Europe Vases

Vase in the form of a baluster: oval stand, wall widening towards the top, forming shoulders and converging into a short, narrow neck. Colorless glass with yellow-orange color powder...

Behold the exquisite grandeur of a decorative vase, a true masterpiece, born from the artistic glassblowing tradition of Murano. This magnificent creation is adorned with a handcraft...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Sakai was design ...

This excuitie antique Art Nouveau porcelain masterpiece vase is a true marvel of craftsmanship. It features an exceptionally intricate hand-painted digitalis pattern, showcasing the ...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. Handcrafted with precision and care, the Sakai serving tray presents the art of marquetry in its most refined form, where high-quality wood veneers seamlessly merge to form intricate patterns and designs. Adorned with brass handles, the sophisticated finish seamlessly harmonizes with the natural colors and textures of the marquetry. A testament to savoir-faire and meticulous craftsmanship, the Sakai serving tray in marquetry art...

A ceramic vase in lovely art nouveau by Josef Ekberg at Gustavsberg in 1924. The vase is 21.5 cm (8.6") high and in excellent condition.

Rare Lalique Crystal Vase, San Diego Model, made in the 1940s Ø cm 22 Ø cm 16 h cm 16 I Lalique crystals born from the idea of René Lalique, a French jeweler and glassmaker. D...

A stylish Doulton Lambeth Art Pottery vase decorated with fish by highly renowned artist Maud Bowden and dating from the early 20th century. The stoneware ...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Sakai was design to uplift layback moments. An organic-sha...

Pair of large liberty terracotta vases finely decorated with birds and bamboo plants Timeless decoration for your interior or garden.

This Jugendstil vase – made by Austrian Secessionist ceramic manufacturer Julius Dressler of Biela (Bohemia) - has a pale blue outside and a yellow/goldish inside. In very good condi...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. A sublime serving tray, Sakai was design to uplift layback moments. An organic-sha...

Biscuit porcelain vase with male and female figures, late 19th century

This vase is a masterpiece of Art Nouveau glassmaking. It was created by Emile Gallé, a French artist and designer who was known for his innovative use of color and technique in art ...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. Handcrafted with precision and care, the Sakai serving tray presents the art of ma...

Galle Four Colour Cameo Solifleur Vase with Ivy Seed Heads, c1910 Additional Information: Heading : A Galle Trumpet Cameo Vase with Ivy Seed Heads Date : 1906-1914 Origin : Nancy, ...

Finest Bohemian Art Nouveau Glass Vase: Blown into shape of raised body on a round ground plan, triple depressed wall with mouth rim formed into trefoil, polished pontil, with groun...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Drop-shaped vase with slender slim neck designed by Holger Busch Jensen for the Danish porcelain manufacturer Bing & Grøndahl. Made in the beginning of the 20th century. The vase is...

A fine and stunning Art Nouveau German pair of hand painted art pottery vases with floral designs made by the renowned manufactory of Royal Bonn and dating from around 1900. Royal B...

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

Small soliflore vase in glass paste Signed Gallé, France Art Nouveau, early 20th century.

Antique Gouda Soliflor Stem Vase - Art Nouveau Elegance from the Netherlands This soliflor stem vase, crafted from hand-painted, matte-glazed ceramic, is an example of ceramic art f...

A Josef Ekberg sgraffito vase for Gustavsberg., Sweden Art Nouveau. Signed Gustavsberg 1920 JE In good condition, smaller signs of age and wear.

Dramatic multi color decor, cobalt and orange, in hand blown splatter glass vase in the Art Deco style. This design for vases is often called 'Pique ...

French glass vase by Emile Gallé decorated in various shades of blue and white. It dates from around the 1900s and is in excellent original condition. Emile Gallé, a French artist ...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. Handcrafted with precision and care, the Sakai serving tray presents the art of ma...

Serving Tray Sakai, Lusitanus Home Collection, Handcrafted in Portugal - Europe by Lusitanus Home. Handcrafted with precision and care, the Sakai serving tray presents the art of ma...

A simply beautiful pair of tulip-shaped Bohemian glass vases in emerald green, in the Art Nouveau style. Dating from the end of the 19th Century, these stunning vases feature an unco...

Signed: Alexandre / Belgium Vase green glazed terracotta decorated with Fish in relief Alexandre Gempfenstein (Alexandre de Wemmel) (Ukrainian Belgian, 1909 to circa 1964). A mode...

A Daum Cameo Glass Vase of Sailboats at Sunset, c1910 ...

Antique Art Nouveau chalice shaped art glass vase created by the Loetz glassworks company, which was active during the late 19th and early 20th centuries, this vase represents a prime example of their artistic mastery. The vase features a cobalt blue ground that adds depth and richness to its overall appearance. Its surface showcases a captivating iridescent wave pattern, which adds a mesmerizing shimmer and dynamic quality to the glass. This iridescence is a hallmark of Loetz glassware and is achieved through the application of special techniques during the glassblowing process. The chalice-form of the vase gives it an elegant and graceful silhouette. This design creates a harmonious balance between the visually striking upper portion and the sturdy base. Loetz glasswares are renowned for their exceptional artistry and their ability to capture and play with light. The Phaenomen Genre 6893 vase, with its dark blue color and iridescent wave pattern, is no exception. When light interacts with the glass, it reveals a captivating range of colors and reflections, making it a visually stunning and attention-grabbing piece. As an antique Loetz glass vase...

Daum Nancy Poppy Vase, c1895 Additional Information: Heading : Daum Nancy poppy vase Date : c1895 Origin : Nancy, France Colour : Clear, frosted and ...

