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Item Ships From: India
Women, Ink Drawing, Black, White by the recipient of Padma Vibhushan "In Stock"
By K.G. Subramanyan
Located in Kolkata, West Bengal
K. G. Subramanyan - Untitled - 17 x 15 inches ( unframed size)
Ink on paper
Inclusive of shipment in roll form.
The artist gave the human figure a new dimension. Drawing upon the rich resources of myth, memory and tradition, Subramanyan tempers romanticism with wit and eroticism.
Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures.
Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work.
About the Artist and his work :
Born : K G Subramanyan (1924-2016) was born in Kerala.
Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai.
In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij.
In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London.
He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery.
Shows : In a career spanning nearly seven decades, K G Subramanyan’s work has been exhibited in over fifty solo shows. Some of the solo shows are given below :
2014 - The Government Museum & Arts Gallery, Chandigarh.
2014 - Red Earth Gallery, Vadodara.
2018 - Art Musings, Mumbai, KG Subramanyan...
Category
Early 2000s Modern India - Figurative Drawings and Watercolors
Materials
Paper, Ink
Girl executed in ink on paper by Indian Artist Padma Bhushan K. G. Subramanyan
By K.G. Subramanyan
Located in Kolkata, West Bengal
K. G. Subramanyan - Girl in Ink on paper by modern Indian Artist K. G. Subramanyan
15 x 17 inches ( unframed size) - Brush on paper, 2006
Inclusive of shipment in roll form.
Girl ex...
Category
Early 2000s Modern India - Figurative Drawings and Watercolors
Materials
Paper, Ink
Landscape, Drawing, Ink on paper, Black, White By Master Indian Artist"In Stock"
By Prokash Karmakar
Located in Kolkata, West Bengal
Prakash Karmakar - Untitled
Ink on paper
14.5 x 11 inches (unframed size)
( Unframed & Delivered )
Karmakar is best known for his landscapes and nudes, which are generally painted ...
Category
Early 2000s Modern India - Figurative Drawings and Watercolors
Materials
Paper, Ink
Man under the tree, Drawing, Ink on paper by Padma Vibhushan Artist "In Stock"
By K.G. Subramanyan
Located in Kolkata, West Bengal
K G Subramanyan - Untitled - 8.5 x 11 inches (Paper Size) Framed Size : ( 17.5 x 19 ) approx
Ink on paper
Inclusive of shipment in a mount form.
The artist gave the human figure a n...
Category
Early 2000s Modern India - Figurative Drawings and Watercolors
Materials
Paper, Ink
Man Kneeling on the floor, Nude, Pastel on paper by Modern Artist "In Stock"
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury - Man Kneeling on the floor - 20 x 28 inches (unframed size)
Dry Pastel on paper
Inclusive of shipment in roll form.
Kneeling Man takes a fresh look at tradition and Modernism , drawing freely upon ideas and values from native sources , solely guided by their need for self expression . This determined not only how they would paint but also what they would paint . A core subject in around which he would organise the perception of the worls within and without.
The Kneeling Man is a perfect example of Chowdhury's mastery of lines and to make the curves depict the character of his figures. By careful distortion of the form he imparts the air of caricature in his figures, figures of men and women...
Category
Early 2000s Modern India - Figurative Drawings and Watercolors
Materials
Paper, Pastel