Europe

Sculptural table lamp depicting the "Nike of Samothrace", designed by Enzo Catellani and made by Catellani&Smith, the statue is handcrafted, with ca...

Oil on Canvas. Central-Italian school of the late 17th-early 18th century. The composition proposes a female bust in the center, portrayed as if it were a sculptural effigy, because ...

Chinoiserie lobed dish in blue, yellow and purple. Delft, 1680-1690 Dimensions: diameter 34 cm / 13.58 in. The lobed dish is composed of nine, wide lobes around a nine-fold cent...

Italian master (17th century) - The garden of the sorceress Falerina (from "Orlando in love"). 97 x 130 cm without frame, 111 x 144 cm with frame. Oil on canvas, in carved and gild...

William Lord Russell MP 1639-1683 was executed under the instructions of King Charles II, Lord Russell was later exonerated under William III.

This mirror has been bought directly from the daughter's designer, from his personal studio in Desio, Italy.

Set with the most beautiful citrine stones outlined with diamonds, these earrings are so classic, versatile & fabulous. 2.98 grams 14kt gold; 6.4 grams silver; 1.47 carat diamonds; ...

These monumental candlesticks are absolutely rare in this execution. They are divided into four segments in a multiple way and perfectly rotated. They are connected to each other by ...

This fantastic two-piece 17th-century oak cupboard was made in Antwerp, Flanders, circa 1680. It consists of two pieces, a lower and an upper cabinet. The lower cabinet can be used w...

Ceramic bowl decorated with high-temperature enamels on a white opaque tin slip. The polychrome is based on colors typical of Talavera: cobalt blue, copper green, manganese black, an...

This painting is typical of the art of Jan Weenix, one of the best still life and hunting painters of the Dutch Golden Age. In a cleverly disordered manner, he depicts ten studies of dogs (mainly spaniels and greyhounds) and the sumptuous study of a stole. These studies were probably intended to be used as a source of inspiration and adapted in the painter's compositions, as we will see in a close examination of some of his paintings. 1. Jan Weenix, a prolific still life painter Jan Weenix was born into a family of artists: his father Jan Baptist Weenix (1621 - 1659) was also a landscape and still life painter and his mother Josyntgen d'Hondecoeter was the daughter of the animal painter Gillis d'Hondecoeter (1575 - 1638). His father trained him together with his cousin Melchior d'Hondecoeter (1636 - 1695). In 1664 Jan Weenix became a member of the St. Luke's Guild in Utrecht, to which he belonged until 1668. In 1679 he married Pieternella Backer with whom he had 13 children. His compositions, often related to hunting (still lifes, portraits of hunters) were very successful, ensuring him a certain financial ease. Jan Weenix also painted large-scale decorations: while staying in Düsseldorf with the Prince-Elector of the Palatinate between 1702 and 1712, he executed twelve gigantic compositions combining landscapes, hunting scenes and still life for the Bensberg hunting lodge. 2. Description of the artwork The painting displays a great apparent disorder that hides a rigorous organisation in four quarters. It presents ten studies of hunting dogs and one study of a stole. The studies of the stole and of two of the dogs (the greyhound in the lower right and the spaniel in the upper right quarter) are quite elaborate, whereas those of the other dogs are sketchier. As an example, the dog in the upper right corner is only partially painted. The dogs' coats, of different colours - brown, sandy, grey or black - stand out against the warm brown background and are illuminated by the shine of their white hair. This white colour, probably executed with ceruse white, illuminates the study of a stole which stands out in the lower left-hand corner while the red colour of its lining warms up the composition. The purpose of this stole is enigmatic: we think it is probably a neckband, but it could also be the back of the turban of an oriental character. To the right of this stole is the outline of a long animal leg, perhaps a horse leg. Similar studies are rare in the work of Jan Weenix, but the Rijksmuseum recently acquired the study of a seated monkey. This study, executed in the same brown chromatic range, is much more accomplished. It has been reused with minimal change in many compositions. It is likely that Jan Weenix had less frequently a monkey at his disposal, and that he therefore depicted it in great details, whereas he could probably easily find dogs as models. Note the characteristic white dot in the corner of each pupil that brings them to life! 3. Related artworks We have tried to relate the various dogs in this study to the countless dogs that appear in the paintings of Jan Weenix, as listed in the catalogue 'Father and Son - Weenix' compiled by Anke van Wagenberg- Ter Hoeven in 2018. A first example is the painting entitled "The Prodigal Son on the Steps of a Palace" (catalogue number 7 - 8th photo in the gallery). In the lower left-hand corner of the composition, a spaniel is barking at a peacock perched on a stone. This spaniel, which is depicted in a similar manner in the "Portrait of a Young Man with a Falcon" in the Bremen Kunsthalle (catalogue number 76), is reminiscent of the spaniel in the upper left-hand quarter of our study (although the latter is slenderer and the direction of its head differs). We also find, in a slightly different pose, the seated greyhound that is at the top of our painting in the composition representing "A Swan, a Stag, a Hare and Birds presented by two hunting Valets" (catalogue number 130 - last photo in the gallery). The sketch of this greyhound in our study is unfinished: the painter only painted the grey undercoat and the white parts of the coat, without completing the sandy coat which appears in the final painting. We can see from these various examples that our study was probably more a repertoire of forms than a model for a specific composition. The painter probably used it for inspiration before adapting each dog study...

