Europe - Sculptures

A magnificent late 19th century French bronze study of a large bull in a proud stance, the bronze exhibiting excellent hand chased surface detail and fine rich brown patina. Raised o...

A wonderful mid 19th Century French Animalier bronze group entitled "Jument Arabe et Son Poulain No.3” by P J Mene - of a mare turning her head towards her playful foal; the bronze s...

A very fine bronze sculpture modeled as the beautiful Goddess standing with her bow and quiver and gently holding the collar of her hunting hound. The bronze with warm brown patina a...

French ceramic figurine of a lady carrying flowers, made in the early 20th century. The figurine is in good condition, has some chipping due to ageing, detailed photos of which ha...

Lovely hand-painted golden pheasant porcelain figurine from the famous company of F. Karl Ens around 1920. Artfully crafted by one of the old manufactories for porcelain in Germany (...

Very large and rare Goldscheider Vienna ceramic figurine: Art Déco execution of an Art Nouveau design around 1909: young woman as the personification of beauty, with hair tied at the nape of the neck, head tilted to the side and looking down, covering the nakedness of her shapely body only at the legs with a large cloth...

Jacques Loysel (1867-1925, France) : "Dancer with a veil" / "Danseuse au voile", probablement Loïe Fuller) Bronze cast sculpture patinated dark green-brown representing a woman da...

Very rare Meissen Art Nouveau porcelain group: Girl in a striped dress with polka dots and a white blouse holding a bouquet of flowers in both hands above her head and fending off a ...

Ceramic bulldog tobacco jar. A dog in a rain barrel numbered 668 - drip glaze ceramic in Art Nouveau style. A jar with lid in beautiful colors blue a...

A. De Remière, Friedrich Goldscheider Polychrome Patinated Terracotta Sculpture Friedrich Goldscheider: polychrome patinated terracotta sculpture ...

Sculpture in bronze with brown patina representing a stag after its moult. It rests on a terrace forming a base, moved by tree stumps and stre...

Art Nouveau lamp mounted on a sculpted and chased bronze vase, signed A. Clerget. This lamp carved in relief, presents a seated woman forming a handle, a head of sylvan among vine leaves and grapes winding a spout. The shaft of this 1900 light fixture...

Solid cast brass with polished finish. An exact reproduction in both form and material original metalwork fittings designed by Antoni Gaudí for various of his works of architectur...

Entrancing mid 20th Century French pate-de-verre vide-poche decorated with variegated colours of greens and browns with a raised figure of a snake exhibiting fine translucent colour ...

KPM Berlin Art Nouveau figure "Europe on bull" Adolf Amberg Impressive large porcelain sculpture by Adolf Amberg from the world famous wed...

Art Nouveau ceramic figurines Rstk Amphora Austria Turn Teplitz - a pair Attributed to Riessner, Stellmacher and Kessel for Amphora, Turn Teplitz Austria...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and elegant statue in spelter with marble base; the sculpture represents a young woman in a beautiful plastic and slender pose that holds in the left hand a laurel wreath and in the right hand a sheet of paper with an inscription, probably of scientific formula, in fact, the statue is the interpretation of "Science". The crown "triumphalis", precisely called "laurel crown", in Greek mythology symbolized wisdom and glory, it was the highest honor for a poet who had just graduated. Laurel was considered a sacred plant also by ancient Romans: it was venerated in particular by Apollo, god of the sun, music, poetry, sculpture, and painting. Precisely because of his countless knowledge, in fact, Apollo represented wisdom and intelligence. On the pedestal has been applied a scroll with the name of the sculpture itself and that of its author: Jean Charles Ruchot. It was made in spelter, with the technique of "lost wax", by the artist himself in his workshop in Romainville, a French commune located in the department of Seine-Saint-Denis, between 1900 and 1905. Jean Charles Ruchot, the refined and prolific artist, was active from 1890 until 1925, he produced classical works inspired by antiquity, then he was influenced by Art Nouveau, then by Art Deco, styles in which he expressed his greatest talent; he created many statues both in bronze and in spelter, he is also the author of many objects of decorative arts: lamps, sculptural groups for clocks and advertising objects. Spelter is a zinc-lead alloy that is aged to resemble bronze, but it is softer and can be easily melted and worked unlike bronze, composed of copper and tin, which melts between 850° and 1020°. Spelter has been used since 1860 to make objects that could compete with bronze, because of its great convenience and ease of use, this material had very strong dissemination and use when many sculptors and bronze Art Nouveau and Art Deco used...

