, 1853, in Étampes, Essonne, France. She hailed from a wealthy Parisian family with strong connections to the local artistic community. Her family’s artistic ties ran deep, as her great-grandmother was the renowned actress Louise Contat. From a young age, Abbéma exhibited a talent for painting and began her artistic journey in her early teens. She received formal training under the guidance of notable artists of her time, such as Charles Joshua Chaplin, Jean-Jacques Henner, and Carolus-Duran. Her talent and dedication bore fruit when, at the age of 23, she painted a portrait of the legendary actress Sarah Bernhardt, who became both a lifelong friend and, speculatively, a romantic partner. Abbéma’s artistic endeavors extended far beyond portraiture. She lent her creative touch to the embellishment of various iconic Parisian landmarks. Her panels and murals graced the Paris Town Hall, the Paris Opera House, numerous theaters (including the aptly named “Théâtre Sarah Bernhardt”), and even the “Palace of the Colonial Governor” in Dakar, Senegal. Her unique style combined academic and impressionistic elements, characterized by the use of light and rapid brushstrokes. Recognition continued to find Abbéma, and she became a regular exhibitor at the prestigious Paris Salon, earning an honorable mention for her work in 1881. She also had the distinction of having her art displayed at the Women’s Building during the 1893 World Columbian Exposition in Chicago. Moreover, a bust of Abbéma sculpted by Sarah Bernhardt was showcased at the exposition. Abbéma’s artistic repertoire was diverse, encompassing oil portraits and watercolors. Her work often bore the influence of Chinese and Japanese painters, as well as contemporary masters like Édouard Manet. Flowers were a recurring motif in her creations. Some of her most celebrated works include “The Seasons,” “April Morning,” “Place de la Concorde,” “Among the Flowers,” “Winter,” and portraits of prominent individuals such as actress Jeanne Samary, Emperor Dom Pedro II...

A portrait of Christine de France, duchesse de Savoi, made with oil paint on canvas. Christine Marie of France (10 February 1606 – 27 December 1663) was Duchess of Savoy from 26 Ju...

Very fine old master Portrait painting of Queen Catherine of Braganza as Saint Catherine attributed to Jacob Huysmans and studio Catherine of Braganza...

Léon Herbo Templeuve 1850 – 1907 Ixelles Belgian Painter 'Portrait of a Boy' Signature: Signed top left Medium: Oil on panel Dimensions: Image size 21 x 17 cm, frame size 44 x 40 cm...

Léon Herbo Templeuve 1850 – 1907 Ixelles Belgian Painter 'Oriental Woman with Fruits and Flowers' Signature: Signed lower left Medium: Oil on canvas Dimensions: Image size 75,50 x 9...

A portrait of a young boy holding a hunting spear and carving words into a tree and A portrait of Johanna van den Brande (1668-1691) - - Nicolaes Maes Oil on canvas The composition of our portrait of a young boy, holds a close resemblance to two other portraits painted by Maes. The first one was to be seen at Woolley and Wallace, in august 2021. It portrayed a young man, older than our boy, in a Japanese rok, also holding a hunting spear and carving words into a tree. The second one is a portrait of Christiaan van...

Oil on panel We are grateful to Koenraad Jonckheere for confirming the attribution after inspection of the original. He dates the work to circa 1570. The present portrait of a bearded man, arresting in its intimacy, capturing the contemplative gaze of the sitter, along with the intense naturalism with which his face is rendered, is an outstanding example of the oeuvre of the Antwerp master Adriaen Thomasz. Key. Attired in an expensive and modish ‘Burgundian black’ doublet...

Oil on panel Jan van Ravesteyn was described as an outstanding portrait painter by Karel van Mander as early as 1604. After a possible apprenticeshi...

The painter Armand François Joseph Henrion was born in Liege, Belgium on May 30, 1875. He died in Paris in 1958. Although Henrion was born in Liege, he is considered one of the mos...

Oil on canvas "jeune femme à l'éventail" by Jules Triquet Sublime portrait of a woman with a fan at the end of the 19th century, painted by the French painter Jules Octave Triquet V...

"Oil On Canvas, Art Nouveau XIX Portrait Lady With Oval Frame" Oil on canvas Portrait of a lady, Art Nouveau style, signed Gustav Julius GRÜN (1823-1896) German school of the 19th c...

"Oil On Canvas, Art Nouveau Portrait By Leon Tirode (1873-1956)" Old oil on canvas, Art Nouveau style, portrait "Autumn" painted and signed by Leon Tirode (1873-1956), French school...

