Continental US - Abstract Prints

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

This exquisite lithograph by Joan Miro (1893–1983), titled L’Oiseau s’envole sur la zone poussée d’or sur les collines ensoleillées (The Bird Flies Over the Golden Zone on the Sunlit...

Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist. Print A "Certificate of Authenticity" issued by the artist is included. We are the...

Carlos Almaraz Los Angeles 1984 Olympic Games (with COA from Olympic Committee), 1982 Offset Lithograph on Parson's Diploma paper, accompanied by COA from Olympic Committee. Signed i...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie E, var. 1 (Series E, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Figure Ailee (Winged Figure), from the folio Derriere le miroir, No. 55-56, originates from the 1953 edition published by...

This exquisite lithograph by Wifredo Lam (1902–1982), titled Personnage (Figure), from the album XXe siecle, Nouvelle serie, XXXVIe Annee, No. 42, originat...

This exquisite lithograph by Joan Miro (1893–1983), titled L'Oiseau s'envole (The Bird Takes Flight), from the folio Derriere le miroir, No. 193-194, originates from the 1971 edition...

LA Parking by Frank Schott a burst of red in an urban landscape of striking minimalism, from a series of photographs capturing the mid century modern architecture and architectural e...

Superb color work by American Abstract Expressionist master Richard Diebenkorn, from a limited edition of 60. Signed by Diebenkorn and numbered in pencil. Published by Crown Point ...

"Homage to the Square - Po2, F4, I2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Jules Olitski (Russian-American, 1922 - 2007) was a Russian-born American artist who played a pivotal role in the development of Color Field painting in the 1960s. Born Jevel Demiko...

This limited edition abstract giclee print by Sofie Swann is an edition of 95. It features thin, imperfect vertical rectangular shapes which are half white and half deep red, and are...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...

Artist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 18 1/2" x 18 1/2" Sheet Size: 10 5/8" x 10 1/4" ...

Artist: Donald Sultan Title: Mimosa with Green, Jan 25, 2023 Year: 2023 Medium: Archival pigment ink print on 315 gsm fine art paper Edition: 100; signed, titled, dated and numbered ...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a Aime Maeght (Tribute to Aime Maeght), originates from the historic 1982 folio Derriere le Miroir, No. 250, Hommag...

André Masson Figures in Landscape Lithograph in colors on Arches paper Hand signed in pencil, numbered 51/150

Christo Wrapped Paris Review (Deluxe hand signed edition), 1982 Lithograph and offset lithograph Hand signed and numbered 244/250 by Christo on the front in graphite pencil (there is...

An early and scarce impression of this color lithograph, printed in black and light beige on white wove Zerkall paper. This print has full margins and is signed and dated in pencil b...

This unframed, signed, limited edition pigment print by world renown artist Ricardo Mazal exists in an edition of 30. Paper size is 35 inches h x 30 inches w with an image size of 26 inches h x 27 inches w. Born in Mexico City in 1950, Ricardo Mazal moved to Barcelona Spain in 1986, and since 1990 has lived and worked in New York City, as well as Santa Fe New Mexico. Mazal’s work explores the process of visual perception as it takes form in the human consciousness. His paintings depict the passage of time, not by illustrating events but by leaving their residue to dissipate in space like a still photograph of a speeding object blurred to abstraction. In the last decade he has been honored with ten individual museum exhibitions, including a retrospective at the Museo de Arte Moderno in Mexico City and the Museo de Arte Contemporaneo (MARCO) in Monterrey. He has also shown at the Museo Nacional de Anthropologia, Mexico City and the Scottsdale Museum of Contemporary Art. KORA follows the direction begun by La Tumba de La Reina Roja (The tomb of the Red Queen...

Aquatint and etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and print...

Walasse Ting 丁雄泉 Abstract Expressionist Flower, 1969 Color lithograph with publisher's blindstamp Pencil signed, dated, and numbered IV/XV by Walasse Ting on the front 23 × 30 inche...

Julio Le Parc Untitled (Rainbow I) from La Longue Marche, 1974 Screenprint Ed 81 of 200 29 x 29 in

Ursula Von Rydingsvard Working (Hand signed and inscribed twice by Ursula von Rydingsvard), 2011 Hardback monograph with no dust jacket as issued (Hand signed and inscribed twice by ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the folio Derriere le miroir, No. 156, originates from the 1966 edition published by Mae...

Adja Yunkers, American (1900 - 1983) - Pueblo, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 56/70, Size: 33.5 x 25 in. (85.09 x 63.5 cm), Frame Size:...

Artist: Arnold Hoffman, Jr., American (1915 - 1991) Title: Triangle Y Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 10/50...

Vintage Keith Haring Skateboard Deck featuring the artist's most recognized & iconic image, the Crawling Baby. This work originated circa 2013 as a result of the collaboration betwee...

