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Item Ships From: California
Viva Mexico III (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
Celebrating human's best friend with this unique and beautiful series by Mauro Oliveira. All the colors of the rainbow and in between represent the happiness and unconditional love ...
Category

21st Century and Contemporary Pop Art California - More Prints

Materials

Giclée

Captain Cook's Exploration of Tahiti: 18th C. Hand-colored Map by Bellin
By Jacques-Nicolas Bellin
Located in Alamo, CA
This beautiful 18th century hand-colored copper plate engraved map is entitled "Carte de l'Isle de Taiti, par le Lieutenant J. Cook" was created by Jacques Nicolas Bellin and publish...
Category

Late 18th Century California - More Prints

Materials

Engraving

David Roberts' 19th Century Duo-tone Lithograph, "Suez, General View"
By David Roberts
Located in Alamo, CA
"Suez, General View" is a 19th century folio sized tinted duo-tone lithograph, plate 124 from the "The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia" volume of David Roberts’ large folio edition, published in London by F. G. Moon in 1843. The lithographs were prepared by Louis Haghe (1806-1885) from paintings by Roberts. The resultant large folio editions of 'The Holy Land' and 'Egypt & Nubia' are considered the greatest lithographically illustrated works issued in the 19th century. The lithograph depicts the Suez city skyline on a peninsula with boats moored in the bay. Men, dressed in traditional Arab costumes, rest on a hillside In the foreground with their camels, weapons and presumably goods for sale and trade. This tinted lithograph, which is professionally framed in a decorative gold-colored wood frame with cream-colored double mats. The print is in excellent condition. There are four additional listings of David Roberts hand colored engravings of Egypt...
Category

1840s Realist California - More Prints

Materials

Lithograph

18th Century Hand Colored Engraving of a Camel from Pennant's " British Zoology"
Located in Alamo, CA
An 18th Century Hand Colored Engraving of a Camel from Thomas Pennant's famous publication on natural history "The British Zoology, Published under the Inspection of the Cymmrodorion...
Category

1760s Naturalistic California - More Prints

Materials

Engraving

CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL
By Gustave Doré
Located in Santa Monica, CA
GUSTAVE DORE (French 1832-1883) CHASSEURS TYROLIENS A L'AFFUT DU CHEVREUIL (Tyrolian Hunters at the end of the Hunt) c. 1856-7 (Beraldi?) Lithograph,...
Category

1850s Romantic California - More Prints

Materials

Lithograph

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
By Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category

Late 19th Century California - More Prints

Materials

Etching

Orange Deadpan - Monoprint EV on Paper
Located in Soquel, CA
Orange Deadpan - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C), heavily textured in hu...
Category

1990s Abstract Expressionist California - More Prints

Materials

Paper, Monotype

Marilyn Forever II (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
Celebrating the one and only Marilyn Monroe by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. A "Certificate of A...
Category

21st Century and Contemporary Pop Art California - More Prints

Materials

Giclée

Takashi Murakami - And Then x 6 (Blue: The Polke Method) 2016
By Takashi Murakami
Located in Rancho Santa Fe, CA
Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...
Category

2010s Pop Art California - More Prints

Materials

Silver

Adolph Dehn "Golden Gate" Lithograph c.1940
Located in San Francisco, CA
Adolph Dehn "Golden Gate" Lithograph c.1940 Fine pencil signed lithograph issued by Associated American Artists, New York Edition size 200. Dimensions 1...
Category

Mid-20th Century Impressionist California - More Prints

Materials

Lithograph

Roman Hills, Aqueducts and Roads: An Early 18th Century Map by Jan Goeree
Located in Alamo, CA
This richly engraved map of Rome and its environs entitled "Urbis Cum Vicis Seu Pagis Adiacentibus Dissertationi III De Aq et Aqueaed Veteris Promae Praemissa Authore Raph Fabretto G...
Category

Early 18th Century Old Masters California - More Prints

Materials

Engraving

Futuristica 3 (Limited Edition Of Only 30 Prints On Canvas)
By Mauro Oliveira
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL FEB 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** This Futuristica skyline series by Mauro Oliveira has been a...
Category