Beautifully imposing sculpture by the artist Ernest Rancoulet. The artist paid a lot of attention to the performance of the clothing and the hairstyle. The sculpture has a plate ...

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

Precious porcelain sculpture attributed to the ceramic designer and sculptor Friedrich Heuler (1889-1959) representing spring with a nymph riding on a satyr, to which she clings to i...

"Confidence". calamine. France, around 1900, following Grisard, Désiré (1872-¿). With manufacturing stamp, titled and engraved name. Calamine figure patinated in various shades t...

Extremely rare Meissen Art Nouveau porcelain group: Two girls in clothing of circa 1900, the elder with hair pinned up in a bun in a blue fringed white dress with a yellow petticoat...

Important patinated spelter lamp representing a young boy, probably a butcher boy, drinking his soup accompanied by his pit bull / bulldog type dog. The boy is leaning against a gallows holding an electrified green lantern. By Belgian sculptor Victor Rousseau (1865-1954). Art Nouveau / Belle Epoque style. Plate with inscription "La Bonne Soupe par Rousseau" ("The Good Soup by Rousseau") on the front, signature "Rousseau" on the side and stamp "Fabrication française...

This is a solid bronze figurine of a young Girl with a blindfold playing Hide and Seek, which we attribute to the Italian sculptor Giuseppe Ferrari ( ...

Extremely rare Meissen Art Nouveau porcelain group: Girl and child in clothes from around 1900, the girl in a blue, polka-dot long-sleeved dress with a white apron kneeling on the fl...

Extremely rare Meissen Art Nouveau porcelain group: Two barefoot girls in summer clothes, the older one in a striped skirt and white and blue long-slee...

Sizable and superb condition work of religious art. This handsomely carved and all original work of religious art could hardly be in better condition. This sculpture is entirely h...

Wall-mounted weather station in carved walnut made in Belgium by A. de Lambert. High quality mechanism with jeweled movement barometer and thermometer (in centigrade) Unusual design with high relief C-scrolls and flowers in Rococo style (from theArt Nouveau' period) with a lovely walnut case/. Equipment in full working order. Please don't hesitate to get in touch with any further questions.

 With best wishes, Geert 
Early Bird Gallery...

Important bronze sculpture with brown patina representing a young woman harvester returning from work in the fields. Note the beautiful expression of the face underlining the satisfa...

Art Nouveau Meissen porcelain figure from the time the model was created: Baby in a dress with legs outstretched sitting on the floor and looking at a picture book. Modeling of the finest quality, extremely loving and lifelike details. Modeller: JULIUS KONRAD HENTSCHEL (Cologne 1872 - Meissen 1907) studied at the academies in Munich and Dresden, worked as a modeler and porcelain painter, from 1889 in the Meissen manufactory. Model U 149 was created 1904. Manufactory: Meissen Germany Dating: made around 1905 Style: Art Nouveau Material: multicolored porcelain, glossy finish Technique: handmade porcelain Hallmarked: underglaze blue Meissen Sword...

Beautiful pink pig figural catchall. Made of Porcelain. A beautiful decorative piece of art for any room.

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

A superb stunning and very large Art Nouveau Gilt Bronze Dore figural lamp of a lady with flora and foliage decoration and with three branch light fittings. Circa 1900. Signed Henri Ple...

An enigmatic late 19th Century bronze study of a seated female nude leaning on her knees, hiding her face, on integral naturalistic canted rectangular base, signed to one side DALOU above the cracked mirror (facing to the rear), the opposing side marked Susse Fres Edts the rear with Susse Freres pastille flanked by the letters H P and S. The title of this subject translates as 'The Truth Revealed' and refers to the young woman inconsolable having seen her true reflection in a mirror, which she has dropped and lies broken on the hard floor. ADDITIONAL INFORMATION Height: 14 cm Width: 12 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1890 Foundry: Susse Frères Paris Materials: Bronze SKU: 8790 ABOUT Aimé-Jules Dalou...

