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Item Ships From: Geneva
Jean Cocteau - Colorful Portrait - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Taureaux
Dimensions: 40 x 30 cm
Edition: 200
Luxury print edition from the portfolio of Trinckvel
1965
Jean Cocteau
Writer, artist and fi...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Gabriel Domergue - Portrait - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Geneva - Figurative Prints
Materials
Lithograph
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Decameron - Portfolio of 10 Original Signed Engravings by Salvador Dali
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Portfolio of 10 Original Signed Engravings by Salvador Dali
Title: Decameron
Signed in Pencil by Salvador Dali
Dimensions: 45 x 32 cm
Edition EA 1/5
1972
References : Field 72-8 (p. ...
Category
1970s Surrealist Geneva - Figurative Prints
Materials
Engraving
Le Goût de Bonheur: one plate - Colorful Portrait
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Artist: Pablo Picasso (after)
Medium: lithograph, Arches paper
Portfolio: Le Goût de Bonheur
Year: 1970
Edition: Total of 1998 copies (666 each in German, French and English)
Sheet S...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938
Andre Derain was born in 1...
Category
1930s Modern Geneva - Figurative Prints
Materials
Etching
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...
Category
1930s Modern Geneva - Figurative Prints
Materials
Etching
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Geneva - Figurative Prints
Materials
Engraving
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938
Andre Derain was born in 1...
Category
1930s Modern Geneva - Figurative Prints
Materials
Etching
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
By Chas (Charles) Laborde
Located in Collonge Bellerive, Geneve, CH
Chas Laborde - Paris - Capucine's Boulevard - Original Etching
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Paris
Chas LABORDE
Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine.
He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”.
In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor.
In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...
Category
1920s Modern Geneva - Figurative Prints
Materials
Etching
Jean Gabriel Domergue - The Hug - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a Faun.
Jean-Gabriel Domergue
Jea...
Category
1920s Impressionist Geneva - Figurative Prints
Materials
Lithograph
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938
Andre Derain was born in 1...
Category
1930s Modern Geneva - Figurative Prints
Materials
Etching
Bengt Lindstrom - Original Handsigned Engraving
By Bengt Lindström
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
Category
1970s Modern Geneva - Figurative Prints
Materials
Engraving
André Derain - Ovid's Heroides - Original Etching
By André Derain
Located in Collonge Bellerive, Geneve, CH
André Derain - Ovid's Heroides
Original Etching
Edition of 134
Dimensions: 32 x 25 cm
Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938
Andre Derain was born in 1...
Category
1930s Modern Geneva - Figurative Prints
Materials
Etching
Jean Gabriel Domergue - Woman - Original Etching
By Jean-Gabriel Domergue
Located in Collonge Bellerive, Geneve, CH
Original Etching by Jean-Gabriel Domergue
Dimensions: 33 x 25 cm
1924
Edition of 100
This artwork is part of the famous portfolio The Afternoon of a F...
Category
1920s Impressionist Geneva - Figurative Prints
Materials
Lithograph
Marc Chagall - The Bible - Hagar in the Desert - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
after Niccolo dell'Abbate - Lithographic Reproduction
By Niccolo dell'Abbate
Located in Collonge Bellerive, Geneve, CH
after Niccolo dell'Abbate - Lithographic Reproduction
Dimensions: 32 x 24 cm
Revue Art de France
Niccolò dell'Abate was the third of the Italian founders of the so-called school of...
Category
1960s Geneva - Figurative Prints
Materials
Lithograph
Le Gôut du Bonheur: one plate
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Artist: Pablo Picasso (after)
Medium: lithograph, Arches paper
Portfolio: Le Goût de Bonheur
Year: 1970
Edition: Total of 1998 copies (666 each in German, French and English)
Sheet S...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Pablo Picasso (after) Helene Chez Archimede - Wood Engraving
By (after) Pablo Picasso
Located in Collonge Bellerive, Geneve, CH
Pablo Picasso (after)
Helene Chez Archimede
Medium: engraved on wood by Georges Aubert
Dimensions: 44 x 33 cm
Portfolio: Helen Chez Archimede
Year: 1955
Edition: 240 (Here it is on...