Irving Marantz, American (1912 - 1972) - An Aspect of Time, Medium: Lithograph on BFK Rives, signed, titled and numbered in pencil, Edition: 35/50, Image Size: 19.5 x 15 inches, S...

The Horizontal 'Spots' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edition of onl...

This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Akzent im Rosa (Accent in Pink), from the folio Derriere le miroir, No. 118, originates from the 1960 edition pu...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

1971 The Tarahumara Indians - Figurative Etching on Paper Black and white etching of The Tarahumara Indians by Kelly English (American). The figures are outlined in thick black ink ...

This is a hand signed in pencil, vintage, limited edition lithograph modern art print, printed in Switzerland on Rives French art paper in 1968. in shades of red, orange, green, yell...

Artist: Joan Miro Medium: Original lithograph Title: Jardin au Clair de Lune Portfolio: Hommage A Teriade Year: 1973 Edition: Unnumbered Framed Size: 20 1/4" x 16 3/4" Sheet Size: 13...

ARTIST: Salvador Dali TITLE: Florals Tiger Lilies MEDIUM: Etching on Heavy Paper SIGNED: Hand Signed by Salvador Dali EDITION NUMBER: 91/350 MEASUREMENTS: 21.5" x 30" YEAR: 197...

A very good impression of this offset color lithograph poster on heavy white wove paper.

large scale photograph capturing the soothing tones of nature's calming blue hour color palette Seascape I by Frank Schott 48 x 64 inches / 122cm x 162cm signed edition of 7 30 x 40 inches / 76cm x 102cm signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label ------------------------- Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Hiroshi Sugimoto, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco. _________________________ Edition EKTAlux publishes an evolving curated selection of collectable large-scale photography in strictly limited editions, working closely with each artist to guarantee state-of-the-art museum level print and framing quality. Custom / larger print sizes available on request Images can be printed with white border ( 2in L prints / 4in XL prints )

This exquisite lithograph after Henri Matisse (1869–1954), titled Madame F.H. (Mrs. F.H.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from th...

Artist: Alexander Calder Title: Derriere le Miroir #221 Portfolio: Derriere le Miroir #221 Medium: Lithograph in colors Date: 1975 Edition: Unnumbered Sheet Size: 15" x 11" Image Siz...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

This exquisite lithograph by Jean Dubuffet (1901–1985), titled Le Guerrier (The Warrior), from the album XXe Siecle, Nouvelle serie, XXe Annee, No. 10 (double), Mars 1958, originates...

Artist: Alexander Calder (1898-1976) Title: Convection, Braniff International Airways Flying Colors Collection Year: 1975 Medium: Lithograph on vélin d’Arches paper Size: 20 x 26 inc...

Medium: original lithograph. Executed by Andre Masson for XXe Siecle (issue No. 32) in 1969. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

