Europe

It has been re-polished with polyutherane piano lacquer by our professional refurbishing team in Czechia according to the original process. This elegant Baroque chest - treasury c...

18th century lacquered door Painted on both sides Dimensions of the door: 110 cm x 255 cm height Dimensions of the frame: 138 cm x 270 cm height.

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

Lovely Italian antique armchairs, set of 2, 1750. These armchairs are of the period Louis XVI in solid walnut wood. The seat upholstered in fabric. Beautiful simple line. This beauti...

A fine Italian, 18th century parcel-gilt and turquoise painted caned canapé with a shaped back decorated with shell-carved crest, scrolling armrests on a serpentine seat on cabriole ...

Antique Italian painting from the second half of the 18th century. Oil on canvas artwork depicting a religious subject, antique copy by Correggio (1489-1534), Mystical Marriage of Sa...

18th Century oak mule chest, the rectangular top opens on the original steel hinges to reveal a large compartment space which includes a candle box to t...

Immerse yourself in the opulence of the 18th century with this significant Chinese soup tureen in the Imari style, enriched with gilt bronze mounts from 19th century France. The sophistication of this piece is reflected in the excellent quality of the bronze chiseling and mercury gilding, highlighting its beauty and craftsmanship. The soup tureen is in perfect condition, without cracks or repairs, and boasts generous dimensions of 50x32x32 cm. Key Features: 18th Century Imari Style: The soup tureen reflects the elegance and richness of 18th-century Chinese Imari ceramics...

The architect is Paolo Posi, and the image is engraved by Giuseppe Vasi.  Etching on paper. Good condition. The title:  Celebratasi colla Machina della precedente sera la beneficenz...

Set of four Louis XV chairs from about 1750, made in Netherlands. The back of the chairs are elegantly carved in round shapes. The the legs, board...

This is a very charming orphaned coffee cup made by the Bow Porcelain factory in about 1755. The cup is decorated in a Chinese "famille rose" peony pattern. This cup would have been part of a large tea service, and the tiny size shows how expensive coffee was in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. The cup is unmarked, which is normal for Bow items of this era. Condition report the cup is in excellent condition without any damage or repairs. There are various glazing imperfections, which are quite normal for porcelain of this era. Antique British porcelain...

Exquisite 18th-Century Baroque Walnut Bureau Chest – Finely Inlaid & Hand-Polished 1750, Germany This magnificent 18th-century Baroque bureau chest is a true masterpiece of craftsma...

Large rectangular console in richly carved and gilded wood. Wide belt decorated with dagrafes, rosettes, stylized shells and foliage. The uprights and legs are highly agitated with a...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

18th Century Louis XV Italian (Tuscany) walnut side table with drawings. It was a work table to contain embroidery accessories, a very charming piece. It shows a beautiful proportio...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

German school, unsigned but attributed to Lorenz Strauch, dated 1612. Oil on copper, ca. 10.5 x 13.0 cm. Including frame: 17.0 x 19.5 cm Portrait three-quarter facing, dressed in...

18th-century celestial FLAMSTEED, John. Eridanus Orion Lepus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...

An absolutely magnificent antique Irish Georgian period walnut and leather armchair. This was made in Ireland, we would date it to around the 1750-1780 period. This is the finest ex...

18th Century Meissen Porcelain Figurines, Pair of Gardeners. Model 1584. A couple of gardeners, designed by Johann Joachim Kaendler, with flowers and vegetable basket, sitting / s...

Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; L. 73 cm Signed on the helmet:...

A fine and impressive pair of antique Italian silver candlesticks; an addition to our continental silverware collection. These exceptional antique Italian silver candle holders have...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is anoriginal etching from the end of the 18th century, made by Various Old Masters. In v...

Fountain center (base) in cut Nevers limestone, decorated with three children holding drapery and forming a circle around a column topped with a capital, France second half of the 18...

18th-century celestial FLAMSTEED, John. Andromeda Perseus Triangulum London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...

Antique print titled 'Espece de Crocodile, nomme Alligator Celui ci est Jeune qui fut tire vivant a Londres au mois d'Octobre 1739’. (Species of Crocodile, called Alligator. This you...

A fine Italian, 18th century parcel-gilt and turquoise painted caned canapé with a shaped back decorated with shell-carved crest, scrolling armrests on a serpentine seat on cabriole ...