Category
1950s Modern Geneva - Figurative Prints
Materials
Engraving
Inspired Village of Montmartre - Pochoir
By (after) Maurice Utrillo
Located in Collonge Bellerive, Geneve, CH
(after) Maurice Utrillo
Inspired Village of Montmartre
Pochoir with printed signature
Edition of 490
Dimensions: 39 x 30 cm
Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950
Condition : Excellent
Maurice Utrillo (1883 - 1955)
The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...
Category
1950s Modern Geneva - Figurative Prints
Materials
Stencil
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Living Painting - Colour Pochoir
By (after) Sonia Delaunay
Located in Collonge Bellerive, Geneve, CH
Full-page, colour pochoir of costume designs by Sonia Delaunay
Edition 331/500 copies on Velin Aussedat
Dimensions: 28.5 x 19.5 cm.
From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars.
Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker.
Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921.
During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911.
Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...
Category
1960s Abstract Geometric Geneva - Figurative Prints
Wifredo Lam - Original Handsigned Lithograph -El ultimo viaje del buque fantasma
By Wifredo Lam
Located in Collonge Bellerive, Geneve, CH
Original lithograph, hand-signed and hand-numbered in pencil by the artist.
Edition: 56/99
Excellent Conditions
Dimensions: 76 x 56 cm
Reference : Catalogue raisonné Tonneau-Ryckely...
Category
1970s Post-Modern Geneva - Figurative Prints
Materials
Lithograph
Leonard Foujita - Soldiers - Original Lithograph
By Léonard Tsugouharu Foujita
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Leonard Foujita
Title: Soldiers
Signed in the plate
Dimensions: 23 x 28 cm
Edition of 97
From the " Propos d'un intoxiqué " Portfolio, published in 1928 by Jav...
Category
1920s Modern Geneva - Figurative Prints
Materials
Lithograph
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Marc Chagall - The Bible - Tamar - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Jansem - Saint- Original Etching
By Jean Jansem
Located in Collonge Bellerive, Geneve, CH
Jean Jansem - Original Etching
Title: Saint
Dimensions: 40 x 30 cm
Edition of 175
Paper: vélin de Rives
1974
Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent his ear...
Category
1970s Modern Geneva - Figurative Prints
Materials
Etching
Jean Cocteau - Marine Mountains - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Marine Mountains - Original Lithograph
Dimensions: 38 x 28 cm
Edition: 200
In Rives
From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Jansem - Original Etching
By Jean Jansem
Located in Collonge Bellerive, Geneve, CH
Jean Jansem - Original Etching
Title: Loneliness
Dimensions: 40 x 30 cm
Edition of 175
Paper: vélin de Rives
1974
Jean Jansem was born in 1920 at Seuleuze in Asia Minor and spent h...
Category
1970s Modern Geneva - Figurative Prints
Materials
Etching
Max Ernst - The Soldier - Original Lithograph
By Max Ernst
Located in Collonge Bellerive, Geneve, CH
Max Ernst (1891-1976)
Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972
Colour lithographs on Arches paper
1972
Dimensions: 40 x 30 cm
Reference: Spies &...
Category
1970s Modern Geneva - Figurative Prints
Edmond Céria - Paris, Quais de Orfèvres - Original Etching
By Edmond Céria
Located in Collonge Bellerive, Geneve, CH
Charles Martin - The Eiffel Tower - Original Lithograph
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, Emile-Paul Freres, Pari...
Category
1920s Modern Geneva - Figurative Prints
Materials
Etching
Marc Chagall - The Bible - Ahasuerus Sends Vasthi Away - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours (Mourlot no. 234)
On the reverse: another black and white original litho...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau - Marine Mountains - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Marine Mountains - Original Lithograph
Dimensions: 38 x 28 cm
Edition: 200
In Rives
From: COCTEAU. — VERDET (André). Montagnes marines. S. l. (Paris), Les Messagers du...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Salvador Dali - Reverie of Don Quichotte - Original Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Don Quixote Reading - Original Lithograph
Joseph FORET, Paris, 1957
PRINTER : Atelier Mourlot.
SIGNATURE : plate signed by Dali.
LIMITED : 197 copies.