The Symplegades or Clashing Rocks, also known as the Cyanean Rocks, were, according to Greek mythology, a pair of rocks at the Bosphorus that clashed together whenever a vessel went ...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

Portrait of a gentleman, workshop of Nicolas de Largilliere, circa 1690, Paris Sublime portrait of a gentleman with a palette of rich and vivid colors. He is depicted half-length, turned three-quarters, face to face. Soft and kind expression, the vivacity of the look, its calm serenity, grant an intense presence to the model. Wearing a loose wig of curly, powdered hair, this flow of vaporous curls cascades over his shoulder and enhances his face with regular features, illuminated by intense lighting and delicately nuanced by the gray tones of his emerging beard. Dressed in a shirt whose white lace collar can be seen, he wears a lapis blue velvet jacket with gold thread stripes and a moire silk lapel. Wrapped in a large red velvet coat, embroidered with silver thread, lined with brocaded yellow silk, held on his chest by a stapled leather strap. A delicate pink ribbon is passed through the collar of his shirt, the ends falling on the front like flying in the wind. Intense lighting concentrated on the figure plunges the background of the portrait into darkness. The dominant primary colors red and blue, chromatically opposed, are surprisingly harmonious and testify to the audacity of the artist who applies saturated colors to create a vibration of the material itself. The fabrics, the brushed velvet with ridges illuminated by generous serifs, the brocaded silk with a virtuoso brush, the lace and embroidery with a fine and precise design. A successful dazzle by the brilliance of the colors and a refined execution. French School circa 1690-1695 Workshop of Nicolas de Largillière (Paris, 1656-1746) Oil on canvas in oval shape H. 31.50 in, w. 24.40 in Carved and giltwood orignal frame with flower bouquets Framed dimensions: h. 41.73 in, w. 35.03 in Our work painted in the studio of Nicolas de Largillière, is marked by a learned eclecticism characteristic of this Parisian master. Inspired by the Antwerp Baroque masters Rubens and Van Dyck, the painter brings a spectacular dimension and seeks through the portrait to impress the viewer with its aesthetic and chromatic strength alone. We find his colors and this excution of baroque tradition in several portraits of this period, such as: Portrait of a gentleman, circa 1685, Chateau de Parentignat portrait of a gentleman, circa 1690, Atlanta Museum of Fine Arts portrait of a gentleman, Bemberg Foundation, Toulouse portrait of the Lord of Noirmont, National Museum of Ancient Art, Lisbon, Portugal Nicolas de Largilliere, born October 2, 1656 in Paris, where he died March 20, 1746, is a French painter. He is one of the most famous portrait painters of the 17th and 18th centuries. Nicolas de Largillière's long career spanned the reigns of Louis XIV and Louis XV, during which he established himself as a leading portrait painter. His female effigies...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College Oxford Engraving 1675 34x42cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...