A Very Tall Legras Enamelled Cameo Vase, c1900 Additional information: Date : c1900 Origin : Verreries de Saint-Denis, Paris Bowl Features : High relief enamelled Ox-eye daisies and...

Vase Georgia by Morgane Pasqualini Material: enameled earthenware Dimensions: H 40 x Ø 15 cm Year: 2023 Type: unique piece Entanglements of ceramic vessels and Art Nouveau inspired...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Tall rod vase with a slender, straight neck with a flat, bulbous body in the flush standing area, colorless glass with yellow and reddish colored powder inclusions, overlay in moss green and violet, in various stages highly etched hydrangea decoration, matt surfaces. Cameo signature 'Gallé' on the wall in the lower area between the leaves...

Stoneware and gilt bronze Art Nouveau vase by Paul Louchet . Early 20th century Art Nouveau stoneware and gilt bronze vase by Paul Louchet. Dimensions: h: 36cm, d: 13.5cm

Jo Hahn Locher for Bing & Grøndahl. Large and impressive Art Nouveau vase in porcelain. Openwork at the top and lid. Ca. 1900. Model number 412. In exc...

Art Nouveau vase around 1910. In perfect condition. Decorated with chrisenthems. Rose-colored leaves, buds, and flower clusters executed in two layers on colorless ground, signed on ...

Form blown baluster-shaped body on a round, flush stand, bulbously widening and contracting to a short, wide neck. Cobalt blue underlay with silver-yellow-green crumb inclusions, 2 s...

Slender baluster-shaped vase body on a separate base, conically widening upwards and then narrowing again to form a slender neck with a flared rim, colorless glass with blue and green colored powder inclusions, overlay in violet, in various stages highly etched decor with umbelliferous plants, etched matt on the inside and background on the outside, relief polished. Cameo signature 'Gallé' on the wall in the lower area between the leaves...

Very rare and exceptional piece of Art Nouveau glass: Small baluster vase, bulbous body with attached, funnel-shaped neck. Colorless glass with colored powder inclusions in white, o...

A large Josef Ekberg sgraffito vase for Gustavsberg. Sweden, Art Nouveau. H: 40cm/15,7″. Signed Gustavsberg 1925 J Ekberg In good condition, s...

Art Nouveau ceramic vases with gilt flowers by Turn Teplitz marked RStK and Amphora. Ceramic, hand-painted green and purple with gilt flowers. Austria c...

Glass vase manufactured by Johann Loetz Witwe PG 1/158 decoration ca. 1901 Austrian Jugendstil This vase is an excellently preserved and exquisite specimen, which illustrates the high art of glassblowing from the manufacturer Loetz. The decoration from the Phenomen Genre family is characterized mainly by the contrasting and matte iridescence, which show new qualities in their color gradient with each incidence of light. The veined and irregularly warped bands with their slightly silvery shimmer are particularly striking. What is exciting is that especially the decoration “PG 1/158” – originally composed of two different decorations – unfolds completely new on each form and thus gives each shape of vase something unique. Through the use of the base in the color green in combination with the different curvatures and indents of this filigree vase...

Flush foot, raised, widening body with a shoulder-shaped narrowing at the top, with a short, wide neck and flared, rounded mouth rim. Burgundy red overlay on the outside, etched leaf...

R Lalique, Rampillon model vase in opalescent pressed glass, with 'cabochons' on the body Model created in 1927, and not revived after 1947, signed R Lalique and numbered 991 A chi...

An important small Frederick Carder Art Nouveau Rose Flambé Alabaster vase by Stevens and Williams originally from their own museum and probably unique. Alabaster glass was first cre...

A amethyst-to-clear cut and engraved pair of glass Vases by Moser: of hexhagenal tapering form deeply cut and etched with design of flowers and leaves; unsigned but guarateed to be ...

A D'Argental Cameo Glass Vase, c1925 Additional information: Date : Circa 1920 Origin : Saint-Lous-Les-Bitche, Lorraine, France Bowl Features : The shouldered form tapering to the c...

Lalique France, Dampierre model vase, in matt and shiny satin-finish clear crystal Model created in 1948 by Marc Lalique Very good condition, signed Height 12.5 cm diam approx 12 ...

Brilliant handmade hand-glazed Art Nouveau planter jardinière, 1930. Stamp: Saint Clement France Handmade and hand-glazed in brilliant details. Made in France Art Nouveau period 193...

Hand-crafted Danish Art Nouveau flower decorated vase by P. Ipsens Enke The art nouveau vase was designed by Axel Sørensen in 1939 and feature very well...

Brilliant handmade hand-glazed Art Nouveau Vase, 1930. Handmade and hand-glazed in brilliant colored details. Made in Belgium Art Nouveau period 1930 fine quality. The piece is in ...

Vase in multicolored iridescent glass by Loetz, made in the 1940s Ø cm 9 h cm 20 The production of Loetz glass began with Johan Loetz (1778-1848) in the 18th century through the takeover of the Klostermühle glassworks. In the second half of the 19th century, his nephew took charge of the modernization of the glassworks, introducing, thanks to the assistance of the inventor Eduard Prochaska, new processing techniques: thus new processes were born with glass in imitation of semi-precious stones, veins and the decoration. , which during processing includes hot coils or colored glass pads. Finally, at the end of the 19th century, the creation of the first glass iridescences with metallic reflections began, up to the creation of Phänomen in glass with applications and inserts of partially metallized glass filaments, similar to Tiffany glass and the famous Papillon glass...

This art nouveau vase in glass paste is a unique and elegant artwork for any home or office. The vase is made of glass paste, a technique whereby colored glass is melted and shaped i...