London - Abstract Prints

Complete set of six kinetic screenprints, 1969, on aluminium, signed, titled, dated 1970 and numbered from the edition of 100 incised verso, published by Editions Alecto, London, eac...

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

A delightful etching with aquatint by Tom Phillips CBE RA. Print: Etching with aquatint, 10/10 Framed size: 22 x 42cm Mounting: Raised-float mounted Framing: Museum-grade maple fram...

This original lithograph is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 75, at the lower left corner...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

JUNE MELODY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 61 x 61 cm (including frame), 45 x 45 cm (glass size) Edition of 5 (Each individually hand gi...

JEAN-PAUL RIOPELLE 1923-2002 Montréal 1923 - 2002 Saint-Antoine-de-l'Isle-aux-Grues (Canadian) Title: Composition 1, from: Marrying Flies Les mouches à marier, 1985 Technique: Ori...

One Down, 1981-82 Howard Hodgkin Lithograph printed in classic black, transparent brown/black and violet black, with hand-colouring in gouache (three different greys), on buff Velin...

49.5 x 41.9 cms (19 1/2 x 16 1/2 ins)

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919 - 1983) Festival Gallery Bath Poster Lithograph 51 x 38 cm Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy...

Screenprint

This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the deluxe edition of 75 numbered...

Edition of 70 70 x 70 cms (27 1/2 x 27 1/2 ins)

Inspired by East Asian Sumi ink drawings, George McLeod wanted to find a photographic way of producing intricately detailed images. As with Sumi ink draw...

NEAR THE CHURCH, 2016 Unique Luminogram Silver Gelatin Print, Framed; Framing options available, also can be shipped unframed if preferable Framed; museum mount board, white metal fr...

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

#473 FLOWERS, 2016 Luminogram, Silver Gelatin Print Print size: 30.5 x 40.6 cm Framed: 49 x 58 cm Frame with the classic museum style mount board and black frame/ Print can be shipped unframed - options available with more shipping prices available - please message us for more info/ This is a Unique piece Series: The Self Representation of Light Signed and dated in pen on verso, Certificate of Authenticity provided The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. "I don't really see photography and pottery or painting or music to really be different to each other. Some are more immediate, some are more subtle. Music seems to be able to control emotions, photography seems to create a satisfying pleasure from just a tonal flat surface. Same with painting. One of the biggest mysteries for me is why all these things manage to control us in some way." - Michael G Jackson...

Ruth has a degree in Fine Art and a Master’s degree in Art & Design. Her work has been shown in venues all over the UK as well as overseas, including USA, France and Spain, and is re...

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

46 x 61 cms (18 x 24 ins) Edition of 50

Etching, 1997, on Hahnemühle copperplate paper, signed and dated in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, publis...

Lithograph from three aluminium plates printed in classic black, transparent brown/black, and violet black, with hand colouring in gouache (three different greys). On buff Velin Arch...

111.8 x 140.3 cms (44 x 55.25 ins) Edition of 50 Impressed with Solo Press stamp and the printer’s stamp. Lithograph (from three plates) with hand colouring in gouache (two greys) and watercolour on cream Velin Arches mould made paper. Printed by Judith Solodkin and Arnold Brooks with hand colouring by Cinda Sparling...

The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme. - (the Artist: Mike G Jackson) NEW YORK CITY AND THE HUDSON 2020 "After spending time in New York and producing work that showed the city from the viewpoint of being on the inside, I wanted to show the city from the outside looking in. I wanted to try and capture the city and water using bold shapes - building up the scene piece by piece. Making the sky and sea from rectangles to make them a whole with the city structures." - Mike G Jackson Unique 4 x Prints, Selenium toned Silver Gelatine Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 32 x 24 inches (82 x 62 cm approx including frame); can be framed separately or in one frame upon request Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various material options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic etc OFFER! Free Shipping worldwide: the work would be crated for protection and shipped by professional art shipping company; front door delivery; complementary delivery and install available in London area About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

Untitled [Wave], 1975 Bridget Riley Screenprint in colours, on wove Signed, dated and numbered from the edition of 400 Printed by Graham Henderson, London Published by Galerie Beyel...

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

Lithograph in colours, 1997, on Rives BFK paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by Th...

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

71 x 71 cms (28 x 28 ins) Edition of 80

Silkscreen. Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006

64.8 x 85.7 cms (25.5 x 33.75 ins) Edition of 30 Paper: Rives BFK Proofs: 1 BAT, 6 AP (I on Japanese paper), I CTP Signed lower right; numbered lower left; publisher's cho...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919-1983) Constellations II Etching 16x24cm Mid 20th Century Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy of Art he opened up a lithography studio in the city, where he designed surreal forms until his retirement in 1981. Cliffe's work was exhibited internationally to wide acclaim. In 1954 and 1960, he was one of five artists shown in the British Pavilion at Venice Biennale and in the same year he won first purchase...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Henry Cliffe (1919-1983) Two Standing Nudes Etching 27x25cm Mid 20th Century Henry Cliffe was born in Scarborough, Yorkshire in 1919. After studying at the Bath Academy of Art he opened up a lithography studio in the city, where he designed surreal forms until his retirement in 1981. Cliffe's work was exhibited internationally to wide acclaim. In 1954 and 1960, he was one of five artists shown in the British Pavilion at Venice Biennale and in the same year he won first purchase...

To see our other Modern British Art and works by Henry Cliffe, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you c...

Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...

Lithograph on St. Armand Special Etching paper, 1997, signed and numbered in pencil, an artist’s proof aside from the edition of 97, published by Brooke Alexander Editions, New York,...

SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SFE-081), 1992 Technique: Original Hand Signed and Numbered Aquatint in Colours on ...

Offset lithograph in colours on Coventry Smooth 290-gram paper, 1994, signed in pencil and numbered from the edition of 175, printed by Team Litho, New York, published by Achenbach A...

Screenprint in colours on BFK Rives paper, 1990, signed and numbered in pencil, from the edition of 100 (there are also 10 artist’ proofs), printed by Maurel Studios, New York, publi...

Screenprint and lithograph in colours on BFK Rives paper, 1973, signed and numbered in white pencil, a proof aside from the edition of 300, printed by Styria Studio, Inc., published ...

Edition of 60, Set of 5 74.9 x 56.5 cms (29 1/2 x 22 1/4 ins)

Signature: Signed "R. Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; workshop chop mark lower right Edition: 16

Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...

Frieze, 2000 Bridget Riley Screenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 200 (plus 20 artist's proof) Printed by Sally Gimson Artizan ...

117 x 76 cms (46 x 30 ins) Edition of 50

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Lithograph on Rives BFK paper 61.6 x 43.18 cms (24 1/4 x 17 inches) Edition of 100

Aquatint from three copper plates printed in black, violet, and green. On cream Velin Arches mould-made paper Published by Petersburg Press Signed, numbered, and dated 74 in pencil, ...

61 x 61 cms (24 x 24 ins) Edition of 50

Screenprint in colours with collage on brushed aluminium card, 2009, on Somerset Satin paper, signed in pencil and dated, from edition of 60 (including eight artist's proofs), publis...

A striking piece by Moore also presented in the Tate collection. Lithograph in colours, on Rives paper. A Printer’s Proof outside of a limited edition of 50, initialed in pencil. Ye...