European workshop XVII century Portrait of Lars Gathenhielm (1689-1718) Oil on canvas Unsigned Lars Gathenhielm (1689–1718), was a Swedish sea captain, commander, shipowne...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork of the Lombard School, of exceptional quality, depicting a peasant woman with eggs. Painting ...

3 Important Carved, Gilded and Polychrome Wood Angels From The 17th century important angels in carved, gilded and polychrome wood from the 17th...

Set Famille Verte Chinese Porcelain cups & saucers, Kangxi, circa 1700 Famille verte set of cups and saucers, Kangxi (1662-1722), Qing Dynasty. ...

Exceptional antique wooden frame from Italy, 17th century, made in a black patinated Fruitwood, simple design and simple decorations, beautiful patina...

Late 17th century William and Mary walnut chest on stand circa 1690. Good quality 2 piece William and Mary period chest on ori...

Important Pair Of Cherubs In Carved, Gilded And Polychrome Wood From The 17th Century. It is of very good quality (see the work on the clothes). In very good conditions. The base is...

Antique map titled 'Natolia detta anticamente Asia Minor (..)'. Rare map of Asia Minor (Turkey) and Cyprus and neighboring regions. The map provides one of the most detailed and up t...

Antique map titled 'The Road from Bristol to Weymouth (..)'. Original antique map of the road from Bristol to Weymouth. Plate 60 from Ogilby's 'Britannia', the first road atlas of En...

Two tapestries (forming a pair) in wool and silk (Basse Lice). Manufacture Royale de Beauvais from the cartoons of Florentin Damoiselet (1644-1690). ‘La Bascule’ and ‘La Toupie...

Unusally Large Italian Walnut Centre, Occassional or Writing Table, Genoa Unusual large size with classical elegance and form Conceived as a center table as the frieze decoration...

Pair of large fire pots from the Louis XIV period. The painted and partially gilded carved wooden base Surmounted by large flames in painted wood. 17th century period. Probably e...

Beautiful small size sideboard in walnut embellished with fruit wood threads. An ashlar door on the front with a turned wooden knob, a gilt bronze escutcheon and an iron key. Tuscan...

Late 17th century French Gilt Bronze Figure of a Crouching Venus Gilt bronze crouching Venus on a pedestal decorated with Boulle marquetry and...

Antique map titled 'A Mapp of the Country of Leicester'. Original old map of Leicestershire, England. This map originates from 'Britannia: or, a Geographical Description of the Kingd...

Antique map titled 'Le Royaume d'Angleterre divisé en plusieurs Parties (..)'. Large and rare map of England and Wales by J.B. Nolin after Coronelli. With decorative cartouche, table...

Fiber ales Bieure Nicolas Robert (18 April 1614 – 25 March 1685) Issued in the scarce work: Diverses oyseaux dessignées et gravées d'apres le naturel. Paris, F. Pilly, (1673). ...

Important and rare antique Italian of the period Louis XIV chest of drawers, 1680. On the front four large and useful drawers. Characterized by front of the drawers with relief decor...

Beautiful small chest of drawers in solid walnut, slightly notched, top with bull's beak edge, three full-body drawers veneered in walnut with frames in solid walnut and knobs with b...

Antique map titled 'The Continuations of the Road from London to the Lands End'. Original antique map of the road from Andover to Crewkerne. Plate 26 from Ogilby's 'Britannia', the f...

Antique map titled 'Geographische Beschreibung des Belobten Landes Canaan (..)'. Scarce map of Canaan, with portraits of the Apostles of Matheaus, S. Marcus, S. Lucas, S. Johannes. With Christ in lower part. The map extends along the coast of the eastern Mediterranean. Published by Georg Andreas...

Exceptional Roman Baroque Ebonised, Rosewood Cassettone with bone inlay and magnificent brass handles Magnificent transition piece displaying classical ornamentation within a tradit...

