Manhattan - Bowls and Baskets

Small decorative vintage tray, France, 20th century. Object consists of a smooth, semicircular recessed area flanked by a charming cobblestone patt...

Neo-classic roman empire style bronze urns on marble base.

Pattern, as a recurring and persistent characteristic of structure, becomes an essential part of algorithm driven sculptures. Drawing from nature, science and imagination, the form b...

Barbican bowl No.2 by A Space Dimensions:D22,86 x W22,86 x H16,51 cm Materials:Misc recycled. The design duo conceived the Barbican Collection over the spring/summer of 2020 whi...

Barbican bowl No.1 by A Space Dimensions:D 30,48 x W 30,48 x H 22,86 cm Materials:Misc recycled. The design duo conceived the Barbican Collection over the spring/summer of 2020 ...

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method.

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method.

This platter is sculpted out of teak wood. It is then topped with hand carved bone chip to follow the curves of the form. Patterns are then carved in the platter to fill with glossy ...

Todd Merrill Studio has represented artist John Procario since 2016. Having grown up around his carpenter father’s workshop, Procario entered the world of art and design with a well defined love of woodworking and a distinct vision inspired by his reverence for the material’s possibilities and limitations. Starting with his Freeform Series, and later translating and taking inspiration from this series to develop new works, Procario has continued to produce elegant, contemporary, and minimalistic designs that capture its audiences emotionally through sensation and observation. ? While studying sculpture in graduate school, Procario developed a unique aesthetic that began with the notion of wood as metaphor for the human body. “I would describe my work as having a heartbeat,” says Procario. “Each one has so much personality. As you move around them, the forms appear to shift and change. Just as we push the limits of our bones and muscles, I enjoy pushing the limits of wood to create a sense of strain in the material’s gesture,” Procario further elaborates. By pushing the limit of breakage, Procario creates a sense of strain in the otherwise fluid gestures of his works. Conceptually, this reveals beauty to be the product of stress. ? This evocation of the human form found throughout his Freeform Series can also be found in his recent furniture...

This piece shows Chris Knights's continued exploration of silver as he challenges its use; turning away from the material's traditional application and using its qualities to freely ...

A diaspro marble "vide poches" or vessel, from Stephane Parmentier's Mercury collection Limited edition of 24 + 4.