An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base. ADDITIONAL INFORMATION Height: 30 cm Width: 19 cm Depth: 12 cm Condition: excellent original condition Circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 35 SKU: 8773 ABOUT Villanis Cendrillon Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...

Stunning and appealing Art Nouveau bust of a woman made of polychromed and enamelled white clay. This singular bust of a woman with unique face traits could be of an Italian woman, m...

Lady in solid Italian Art Nouveau marble with column and fountain 1910 It has some cracks as shown in the photos

A classic decorative Jesus statue. Some wear with a nice patina, but this is old-age. Made of a kind of Metal (probably white metal) on a wooden base. Ver...

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

Art Nouveau bronze sculpture nude snake charmer, Germany ca. 1900. Bronze sculpture with silver and brown patina on a Portor marble base. This bronze is...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

Fine work of good expressive power. Spectacular Wall Sculpture “Bust of a Lady” made of white marble is from France, Europe. Art Nouveau approx. 1900-1...

Solid Bronze Figurative Allegorical Art Nouveau with him and her Italy 1910

Calvet door handle set by Antoni Gaudí. Solid cast brass with polished finish. An exact reproduction in both form and material original metalwor...

A charming early 20th century animalier gilt bronze group of three seated puppies fascinated by an approaching snail. The bronze with fine hand chased surface detail and good colour,...

Large white marble bust of a noble lady: the facial features are fine, the hair up in a bun, the low-cut dress Bust on a pedestal base Signature o...

For sale a magnificent early 20th Century gilt bronze sculpture, cast using the Lost Wax (in French, 'Cire Perdue') process. This fine sculpture is a cast of Richard Alexander Hudnut's hand and was produced by the renowned Montagutelli Frères foundry in Paris in 1912. The sculpture is in very good vintage condition, signed "Richard Alexander Hudnut 1912" and carries the oval "Montagutelli Freres Paris Cire Perdue" foundry stamp to the underside. Richard Alexander Hudnut (1856-1928) was an American businessman recognised as being the first American to achieve international success in cosmetics manufacturing. After graduating from Princeton University, he toured France and returned with the idea of introducing French-style perfumes and cosmetics to American women. The Richard Hudnut company once maintained separate US and European headquarters on Fifth Avenue in New York City and on the Rue de la Paix in Paris, respectively. Although his fortune had been built around cosmetics and beauty products...

Maurice Bouval bronze with gilded patina signed M.Bouval and stamp of founder on a marble base portor. Length: base 11 cm Depth: 9,6 cm Height: 30,...

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think its gilded bronze. Very decorative and nice to display...

A wonderful Austrian bronze sculpture titled ‘Tanzender Weiblicher Akt’ and portraying a dancing female nude by renowned Vienna born sculptor Theodor Friedl (Austrian, 1842-1900). Th...

Louis DEJEAN (1872-1953) : "Elégante" Epreuve d'atelier en terre cuite patinée / Worshop patinated terracota Signée "L. Dejean", marque "HD" et cachet d'...

A Gorgeous French Art Nouveau style statue in bronze showing a semi nude moon girl. The Patina is superb to the bronze as is the ornamentation to the moon. A Black marble for pedesta...

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think it's brass, socket nickel plated. Very decorative and ...

Snake charmer Fire-gilt bronze by A. Lefebvre, signed with foundry stamp Original art nouveau, France around 1900 Dimensions: Height: 75 cm Diameter, base: 18 cm.

Art Nouveau bronze sculpture dancing nude couple, La Danse by Charles Samuel. Patinated bronze on a marble base. Belgium ca. 1900. This bronze is illustrated in: Beeldhouwkuns...

Exceptional and rare plate in glass paste by Georges Despret. Jade-colored background, flesh-colored child and blond hair. In very good condition and electrified. A cooking stress at the knee is to be reported. Plaque : Width: 17.8cm Height: 46cm Frame: Width: 23cm Height: 51cm Georges DESPRET (1862-1952), a native of Binche (Belgium), developed a glass paste technique at the same time as Henry...

Amazing sculpture in patinated bronze terracotta, "Lioness with her lions" by Antoine Amorgasti, born in 1880 in Pisa and died in Antwerp, Belgium in 1942. He studied sculpture at th...

Pair of French Art Nouveau female busts from the beginning of the 20th century in painted and gilded terracotta. Small flaws one features collage. Height: 48 cm. Good conditions.