21st Century and Contemporary Abstract Geometric California - More Prints

Materials

Giclée

Two Faces
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...
Category

Late 20th Century Surrealist California - More Prints

Materials

Screen

Characters - Levitation I
By Guntars Sietins
Located in Palm Springs, CA
The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. Elements in his prints seem to defy gravity. Si...
Category

Early 2000s Surrealist California - More Prints

Materials

Mezzotint, Aquatint

All We Need Is Love - British Flag Version (Limited Edition Of Only 30Prints)
By Mauro Oliveira
Located in LOS ANGELES, CA
**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** **IMPORTANT: This is a Limited edition of 30 ...
Category

21st Century and Contemporary Pop Art California - More Prints

Materials

Canvas

Vienna, Austria: A Large 17th Century Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large 17th century hand-colored map of Vienna, Austria and the surrounding countryside and villages entitled "Plan de la Ville de Vienne en Austrich...
Category

1690s California - More Prints

Materials

Engraving

Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
By Lucas Vorsterman the Younger
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant. This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title. This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition. Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving. Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers. Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category

Mid-17th Century Old Masters California - More Prints

Materials

Engraving

Tah-Col-O-Quoit: Original 19th Century Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Col-O-Quoit", lithographed b...
Category

Mid-19th Century Naturalistic California - More Prints

Materials

Lithograph

"Some Town without a Name" - Signed Screen Print
Located in Soquel, CA
"Some Town without a Name" - Signed Screen Print Exhibition Poster Screen Print titled "Some Town without a Name" by Masuo Ikeda (Japanese, 1934-1997). A black headshot is seen with blue ink by the mouth and enclosed in a blue rectangle. "Masuo Ikeda" can be seen printed up top, with a list of Ten Lithographs under. Signed in pencil "Masuo Ikeda" lower right and numbered "XXXlll" middle Presented in a white mat. Mat: 36"H x 28"W Paper: 26"H x 21"W Image: 25 1/2"H x 19 1/2"W Masuo Ikeda (Japanese, 1934 - 1997) was born in 1934. Masuo Ikeda is well known a Japanese painter, printmaker, illustrator, sculptor, ceramist, novelist, and film director. He started winning prize after prize in the 1960s: the Governor of Tokyo's Prize (1962), the Tokyo Museum of Modern Art Prize (1964). In 1961 he had established himself as a printmaker by winning the Grand Prize for Printmaking at the Tokyo International Biennale of Art, but it was in foreign parts that he achieved his greatest triumphs: in 1961 the Prix d'Excellence at the Young Artists' International Biennale in Paris; in 1965 the Grand Prix at the International Print-making Biennale in Ljubljana; in 1966, the First Prize at the International Engraving Biennale in Cracow, and first prizes at the Biennales of Vienna and Venice, where he was only the second Japanese to win in this category, after Munakata Shiko in 1956. He was the first Japanese to have a one-man show at the New York Museum of Modern Art (1965). He was always on the move and spent two years in New York (1965-66), then settled for a year in Berlin (1967). Ikeda was producing prints in his studio in New York from 1969, he returned to Japan in 1980 and was based there from then on, and extended his brilliant talent beyond printmaking. In 1977, he won the 77th Akutagawa Prize (the most prestigious literary award in Japan) for his novel, Offering in the Aegean, and directed the film adaptation of the same title in 1979. His vigorous artistic activity even extended to the production of ceramic works from around 1983 onward. The Ikeda Masuo...
Category

1960s Pointillist California - More Prints

Materials

Screen, Laid Paper

Nah-Et-Luc-Hopie: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...
Category