Provenance: Dukes of Marlborough Collection, Blenheim Palace until its sale at Christie's London on 26 July 1886 (lot 172) English private collection until its sale at Christie's London on 11 December 1992 (lot 363) Erna Weidinger Collection (1923 - 2021) - Austria Literature : Georg Scharf - A list of the pictures in Blenheim Palace - Catalogue raisonné Part 2 - London 1862 (page 166 - number 199 "after Palma Giovane") Charles Davies...

Hallmarked in London in 1752 by Paul Crespin, this very fine and rare example of a George II period, antique sterling silver shaving jug, is plain in desig...

Exquisite 18th Century Aubusson Tapestry depicting a centurion and queen. On an exceptional scale, in excellent condition and of outstanding quality. Lined and fitted with velcro t...

Hallmarked in London in 1751 by Richard Gurney, this fine, George II, Antique Sterling Silver Mug, has a baluster shaped body, and features a scroll handle and reed detailing. The mu...

A very large George II silver swing handle harvest basket by William Tuite. Of pierced oval form, adorned with an immaculately cast rim decorated with scrolls, wheat sheaves and grapes surrounding four putti collecting the harvest. Each of the eight pierced sections are framed by cascading harvest bounty. The arched, swing handle decorated with matching floral, wheat and grape decoration, supported either side by a cast putti...

Italian antique wooden bedside tables with inlaid floral decorations, 1750s Pair of wooden bedside tables with inlays. The top is rectang...

Scottish George II Band Sampler, stitched in 1754. The sampler is worked in wool threads on a canvas ground, in a variety of stitches. Colours red, blue, dark brown, purple, yellow a...

A very rare Imperial Ningxia throne cover from the Qianlong period of the Qing Dynasty, distinguished by an exquisitely drawn lion dog, which is an auspic...

Large palace mirror, 1750 - 1770. The gilding was restored in the 19th century.

A magnificent, fine and impressive pair of antique Irish cast sterling silver candlesticks; an addition of our ornamental silverware collection. These exceptional antique cast Iri...

A one off pair of Geo II mahogany chest on chests of compact size, the flat tops with moulded edges and canted corners running full height of the chests, the fronts with sets of grad...

luminum Chair 119 by Charles and Ray Eames for Vitra with original black leather cover. The side profiles, armrests and clamps are made of polished die-cast aluminum and are chrome-p...

Antique Italian painting from 18th century. Oil artwork on canvas depicting biblical subject Joseph and and Potiphar's Wife of good pictorial hand. Beautiful measure and pleasant fur...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

Antique Italian painting from the 18th century. Framework oil on canvas depicting a landscape with figures of good pictorial quality. Nice sized and pleasantly decorated paintinf wit...

18th Century Meissen Porcelain Figures, Turkish / Persian Lady & Gentleman. circa 1755 Both designed by Johann Joachim Kaendler, Rare and early examples of both models.

Heading : Georgian wine glass with mercury twist stem c1750 Period : George II Origin : England Colour : Clear Bowl : Ogee Stem : A pair of mercury corkscrew tapes Foot : Conical Pon...

Bird’s-Eye View of Sloten in Friesland by Nicolaes van Geelkercken, ca. 1616 This captivating hand-colored engraving presents an early 17th-century bird’s-eye view of the fortified ...

A very fine George II silver salver or tray of large shaped circular form. A cast and applied shell and scroll gallery, with the plain central plate engraved with a vacant rocaille c...

An exceptional, fine and impressive antique Georgian English sterling silver coffee pot made by John Pollock; an addition to our silver teaware collection. This exceptional antique George II sterling silver coffee pot has a tapering cylindrical shaped form onto a domed spreading foot. The upper and lower portion of the vertically fluted body of this Georgian coffee pot...

A George II sterling silver bread basket, London 1750 by Samuel Herbert & Co Of shaped oval form in the Rococo style, all raised upon a cast scallop shell and C scroll foot. The rim...

Heading : Georgian sweetmeat with pedestal stem c1750 Period : George II Origin : England Colour : Clear Bowl : Radial moulded ogee with everted rim Stem : Hollowpedestal stem with ...

Oil on canvas (perhaps a decorative door overlay?) showing Venus and Love in the guise of Cupid, her son. Venus, goddess of love, seduction and beauty is leaning half-naked holding L...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

Prominent 12-arm Sputnik chandelier made of red lacquered metal, brass, and white blown glass. Designed and produced in Italy in the 1950s, in the style of Stilnovo

18th Century Louis XV Marquetry Ladies' Desk Manner of J.C. Ellaume A mid-18th century ladies' desk or so-called "bureau de pente", its shaped fall-front opening to reveal a red lea...