SIZE : 41 x ...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau - Europe's Founders - Original Lithograph
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Europe's Founders - Original Lithograph
Title: Europe's Founders
Signed in the plate
Dimensions: 33 x 46 cm
Edition: 200
Luxury print edition from the portfolio of Sci...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Pierre Falké - Paris' Terrasse - Original Etching
By Pierre Falké
Located in Collonge Bellerive, Geneve, CH
Pierre Falké - Paris' Terrasse - Original Etching
Dimensions : 13 x 10".
Paper : Rives vellum.
Edition : 225 copies.
1927
From Tableaux de Paris, E...
Category
1920s Modern Geneva - Figurative Prints
Materials
Etching
Roger Chapelain-Midy - Original Handsigned Lithograph - Ecole de Paris
By Roger Chapelain Midy
Located in Collonge Bellerive, Geneve, CH
Roger Chapelain-Midy
Original Handsigned Lithograph
Dimensions: 76 x 54 cm
Edition: HC XXI/XXX
HandSigned and Numbered
Ecole de Paris au seuil de la mutation des Arts
Sentiers Editi...
Category
1970s Modern Geneva - Figurative Prints
Materials
Lithograph
Europe's Faces - Lithograph
Located in Collonge Bellerive, Geneve, CH
Title: Europe's Faces
printed signature
Dimensions: 33 x 46 cm
Edition: 200
Luxury print edition from the portfolio of Sciaky
1961
Jean Cocteau
Writer, artist and film director Jea...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
Leonard Foujita - Woman with Felines - Original Engraving
By Léonard Tsugouharu Foujita
Located in Collonge Bellerive, Geneve, CH
Artist : Léonard Foujita (Tsuguharu)
Title: Woman with Felines
Engraving
Edition of 315
Dimensions: 38 x 28 cm
From La Rivière enchantée
Unsigned and unumbered as issued
Category
1930s Geneva - Figurative Prints
Materials
Engraving
Kees van Dongen - Montmartre 1900 - Original Lithograph
By Kees van Dongen
Located in Collonge Bellerive, Geneve, CH
Kees van Dongen
Title: Montmartre 1900
Original Lithograph
Edition of 180
Dimensions: 39 x 30 cm
References: Juffermans JL 34
Information :
This lithograph was created for the portf...
Category
1950s Impressionist Geneva - Figurative Prints
Materials
Lithograph
Salvador Dali - Statue of Liberty - Original Handsigned Etching
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Original Handsigned Etching
Title: Statue of Liberty
Dimensions: 63.5 x 43.5 cm
Sheet: 75.7 X 56.5 cm
Handsigned
Edition: EA
Catalogue raisonné: Michler/Löpsinger 113
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Etching
Marc Chagall - Paradise - Original Lithograph
By Marc Chagall
Located in Collonge Bellerive, Geneve, CH
Marc Chagall, Original Lithograh depicting an instant of the Bible.
Technique: Original lithograph in colours
On the reverse: another black and white original lithograph
Year: 1960...
Category
1960s Modern Geneva - Figurative Prints
Materials
Lithograph
René Magritte - Indiscrete Jewelry - Original Lithograph
By René Magritte
Located in Collonge Bellerive, Geneve, CH
René Magritte - Indiscrete Jewelry - Original Lithograph
Dimensions: 32 x 24 cm
XXe siècle
Reference: Kaplan, Gilbert E. and Timothy Baum, 'The Graphic ...
Category
1960s Surrealist Geneva - Figurative Prints
Materials
Lithograph
Jean Cocteau - For Paul Valery - Original Lithograph
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean Cocteau
Title: Paul Valery Poems
Signed in the plate
Dimensions: 32 x 25.5 cm
Edition: 200
1959
Publisher: Bibliophiles Du Pala...
Category
1950s Modern Geneva - Figurative Prints
Materials
Lithograph
Salvador Dali - Biblia Sacra - Lithograph
By Salvador Dalí
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome
- SIGNATURE : printed in the image
- LIMITED : 1499
- SIZE : 19 x 13 3/4"
- RE...
Category
1950s Surrealist Geneva - Figurative Prints
Materials
Lithograph
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