1830s Naturalistic California - More Prints

Materials

Engraving

View of Meissen, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of View of View of Meissen, Germany entitled "Misena Hermun Duvorum Urbs" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. The map depicts a side view and bird's-eye view, looking across the Elbe River (labelled Albis Fluvius on the map; White River in Latin) from the northeast. In the foreground are three women in conversation on a hill above the city, along with a man and a woman in conversation by a road, all dressed in contemporary costumes of the upper class. A coat-of-arms is present in each upper corner. A great castle sits atop a hill in the background on the left. Meissen grew up around Albrechtsburg castle, built by Emperor Henry I around AD 929, and was granted a municipal charter at the end of the 12th century. From 1471 onwards, the castle complex was reconstructed as the residence of the Saxon electors on the northeast corner of the Domberg (Cathedral Hill). Meissen cathedral is a Gothic hall church begun c. 1270; in 1413 a bolt of lightning destroyed its west towers, which were replaced only in the 20th century. Meissen lies to the northwest of Dresden, Germany in Saxony. Meissen is famous for its Meissen porcelain and the Albrechtsburg castle The following is an English translation of an excerpt from Braun's description of the city:  "This city is surrounded by very many rivers, to the east flows the Elbe, to the south the Triebisch, to the west are the mountains, to the north the Meisse, after which the city is said to be named. The city is well-situated in its surroundings, the navigable rivers, the mountains and the healthy air. Around the city there is a good land to grow grain, fertile vineyards on the hillsides and without doubt the mountains are not without ore, for one mile away, up the Elbe, is Scharfenberg, where silver and lead ore are mined.." 
  References: Van der Krogt 4, 2684; Taschen, Braun and Hogenberg...
Category

16th Century Old Masters California - More Prints

Materials

Engraving

The Notorious Red Trike
By Xavier Viramontes
Located in Palm Springs, CA
Childhood memories of a red tricycle led to this print by Chicano artist Xavier Viramontes. In the 1970's, Viramontes designed the poster for the United Farmworkers Union, 'Boycott...
Category

Early 2000s Contemporary California - More Prints

Materials

Etching, Aquatint

"View Towards the Pyramids": David Roberts' 19th Century Hand Colored Lithograph
By David Roberts
Located in Alamo, CA
"View Towards the Pyramids" is a 19th century full folio sized hand-colored lithograph by David Roberts from his monumental publication "The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia", published in London in 1846. It depicts a scene of a boat on the Nile, along with several smaller boats. Saccara (Saqqara), near Memphis, the original capital of Egypt, can be seen in the background with its ancient Step Pyramid of Pharoah Djoser. This was the first Egyptian pyramid, designed by the physician and architect Imhotep. Pharoah Snofru’s (Sneferu) failed design Bent Pyramid and the subsequent replacement Red Pyramid can be seen in Dashour (Dashur). These structures preceded the more famous pyramids in Giza. This lithograph is professionally framed in a gold-colored wood frame, double cream-colored mats and it is glazed with museum quality archival material. The print is in excellent condition. There are four additional listings of David Roberts engravings of Egypt...
Category

1840s Realist California - More Prints

Materials

Lithograph

Cantique du Singulier
By Aristide Caillaud
Located in San Francisco, CA
This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...
Category

Late 20th Century Surrealist California - More Prints

Materials

Lithograph

"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category

Early 19th Century Naturalistic California - More Prints

Materials

Engraving, Aquatint

Tyre, From the Isthmus: Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...
Category

1840s Realist California - More Prints

Materials

Lithograph

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...
Category

Mid-18th Century Old Masters California - More Prints

Materials

Engraving

View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575. This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495. This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough." The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland. References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category

16th Century Old Masters California - More Prints

Materials

Engraving

Wa-Kawn, A Winnebago Chief: An Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Wa-Kawn, A Winnebago Chief, No. 83 (The Snake)", published by Rice, Rutter &...
Category

Mid-19th Century Naturalistic California - More Prints

Materials

Lithograph

Cantique du Singulier
By Aristide Caillaud
Located in San Francisco, CA
This artwork titled "Cantique du Singulier" 1977, is an original colors lithograph on Japan paper by noted French artist Aristide Caillaud, 1902-1990. It is hand signed and numbered ...
Category