"Musee National d'Art Moderne" is a po ster by Victor Brauner for an exhibition of his work in Paris. It features abstracted heads in yellow, orange, and blue, with a border in pastel pink, green, blue, and yellow. It is framed with gold moulding. 33 1/2" x 19 5/8" art 40 1/2" x 26" frame Victor Brauner was born in Piatra Neamt, in 1903, and died in Paris, in 1966. He was the son of a timber manufacturer from Piatra Neamt who settled in Vienna with his family for a few years. It is there that young Victor attended the elementary school. When his family returned to the country (1914), he continued his studies at the evangelical school in Braila; he began to be interested in zoology in that period. He attended the Art School in Bucharest (1919-1921) and H. Igiroseanu’s private school of painting. He visited Falticeni and Balcic and started painting landscapes à la Cézanne. Then, as he testified himself, he went through all the stages: "Dadaist, Abstractionist, Expressionist". On September 26, 1924, the Mozart Galleries in Bucharest hosted his first personal exhibition. In that period he met poet Ilarie Voronca, together with whom he founded the "15HP" magazine. It was in this magazine that Brauner published the manifesto "The pictopoetry" and the article "The surrationalism". He painted and exhibited "Christ at the Cabaret" (in the manner of Graosz) and "The Girl in the Factory" (in the manner of Holder). He participated to the "Contemporanul" exhibition (November 1924). In 1925 he undertook his first journey to Paris, from where he returned in 1927. In the period 1928-1931 he was a contributor of the "Unu" magazine (an avant-garde periodical of Dadaist and Surrealist conceptions), which published reproductions of most of his paintings and graphic works: "clear drawings and portraits made by Victor Brauner to his friends, poets and writers" (Jaques Lessaigne - "Painters I Knew"). In 1930 he settled in Paris, where he met Brancusi, who initiated him into the photographic art. In that same period he became a friend of the Romanian poet Benjamin Fondane and met Yves Tanguil, who would later introduce him to the circle of the Surrealists. He lived on Moulin Vert St., in the same building as Giacometti and Tanguil. He painted "Self-portrait with a plucked eye", a premonitory theme. In 1933, Andre Breton opened Brauner’s first personal exhibition in Paris, at the Pierre Gallery. The theme of the eye was omnipresent: "Mr. K’s power of concentration" and "The strange case of Mr. K" are paintings that Andre Breton compared with Alfred de Jarry’s play "Ubu Roi", "a huge, caricature-like satire of the bourgeoisie". In 1935 he returned to Bucharest. He joined the ranks of the Communist Party for a short while, without a very firm conviction. On April 7, 1935, he opened a new personal exhibition at the Mozart Galleries. Sasa Pana wrote about it in his autobiographical novel "Born in 02": "April 7, 1935… An exhibition surrealist in character. The catalogue shows 16 paintings; they are accompanied by verses, surrealist images that are exquisite by their bizarreness - they are perhaps the creations of automatic dictation and they certainly bear no connection to the painting itself. They are written in French, but their colorful taste remains in the Romanian translation too. The exhibition brought about many interesting articles and takings of position regarding Surrealism in arts and literature." Another remark about Brauner’s participation to Surrealist exhibitions: "Despite its appearance of abstract formula,… this trend is a point a transition to the art that is to come." (R. Trost, in the"Rampa" of April 14, 1935) In the "Cuvantul liber" of April 20, 1935, Miron Paraschivescu wrote in the article "Victor Brauner’s exhibition": "In contrast to what one may see, for instance, in the neighboring exhibition halls, Victor Brauner’s painting means integration, an attitude that is a social one, as far as art allows it. For V. Brauner takes attitude through the very character and ideology of his art." On April 27, he created the illustrations for Gelu Naum’s poetry collection - "The Incendiary Traveler" and "The Freedom to Sleep on the Forehead". In 1938 he returned to France. On August 28 he lost his left eye in a violent argument between Dominguez and Esteban Frances. Brauner attempted to protect Esteban and was hit by a glass thrown by Dominguez: the premonition became true. That same year, he met Jaqueline Abraham, who was to become his wife. He created a series of paintings called "lycanthropic" or sometimes "chimeras". He left Paris in 1940, together with Pierre Malbille. He lived for a while in Perpignan, at Robert Rius’, then at Cant-Blage (Eastern Pyrenees) and at Saint Feliu d’Amont, where he was forcibly secluded. However, he kept in touch with the Surrealists that had taken refuge in Marseille. In 1941, he was granted the permission to settle in Marseille. Seriously ill, he was hospitalized at the "Paradis" clinic. He painted "Prelude to a civilization" (now in the Gelman collection). After the war, he took part to the Venice biannual exhibition; he traveled to Italy. In 1959, he settled in the workshop on Lepic St. In 1961 he traveled to Italy again. He settled in Varengeville, where he spent most of his time working. In 1965 he created an ensemble of object-paintings full of inventiveness and vivacity, grouped under the titles "Mythologie" and "Fêtes des mères...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...

Alan Shields Treasure Rute I, 1979 Relief, stamping, linocut, collage on handmade paper Titled, numbered, signed, and dated Treasure Rute I 1/11 Alan Shields 1979 on the bottom front...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Composition with Red, Blue, Black, Yellow, and Gray by Piet Mondrian was originally painted in 1921. This period falls within Mondrian's mature phase, where he refined his abstract s...

Over the past 20 years, Michelle Oppenheimer has become well known for composing paintings that capture the imaginative and organic possibilities of abstract watercolor and acrylic. ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), originates from the 1972 album Calder autobiographie. Published by Maeght Editeur, Paris, and...

Artist: Salvador Dali (1904-1989) Title: Espace-temps en fusion (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Fusing space-time, Imaginations and Objects...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe I Catalogue Raisonne. Nicely framed. Lithograph I (10...

This exquisite woodcut by Wassily Kandinsky (1866–1944), titled Motiv aus Improvisation 25 (Motif from Improvisation 25), from the album XXe siecle, Chroniques du jour, 13 rue Valett...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how different colors interact when they're placed next to each other. Within a digital medium she experiments with intensity of colors and the different sensations colors evoke. Why a circle? When she explores her fascination with this shape, she discovers that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

Andy Warhol Original vintage Christmas Card, ca. 1957 Offset lithograph card Plate signed on the front (see close up image) Unnumbered Frame included Offset lithograph card, ca. 1957...

Eduardo Paolozzi, British (1924 - 2005) - Totems and Taboos of the Nine to Five Day, Portfolio: General Dynamic F.U.N. Portfolio, Year: 1970, Medium: Photolithograph, signed and numb...