Antique map titled 'Darbyshire'. Original antique map of the country of Derbyshire, England. Engraved by Robert Morden. Sold by Abel Swale, Awnsham and John Churchill...

The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...

Antique map titled 'The Continuation of the Road from London to Bristol (..)'. A strip map of the continuation of the road from London to Bristol, this particular sheet showing the r...

Antique map titled 'Tabulae dominii Groeningae quae et complecititur maximam partem Dreniae Emendata a F. de Wit'. Original antique map of the province of Groningen, the Netherlands....

Antique map titled 'The Road from London to St. Davids in com: Pembroke (..)'. A strip map of the road from London to Bensington. The map is ornamented with numerous compass roses, a...

Majestuous 17th century Angel. Important carved, gilded and polychrome wooden angel from the 17th century from the choir of a church in Spain. It is of very good quality (see the dr...

Italian Salvator Rosa last 17th century giltwood frame. Internal measurements cm 20 x 30 Pure example of Italian Salvator Rosa gild wood frame of 17th century. "Salvator Rosa" is th...

Flemish Cabinet Antwerp 17th Century It has ten drawers underlined with guilloché moldings and adorned with small turned knobs. It is decorate...

Large Dutch Oak blanket chest, ca 1700 Dutch oak blanket chest from the late 17th Century/early 18th Century. A large chest with swinging flap and an interior for lots of space an...

An ornately carved desk originating from Spain in the late 17th century. Heavy turned legs joined by stretchers, supporting a two drawer frieze with geometric and floral carved d...

Julius Caesar Victorious is an Etching realized by Jean Lepautre (1618-1682). The artwork describes the entry into Rome of Julius Caesar victorious. On the back of the paper the stamp of CHRISTUS PROTECTOR MEUS. Collection of Arenberg (Bruxelles and Westfalia). Jean Le Pautre or Lepautre (baptised 28 June 1618; died 2 February 1682) was a French designer and engraver, the elder brother of the architect Antoine Le Pautre, the father of the engravers Pierre Le Pautre and Jacques Le Pautre, and the uncle of the sculptor Pierre Lepautre. Jean Le Pautre was an apprentice to a carpenter and builder. In addition to learning mechanical and constructive work, he developed considerable skill with the pencil. His designs, innumerable in quantity and exuberant in content, consisted mainly of ceilings, friezes, chimney-pieces, doorways and mural decorations...

This is a very beautifully hand painted Chinese porcelain "Famille Verte" Plate, dating to the late 17th Century Qing Kangxi period ( 1662-1722). This is a well potted plate, fairly deep, with a very well cut foot rim and a white glaze. The plate is very finely hand decorated, over-glaze in a free flowing style, characteristic of the period, in the Famille Verte (green) palette with five colours of green, blue, red , yellow and a mauvy-brown with black outlining, all in varying shades with some gold gilt highlights The central well is beautifully hand decorated with an iconic scene of two ladies (long eliza...

Stunning and beautiful pair of mid century silver tubular double Spanish wall sconces. These wall sconces are made in Barcelona (Spain) by Marca, S.L., during 1980s. Each wall sconc...

An exceptional, fine and impressive antique German silver gilt tobacco box; an addition to our 17th century silverware collection. This exceptional antique 17th century German silver...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Magdalene College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of Magdalene from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

Interesting Flemish painting representing a characteristic tavern interior scene with characters intent on playing cards. Oil on canvas in a round shape. The frame is an original gil...

Oil painting on canvas. Flemish school of the XVII-XVIII century. On the frame there is a label attributing to Thomas Heeremans (but with incorrect da...

Blue and white chinoiserie bowl Delft, 1660-1680 The blue and white bowl stands on a foot, has a high, strongly cantilevered wall and is ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

Set of 5 antique horse riding prints. Published circa 1680.

Tapestry of Flanders 17th century (offer to the king) with very pretty colors Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fabric such as Tapestry, Carpets and Textiles...

Antique miniature map titled 'Nouveau Continent avec plusieurs Isles et Mers'. Decorative map of the Western Hemisphere, published by Alain Manesson Mallet. The map shows California as an Island...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15. The continuation of the r...