Late 20th Century Surrealist California - More Prints

Materials

Lithograph

Waa-Pa-Shaw, Sioux Chief: An Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Waa-Pa-Shaw, Sioux Chief, No. 97", published by Rice, Rutter & Co. in 1865. ...
Category

Mid-19th Century Naturalistic California - More Prints

Materials

Lithograph

Wa-Bish-Kee-Pe-Na: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Na, The White ...
Category

1830s Naturalistic California - More Prints

Materials

Engraving

"Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It is signed and dated in the plate as issue. Published by Ambroise Vollard, Paris and printed by Lacouriere, Paris. Referenced and pictured in the artist's catalogue raisonnes by Chapon plate #276, Wofsy plate #273. The plate mark (image) is 11.75 x 8.15 inches, framed size is 20.5 x 17.25 inches. Custom framed in a wooden brownish and gold frame, with fabric matting and black fillet. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The National Gallery of Art. About the artist: French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category

Mid-20th Century Expressionist California - More Prints

Materials

Aquatint

Tshusick, Ojibway Woman: Original Folio Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized McKenney and Hall lithograph of a Native American entitled "Tshusick, An Ojibway Woman", lithographed by J. T. Bowen after a...
Category

Mid-19th Century Naturalistic California - More Prints

Materials

Lithograph

New Inn, Gloucester
Located in San Francisco, CA
This artwork titled "New Inn, Gloucester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition. About the artist: Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church. Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891. His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas...
Category

Mid-20th Century Realist California - More Prints

Materials

Lithograph

Kamtschatka, Russia: Engraving by J. Webber from Capt. Cook's 3rd Voyage Journal
By John Webber
Located in Alamo, CA
"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...
Category

1780s California - More Prints

Materials

Engraving

RAINBOW DIAMONDS - (Limited Edition Print) (Ready)
By Mauro Oliveira
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** **This Price Won't Be Repeated Again This Year - Take Advantage** Celebrating the one and only Elizabeth Taylor by Mauro Oli...
Category

21st Century and Contemporary Pop Art California - More Prints

Materials

Giclée

Approach to Mount Sinai 1839: Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Approach to Mount Sinai Wady Barah Feby 17th 1839" by David Roberts, Plate 122 in Volume III of his Egypt and Nubia...
Category

1840s Realist California - More Prints

Materials

Lithograph

Countdown To Violence, Spray Paint Stencil and Screen Print, Limited Edition
By Prefab77
Located in Palm Desert, CA
'Countdown To Violence' by Prefab77, 2012 Size 60 x 90 cm Limited Edition of 10 (#4/10) 5 layer spraypaint stencils & 1 layer gloss black screenprint, on hand painted, hand-deckled F...
Category

2010s Street Art California - More Prints

Materials

Screen, Spray Paint, Stencil

Personalities (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year -Take Advantage Of It* Limited edition of 30 museum quality Giclee prints on...
Category

21st Century and Contemporary Abstract California - More Prints

Materials

Giclée

View of Cairo, Egypt: A 19th C. Framed Hand-colored Lithograph by David Roberts
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
Category

1840s Realist California - More Prints

Materials

Lithograph

Eurasian Teal Duck: An 18th Century Hand-colored Nozeman Engraving "Anas Crecca"
By Cornelis Nozeman and Jan Christiaan Sepp
Located in Alamo, CA
This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Anas Crecca" (Eurasian Teal) by Cornelius Nozeman in volume II of his publication 'Nederlan...
Category

1770s Naturalistic California - More Prints

Materials

Engraving

Spoonbill "Platalea leucorodia": An 18th Century Hand-colored Nozeman Engraving
By Cornelis Nozeman and Jan Christiaan Sepp
Located in Alamo, CA
This a rare 18th century hand-colored large folio-sized copperplate engraving entitled "Platalea leucorodia" (Spoonbill) by Cornelius Nozeman in volume II of his publication 'Nederlandsche Vogelen', engraved by Christiaan Sepp or his son Jan Christiaan Sepp, published in Amsterdam in 1770. This engraving depicts a Platalea leucorodia Spoonbill, a large bird that lives mainly in Europe, Asia and Africa. It commonly migrates long distances on thermal air currents from the colder Northern European climates to Sub-Saharan Africa in the winter, sometimes as far long as Finland to South Africa. The Asian black stork...
Category

