Colorado - Photography

Frank Albert Rinehart (February 12, 1861- December 17,1928) was an American artist famous for his drawings, paintings, and photographs depicting Native American personalities and sce...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

Presented is a fine photogravure portrait of an Ogalala woman by Edward Curtis. The image is Plate 94 from Supplementary Portfolio 3 of Edward Curtis' epic project The North American...

Presented is a fine photogravure portrait of a Piegan man named New Chest by Edward Curtis. The image is Plate 200 from Supplementary Portfolio 6 of Edward Curtis' epic project The N...

Presented is a fine photogravure portrait of an Atsina man named Horse Capture by Edward Curtis. The image is Plate 170 from Supplementary Portfolio 5 of Edward Curtis' epic project ...

Presented is a fine photogravure portrait of a Cheyenne man with cottonwood leave headdress by Edward Curtis. The image is Plate 216 from Supplementary Portfolio 6 of Edward Curtis' ...

Presented is a fine photogravure portrait of Bear’s Teeth of the Arikara tribe by Edward Curtis. The image is Plate 154 from Supplementary Portfolio 5 of Edward Curtis' epic project ...

Presented is an Apollo 16 mission photograph, signed and inscribed by Apollo 16 moonwalker Charlie Duke. The photograph shows Duke collecting lunar samples n...

Presented is a photograph of the Phoenix Lander on Mars, signed and inscribed by Apollo 16 moonwalker Charlie Duke. In the inscription, Duke shares his thoug...

Presented is an autographed collage celebrating the women golfers of the 2009 Solheim Cup U.S. and European teams. The 11th Solheim Cup Matches were held Au...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indi...

This is an vintage photograph of a 1928 basketball team. The team's basketball is marked "W.H.S. 1928" in paint, indicating, presumably, the initials of the team and the year they pl...

Contemporary New York artist Elena Lyakir's Where Swallows Hide was photographed in 2017 and is part of her Aves Series. It's an ongoing exploration of how we relate to the visual ex...

Contemporary New York artist Elena Lyakir's Wind was photographed in 2008 and is part of her Land and Sea Series. This is a meditation on the essence of seeing the world through our ...

Contemporary New York artist Elena Lyakir's Triptych, Feels Like Home. Bridgehampton NY, was photographed in 2016 and is part of her City Parks Romance Series. Elena composed in-came...

Contemporary New York artist Elena Lyakir's Diptych, When We Were Three and The Inevitable, was photographed in 2019 and are part of her Aves Series. It's an ongoing exploration of h...

Contemporary New York artist Elena Lyakir's Diptych, Indian Summer and Learning To Dream, were photographed in 2017 and are part of her Aves Series. It's an ongoing exploration of ho...

Contemporary New York artist Elena Lyakir's Diptych, Destiny and Fate, were photographed in 2013 and are part of her Land and Sea Series. This is a meditation on the essence of seein...

Presented is an antique photographic postcard of Seven Falls, Colorado, from 1880. Postcard production blossomed in the late 1800s and early 1900s, as railroads opened up much of the Western frontier to new and exciting travel opportunities. Seven Falls is one of Colorado’s most captivating natural wonders. Located at the base of the Front Range, this magnificent series of waterfalls is situated in a 1,250-foot-wall box canyon between the towering Pillars of Hercules and boasts a 181-foot drop of falling water. Seven Falls was originally part of land given to Nathan Colby in 1872 as part of the Homestead Act of 1862. The Homestead Act granted 160 acres of surveyed land to pioneers in the west, with claimants required to “improve” the plot by building a dwelling and cultivating the land. Mr. Colby promptly sold the track of land to James Hull...

This collage includes a limited edition photograph by Margaret Bourke-White originally taken in 1952, numbered 4/50+10 and blindstamped in the lower right margin with the artist’s si...

Presented is a collage of three vintage cabinet card photographs of the Manitou and Pikes Peak Railway, in Colorado dating to the 1890s. The sepia...

Presented is a collage of three vintage cabinet card photographs of the Garden of the Gods, in Colorado dating to the 1890s. The sepia toned photo...

Presented is a collage of six vintage cabinet card photographs of Colorado Springs and its surrounding areas, dating to the 1890s. The sepia toned...