Europe - Abstract Photography

Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist without an environment. There are the visible...

C print - Unframed For this color photograph, Caldicott focused on simple geometric shapes, clean lines, using splendid color to define space and structure, and achieving a superb r...

Gravity - Bulle d'air 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Bulles d'air series, Janiak creates visual representations of the idea that form can...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes: "Tupperwa...

Photon 04 (Abstract Photography) Chromogenic print. Edition 2/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

C print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. As he describes : "Tupperw...

Gravity - Liquid 58 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...

Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist without an environment. There are the visible...

Gravity Bulle d'air 05 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Bulles d'air series, Janiak creates visual representations of the idea that form canno...

C Print. Unframed. Richard Caldicott is most well known for this earlier work series which used Tupperware containers as the subject for his photographs. This work is edition 7/15. ...

Morphogenetic field - Beluga Caviar (Abstract Photography) Chromogenic print. Edition 1/5. In his Morphogenetic fields series, Janiak examines the visi...

Photon 06 (Abstract Photography) Chromogenic print. Edition 1/5. In his Photon series, Janiak explores the intrinsic duality of light. The photons we interpret as light exist in a ...

Magnetic radiation 11 (Abstract Photography) Chromogenic print. Edition 1/5. In his Magnetic radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofl...

Gravity - Liquid 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist w...

Chromogenic print. Edition 1/5. In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magne...

Gravity Bulle d'air 01 (Abstract Photography) Chromogenic print. Edition 1/5 In his Gravity Bulles d'air series, Janiak creates visual representations of the idea that form cannot...

This work of art is called 2-Lux. It's a photography art print of a chandelier on a black background and it's a unique piece.

Ola KOLEHMAINEN (*1964, Finland) San Apollinaire Nuovo 504 AD Cappella I, 2017 C-print face-mounted on Plexiglass in Artist Frame Sheet 78 x 78 cm (30 3/4 x 30 3/4 in.) Edition of 6,...

Muralla – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2016] limited_edition and hand signed by the artist Photograph printed on 310gsm Hahnemuhele Germa...

Allan Forsyth Eyes to the wind 228x76cm Archival Chromagenic Photographic Print Diasec Framed Edition 6 + 2 APs Allan Forsyth is an artist who explores a breadth of themes that is r...

Kachchery – Limited Edition Contemporary Abstract Landscape Photograph by Gina Parr [2019] limited_edition Photograph printed on 310gsm Hahnemuhele German Etching paper with archiva...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

It's really majestic piece. It's grand in size and its got a very beautiful and impressive contrast in shades. This piece is something very special... two Luminograms in one work of...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Katie Hallam Blossom Limited Edition Digital photograph Edition of 25 Image Size: H 50cm x W 40cm x D 1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Katie Hallam Connect Limited Edition Digital Photograph Edition of 25 Size: H 63cm x W 53cm X D 0.5cm Sold Unframed Please note that in situ images are purely an indication of how a ...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

Gina Parr Sri Mangala Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Sri Mangala – 2 of 10 Limited Edition Photograph by Gina Parr...

Gina Parr Kokkuvil Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Kokkuvil – 2 of 10 Limited Edition Photograph by Gina Parr from ...

Gina Parr Jungle Beach Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Jungle beach – 2 of 10 Limited Edition Photograph by Gina Pa...

Gina Parr Kachchery Limited Edition Photographic Print of 10 Image Size: 42cm x 29.7cm This is one work Sold Unframed Kachchery – 2 of 10 Limited Edition Photograph by Gina Parr fro...

The Kitchen Drawer Simply an overwhelming source of detritus... 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. These collages gave me purpose during the pandemic and allowed me to grow something beautiful from a place of frustration. My aim is to simply give viewers of the work a fleeting moment of calm. Unable to shoot anything, I’ve been making collections of things I find on the ground and scanning them to create composite images of otherwise ignored or discarded objects." - George McLeod...

THE FLOW OF LIGHT UNDERWATER 2019 Being fascinated with light and water led me to explore how light travels in the sea - often caught on the backs of fish as they dart and swerve int...

Lino / venetian is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be suppl...

ATO>MIC #15, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Hand Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 18 x 23 cm 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity Instead of using carving...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane' 2001 C-type print Sheet 25,4 x 20,3 cm (10 x 8 in.) Frame 26 x 21 x 2,5 cm (10 1/4 x 8 1/4 x 1 in.) Edition of 6; Ed...

DAIDO MORIYAMA (*1938, Japan) "How to Create a Beautiful Picture 6: Tights in Shimotakaido" 1987/2021 Silver gelatin print, later print Sheet 34 x 26.5 cm (13 3/8 x 10 3/8 in.) not p...

ATO>MIC #9, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed 23 x 18 cm print size 38 x 35.5 cm framed Unique Series: ATO>MIC Signed and dated in pencil on print's verso © Michael G Jackson...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Blue, my favorite colour Mixed Acryl on canvas With this work Betty Schmidt combines photography and painting. The subject - created by the "gestural photography" in the camera and ...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ses photos, Karina ZAITSEVA a, au contraire, imaginé que chaque couleur possédait son propre son. Karina vit à Saint...

On the way / Unterwegs Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her spe...

Sonntags im Museum (19) Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her sp...

Gracefully crossing the space Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, ...

Think about Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty, bes...

The conversation Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty...

Die Frau in Grün Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty...

Serenade Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty, beside...

Die Frau in Rot Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her specialty,...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Sonntags im Museum (17) Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her sp...

Sonntags im Museum (9) Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her spe...

Schatten der Tänzerin Gestural photography Intentional Camera Movement The edition size (regardless of the printed size) is 7+2 E.A. each Betty Schmidt is a German artist, her spec...

Jean-Paul Baret makes his "photographic images" of ephemeral sculptures made of paper that he creates, photographs and then reworks to arrive at this singular style. Each of his work...

JUN AHN (*1981) Invisible Scape, 2014 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Sheet 76,2 x 228,5 cm (30 x 90 in.) Edition of 5 plus 2 artist's proofs (#2/5) This photograph belongs to Jun Ahn's series 'Invisible Scape', which was shot between 2010 and 2014. South Korean Jun Ahn came to study in the US, where she graduated from the University of Southern California with a degree in art history in 2006, followed by two years of postgraduate study of photography at the Pratt Institute. While at the Pratt, she had her first work displayed as part of group gallery exhibitions, and began work on the "Self-Portrait" project, which to date is her most prominent series of photographs which she regards as “a performance without an audience”, an end of youth of sorts, and a coming to terms with the future. In 2009 and 2010 she was awarded the Dean’s Scholarship at New York’s Parsons The New School for Design, and in 2011 received both the Dean's and a departmental scholarship. During this time her work received its first major exhibitions, including a joint exhibition with Kazuna Taguchi at PS 122 in New York. Furthermore, Jun Ahn has been selected as one of BJP’s 20 Photographers To Watch in 2013. Parsons awarded her a Master of Fine Arts with honours in January 2012, after which she acquired a PhD in photography from Hongik University in Seoul...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...

Le grand musicien russe Alexandre Scriabine disait que la musique possède ses propres couleurs. Il cherchait à créer des mélodies qui évoquent des associations de couleurs. Dans ...