Portrait of Sultan Isa Çelebi (died 1403),identity inscribed in Latin. Portrait of Sultan Murad III (1546–1595), identity inscribed in Latin. The present paintings refer to the works attributed to a follower of Paolo Veronese in the Bayerische Staatsgemälde Sammlungen , Würzburg . The paintings are comparable and complementary to a set of 6 Turkish rulers sold in 2022 for 1,5 M. by Sothebys. Located at the crossroads of East and West, the Ottoman Empire absorbed a diverse range of influences, including Chinese, European, and Persian, to produce a distinctive and coherent artistic language throughout a range of decorative arts. Ottoman expansion into Eastern Europe and subsequent access to the silver mines of the Balkans between the 14th and 16th C. led to a rich and skilled tradition of Ottoman silverware, tiles, dishes, and other ceramic objects. From the 16th to 19th C. the production of decorative arts continued to flourish with the introduction of both rococo and baroque elements signalling an increasingly open attitude to all things European. The production of Orientalist paintings is rich in topographical landscapes of Istanbul, genre scenes, and portraits of Ottoman notables. Europe’s fascination with its powerful, Muslim neighbours inspired a wave of accounts and paintings of the Ottoman world. The taking of Constantinople in 1453 by the young Mehmet II ('The Conqueror’) not only sparked this interest, but the young Sultan himself, who invited European painters to his court, further fuelled this fashion. The period following his reign saw relations between the Republic of Venice and its powerful neighbour reach a state of relative calm, initiating a period of exchange and trade. The present portraits of the Sultans, depicted in three-quarter view and wearing a large turban and richly embroidered cloak...

Toussaint Fernand Brussels 1873 – 1956 Belgian Painter Portrait of a Lady Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 46 x 38 cm, frame size 64 x 56 c...

17th century Flemish Old master painting "Diana and Callisto" attributed to Victor Wolfvoet the Younger Our painting is based on Rubens' great work of...

Important 18th century German portrait by the female master painter Anna Rosina de Gasc depicting Sophie of Brunswick-Wolfenbüttel Anna Rosina was born in 1713 into a family of painters of Polish noble origin in Berlin. Her mother was Maria Elizabeth Kahl from Pomerania. Her father, Georg Lisiewski (1674–1751), taught painting to Rosina and her siblings Anna Dorothea (1721–1782) and Christoph Friedrich (1725–1794). She later studied with the painter Antoine Pesne...

Sierk Schröder (1903-2002) is considered to be the most important and most requested Dutch portrait painter of the twentieth century. Many well-known fi...

This charming bucolic landscape bathes in a soft yellow light. A lady on horseback, accompanied by a boy on a donkey, stops near a shepherd. The herd looks at two fishers and quietly...

Madyol Jacques Brussels 1871 – 1950 Belgian Painter A Gypsy Lady Signature: Signed bottom right, verso signed Jacques Madyol, titled "Gitane" and placed Studio 5 Rue Gachard, Bruxel...

18th century French Rococo portrait of a young noble lady This cheerful young lady is looking at the spectator with a sparkling eyes has a cheeky smile on her face, almost as if she has just heard a funny story. She is very elegantly dressed, wearing a blue dress with embroidered silk sleeves. The bodice is adorned with a cream silk band which has been beautifully tied to a ribbon at the top, a tulle-lining completes the dress. Her hair is styled in an elaborate 18th century style and tied together with a blue and cream silk hairband. This portrait has been wonderfully painted, the artist not only beautifully depicted the fabrics, but also marvellously captured the happy nature of the sitter. The painting really has a soul, when one looks at it, it feels as if one is looking at a real person. It is very close to the works of Joseph-Siffred Duplessis (1725-1802) and it shares an uncanny resemblance to the portrait that he painted of the Comtesse de Provence, Princess of Savoie and wife of the King Louis XVIII of France. Duplessis is known to have reused many of his favoured compositions in different portraits, but he always applied slight differences, such as in the present painting. We believe that the present painting was created by someone from his very close circle. Joseph-Siffred Duplessis (1725-1802) was a renowned French portrait painter, famed for his intimately rendered portraits. After training for many years in Paris, Duplessis presented himself to the Académie in 1769 and was afforded the opportunity to exhibit regularly at the Salon. He was very successful and in 1777, he was allowed to paint a full-length portrait of Louis XVI (1754–1793) in his state robes. Two years later he created a portrait of Benjamin Franklin in a red coat with a fur collar, a painting which was the subject of much favorable comment. It was destined to become the artist’s most famous work and perhaps the best known image of the great American patriot...

Berne-Bellecour Étienne-Prosper Boulogne 1838 – 1910 Paris French Painter Battle Scene Signature: Signed middel lower left Medium: Oil on panel Dimensions: Image size 22 x 27 cm Biography: Berne-Bellecour Étienne-Prosper was born in Boulogne, France on June 29, 1838. He was a French painter illustrator and printmaker. He also practiced as a sculptor and an etcher. He studied under master teachers and artists Picot François-Édouard and Barrias Félix- Joseph. He also studied at the École des Beaux-Arts in Paris and competed in 1859 for the Prix de Rome. He also worked in photography to support himself while he studied. In 1867 he won a prize for photography at the Universal Exposition. French painter Vibert Jehan Georges...