1780s Naturalistic California - More Prints

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Engraving

"Woman from Maui" Large original color serigraph.
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Woman from Maui" 1983 Is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and inscribed E.P.I in pencil by the artist. With the blind stamp of the artist and the printer, Editions Press, San Francisco. The sheet size is 28.5 x 33.35 inches, framed size is 41.25 x 45.25 inches. Custom framed in a wooden off white frame, with off white matting and bevel. the artwork is in excellent condition, the frame is in very good condition, it has minor restorations, practically invisible About the artist: Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222) His parents were Carl Nelson...
Category

Late 20th Century Realist California - More Prints

Materials

Screen

Apauly-Tustennuggee: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio size McKenney and Hall engraving of a Native American entitled "Apauly-Tustennuggee, A Creek Chief" after a painting by Charles Bird King from McKenney and Hall's "History of the Indian Tribes of North America", published in Philadelphia by Daniel Rice and James G. Clark in 1843. McKenney described him as “a chief and a warrior...a firm, brave man - and of good sense.” This original McKenney and Hall large hand-colored folio-size engraving measures 20" high and 14" wide. The print is in excellent condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
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1840s Naturalistic California - More Prints

Materials

Engraving

Futuristica 3 (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* This Futuristica skyline series by Mauro Oliveira h...
Category

21st Century and Contemporary Abstract Geometric California - More Prints

Materials

Giclée

Unknown
By Jack Levine
Located in San Francisco, CA
Artist: Jack Levine, American (1915-2010) Title: Unknown Year: 1970 Medium: Etching Paper: Arches Image size: 10 x 7.75 inches Paper size: 15 x 11.25 inches Signature: Signed and dat...
Category

1970s Expressionist California - More Prints

Materials

Paper, Etching

Temple of Kalabshi, Egypt: David Roberts' 19th C. Hand-colored Lithograph
By David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Portico of the Temple of Kalabshi" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
Category

1840s Realist California - More Prints

Materials

Lithograph

"Suitors" Limited Edition Drawing
By John Lennon
Located in Laguna Beach, CA
Rare Limited Edition Serigraph of John Lennon's "Suitors" originally drawn in 1976, this limited edition was released by Bag One Arts (The Lennon Estate) in 1992 and has been sold o...
Category

1970s Contemporary California - More Prints

Materials

Screen

Fun Gallery Exhibition 1983 by Keith Haring Screen Print
By (after) Keith Haring
Located in Pasadena, CA
Artwork screem print by Keiith Haring. Fun Gallery Exhibition 1983 In 1983 Keith Haring produced this image for his upcoming exhibition at the Fun Gallery in New York which was fo...
Category

1980s Pop Art California - More Prints

Materials

Screen

Bill T Jones body painted by Keith Haring Screen Print
By (after) Keith Haring
Located in Pasadena, CA
Artwork screem print by Keiith Haring. Artistic director, choreographer, and dancer Bill T. Jones has devoted his career to expanding the parameters of dance. The tenth of twelve ch...
Category

1980s Pop Art California - More Prints

Materials

Screen

The Normandy Region of France: A 17th C. Hand-colored Map by Sanson and Jaillot
By Nicholas Sanson d'Abbeville
Located in Alamo, CA
This large hand-colored map entitled "Le Duché et Gouvernement de Normandie divisée en Haute et Basse Normandie en divers Pays; et par evêchez, avec le Gouvernement General du Havre ...
Category