17th century old master painting "Silenus feasting", likely studio of Sir Anthony Van Dyck Born in Antwerp in 1599, Anthony Van Dyck entered the studio of Rubens (1577 - 1640) at the age of nineteen. Quickly, the master perceives the talents of the young prodigy and makes him his first assistant. Van Dyck, for his part, has a particular admiration for the man whose name is known throughout Europe. In 1619, he was inspired by a drunken Silenus by Rubens, produced one or two years earlier for a composition on the eponymous theme. This work, now in the Dresden Museum, appears to be the first version of our painting. That work has an illustrious provenance; it was recorded in the private collection of Leopold Wilhelm (Archduke of Austria) in 1662, in 1722 it was bought by the famous German painter Antoine Pesne for the King of Saxony in Dresden (Staatliche Kunstsammlungen Dresden - Gemäldegalerie Alte Meister, Dresden, inventory number 1017). From 1945 until 1955 it was on display at the Pushkin Museum in Moskou, after having been taken by Russia after the Second World War. It was then returned to the Staatliche Kunstsammlungen Dresden where it is still on display. Our painting is of a fine quality and has been painted by a skilled and confident hand. It displays some slight variations in the composition when compared to the original; the legs of Silenus are smoother and less hairy, more humanoid than satyresque. There might also be a pentimento visible at the level of the legs where one observes traces of hair on and under the material. This area can be compared to that of a canvas by Van Dyck kept in Brussels, of a still drunk Silenus whose animal legs are formally treated in the same way as the ones in our composition. Furthermore, the skirt of the figure to the far left has a purplish-red colour in our work, whereas in the first version it appears to be white. There also appear to be differences in the sky, firstly the clouds are shaped slightly different, the sky in our painting has a more vivid colour and there is also a golden hue of a sunset visible to the far left. This treatment of the background appears close to that of a Saint Rosalie, now kept at the Metropolitan Museum in New York and dated 1625, which might offer a reference for dating our painting. In the evanescent aspect, as non finito of its figures, it is interesting to compare our Silenus to a Saint Sebastian, conserved in the Escorial Museum in Madrid. Also, the theme remains rather curious. According to Barnes and Porter, Rubens, like Van Dyck after him, was partly inspired by Book XI of Ovid's Metamorphoses, but a second literary or pictorial source remains unknown (1). For the original composition, Stephan Maaser, art historian, establishes a correspondence between the position of Silenus, referring to that of a Christ at the moment of the Lamentation or the Descent from the Cross (2); the female characters on the left and the male on the right refer more to Mary Magdalene and Saint John than to the Phrygians or the members of a bacchanalian procession. Finally, note that Silenus is not usually a faun. The success of the composition at the time of its public reception and its engraving by Franciscus van der Steen really contributed to the dissemination of the work. At the same time, it testifies to the intense activity of the painter and his studio in Antwerp, before he left to work at the English court. About Silenus: In greek mythology, Silenus was the tutor and foster-father of the wine god Dionysos, who was entrusted to his care by Hermes after his birth from the thigh of Zeus. The young god was raised by Silenus and nursed by the Nysiad nymphs in a cave on Mount Nysa. Silenus was, in essence, the spirit of the treading dance of the wine-press, his name being derived from the words seiô, "to move to and fro," and lênos, "the wine-trough." Once, when Dionysos was travelling through Phrygia, Seilenos became lost and was captured by King Midas. The king treated him hospitably and as a reward Dionysos granted him his golden touch. The artists biography: Born in Antwerp on 22 March 1599, Anthony van Dyck was the seventh child of Frans van Dyck, a wealthy silk merchant, and Maria Cuypers, who was renowned for her embroidery skills. In 1609, when he was ten years old, his parents apprenticed the precocious youth to Hendrik van Balen (1575-1632), a painter of small cabinet pictures and dean of the city's Saint Luke's Guild. Although the length of Van Dyck's stay with Van Balen is not known, it probably lasted three to four years. Van Dyck registered as a master in the Antwerp Saint Luke's Guild on 11 February 1618, by which time he was already in demand as a portrait painter (see the NGA painting, Portrait of a Flemish Lady...

Vandendaele Casimir Deinze 1818 – 1880 Ghent Belgian Painter Portrait of a Gentleman Signature: Signed bottom left and dated 1843 Medium: Oil on panel Dimensions: Image size 23 x 19...

Still Life with Flowers and Hidden Portrait Dohlmann Augusta Svanenmosegaard 1847 – 1914 Danish Painter Signature: Monogrammed bottom left and dated 83 Medium: Oil on canvas Dimens...

Not only in the 17th century, but also in the 18th century, genre painting, where people are portrayed in their daily life, was successful. The theme of the milkmaid, which we all kn...