1690s California - More Prints

Materials

Engraving

Cadiz Island: A Framed 17th Century Hand-colored Map from Blaeu's Atlas Major
By Joan (Johannes) Blaeu
Located in Alamo, CA
This is a 17th century hand-colored map entitled "Insula Gaditana Isla de Cadiz" from Johannes (Joan) Blaeu's Atlas Maior, published in Amsterdam in 1662. The map provides an excellent plan of Cadiz Island on the southwest coast of Spain, with its harbor, fortifications, agricultural fields and several surrounding salt processing areas. Numerous sailing ships of various sizes are included in and around the harbor and bay, including five large sailing ships, as well as twenty-four smaller ships. There is a small compass rose overlying the bay. The bridge to the mainland from the island is shown on the right. There is an extremely ornate and colorful title cartouche in the lower left, with its mythological figures reminiscent of Raphael’s Galatea fresco at the Villa Farnesina in Rome. The vibrant colors are vividly preserved. The master colorist tried to emulate a painting by using various tones to create a three-dimensional effect.
 Blaeu's name is present in the plate in the lower right. Blaeu stated in his description of Cadiz: “The main wealth of the islanders consists of salt, which they harvest, and
 the tuna fisheries.” 
 This 17th century hand-colored map is framed in an ornate, partially textured bronze-colored wood frame and glazed with UV protected conservation glass. There is a vertical center fold, as issued. There is a faint crease in the lower right and faint color offset on the left from the right side of the map, resulting from having been in an atlas for hundreds of years. Small foci of paint are present in the upper portion of the left margin and in the left corner margin. The map is otherwise in very good condition. Due in large part to their powerful trade empire, the Dutch became known for cartography in the seventeenth century. This period is considered the Golden Age of Dutch cartography. Their publishing houses produced the highest quality work in Europe, particularly those maps and charts of foreign lands, and Dutch map-making set the bar for cartographic accuracy and artistry into the early-eighteenth century. Some of the most well-known cartographers worked in Amsterdam during this period. Perhaps the most famous of these was the Blaeu family. Willem Janszoon Blaeu, set up shop in Amsterdam. His son, Johannes (Joan), succeeded him upon his death in 1638, continuing in his father’s position as Hydrographer to the Dutch East India Company and selling maps to the public. The Blaeu map presses, located near Amsterdam’s Dam Square...
Category

Mid-17th Century Old Masters California - More Prints

Materials

Engraving

Blue Chevy Lowrider
By Frank Romero
Located in Palm Springs, CA
This print is currently featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has ...
Category

Early 2000s California - More Prints

Materials

Screen

Car and trailer
By Frank Romero
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Created as a fundraiser for the Sidestreet Project in Pasadena, CA. Cars are a frequent subject in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This is a signed and numbered print from the edition of 64. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...
Category

2010s Contemporary California - More Prints

Materials

Screen

The Dance II (Limited Edition Print)
By Mauro Oliveira
Located in LOS ANGELES, CA
*End Of The Year Sale - This Price Is The Lowest - Take Advantage of It* *This Price Won't Be Repeated Again This Year* Celebrating Spain in this original unique ser...
Category

21st Century and Contemporary Pop Art California - More Prints

Materials

Cotton Canvas

Liberated Village
By William Gropper
Located in San Francisco, CA
This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition. An example of this particular artwork is held at the Metropolitan Museum of Art, New York. About the artist: William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art. At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...
Category

Mid-20th Century American Realist California - More Prints

Materials

Lithograph

The Orbits of Venus and Mercury: An 18th C. Framed Celestial Map by Doppelmayr
By Johann Gabriel Doppelmayr 1
Located in Alamo, CA
This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Phænomena Motuum Irregularium quos Planetar inferiores Venus et M...
Category

Early 18th Century California - More Prints

Materials

Engraving

Flying Head
By Mihail Chemiakin
Located in San Francisco, CA
This artwork titled "Flying Head" c.1990, is an original colors lithograph by renown Russian artist Mihail Chemiakin, b.1943. It is hand signed and numbered 173/260 in pencil by the ...
Category

Late 20th Century Modern California - More Prints

Materials

Lithograph

"California Gold Diggers": A 19th C. Hand-colored Woodcut Gold Rush Scene
By John Andrew
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "California Gold Diggers - A Scene From Actual Life At The Mines" created by John Andrew and publi...
Category

Mid-19th Century California - More Prints

Materials

Woodcut

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