New York City - Abstract Prints

Artist: Darryl Hughto, American (1943 - ) Title: Devil Chicken II Date: 1981 Screenprint with Acrylic Painting, signed, titled and dated in pencil Image Size: 39 x 22 inches Size: ...

Eric Avery Bluebonnet: Texas State Flower, 1988 Lithograph on paper with full margins and deckled edges Hand signed, numbered and titled on the lower front ...

A dynamic and textured screenprint by American Abstract Expressionist, Larry Poons. This series of prints resemble canvases that have been splashed violently with paint. This piece i...

Bordered by intense shades of yellow and black, the female figure at the center of this Pablo Picasso print appears solid and monumental. Consisting of a series of angled and rounded...

Artist: Arthur Secunda, American (1927 - ) Title: The Anarchist Year: circa 1965 Medium: Silkscreen, Signed and numbered in pencil Edition: 15/250 Size: 23.5 in. x 17.5 in. (59.69 cm...

Unknown/ Unidentified Artist Signature, "Untitled: Blue & Green Geometric Abstract" Edition 20/100, Geometric Abstract Serigraph numbered and signed...

Etching - Unframed. Printed in an edition of 30 by Sue Oehme for Riverhouse Editions; this print is 3/30. Melissa Meyer has created a diverse oeuvre that includes oil paintings, dr...

Peter Halley, Frank Kozik Halley/Kozik, 1997 Offset Lithograph. Hand signed by both Peter Halley and Frank Kozik on the lower front. Edition 75/100 22 1/2 × 35 inches Unframed This color lithograph was created on the occasion of the Peter Halley and Frank Kozik exhibition at Wooster Gardens from May 3 - June 14, 1997. Hand signed by both artists on the lower front and is annotated as a study proof: S/P 75/100. Frank Kozik was born in Madrid, Spain in 1962 . At the age of 14 he moved to the United States and settled in Austin, Texas. Credited with single handedly reviving the “lost” art of the concert poster, his creative career rose largely out of his enthusiasm for Austin’s growing underground punk rock scene in the mid-eighties. Starting with black and white flyers for friends’ bands posted on telephone poles, his reputation grew as an artist whose work was graphically compelling as well as culturally gripping. This exhibition was an installation featuring an eight-year survey of punk rock posters...

This abstract, black and white drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an ed...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although the stated editi...

In this unique Michael Hurson monotype, stylized Greco-Roman pillars flank a plane of crosshatched and dotted texture in black, taupe, and grey ink. The f...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Celebrate New York Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image Size: 28.75 x 22.25 inches ...

An abstract geometric screenprint by Omar Rayo from 1966. Artist: Omar Rayo, Colombian (1928 - 2010) Title: Clandestine Game Year: 1966 Medium: Screenprint, signed and numbered in ...

Susan Gorelick ( American, 1924-2000) "Growth 1" A/P, Abstract Etching signed, titled and numbered in Pencil 15.25 x 11.50, Late 20th Century Colors: Gold, Black Shirley Gorelick (...

Artist: Tom McGlynn, American & Emily Carter, American (1960 - ) Title: I Love NY from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Silkscreen, signed in pencil Image Siz...

Artist Unidentified /Unknown, "Untitled: Purple, Blue & Gold" Edition 39/200, 19.75 x 25.50, Late 20th Century Colors: Purple, Blue, Brown, Yellow, Gold Note* Unidentified Artist si...

Mark Tobey, American (1890 - 1976) - Apparuit, Year: 1971, Medium: Screenprint on BFK Rives, signed, numbered and dated in pencil, Edition: 75, Image Size: 24 x 17 inches, Size: 30...

Unknown/ Unidentified Artist, "Familie" Edition 34/100, Abstract Figurative Lithograph signed and numbered in pencil, 15.25 x 21, Late 20th Century, 1967 Colors: Red, Blue, Yellow, ...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

This colorful modern lithographic poster by Wassily Kandinsky was printed in 1972 at the Atelier Mourlot in Paris to promote an exhibition of his watercolors and drawings at the Gale...

Robert Cottingham Blues, from the American Signs Portfolio (hand signed by Robert Cottingham), 2009 Screenprint in colors on wove paper Pencil signed, numbered 66/100, dated, and tit...

An original hand-signed and numbered minimalist silkscreen from the Werkubersicht/Work-Overview Portfolio. Leon Polk Smith is credited with the founding of the hard-edge art movement...

Seven Deadly Sins Suite ((pride, greed, wrath, envy, lust, gluttony, and sloth) Year: 1991 Medium: Image print: 4-color silkscreen, 1-color woodblock...

Artist: Bob Stanley, American (1932 - 1997) Title: Trash Year: 1970 Medium: Lithograph, Signed and numbered in Pencil Edition: 92 Size: 23 x 29 inches (58.42 x 73.66 cm)

Deux nus Dansant Fernand Leger, French (1881–1955) Date: circa 1932 Drypoint Etching Image Size: 8.5 x 7.5 inches Size: 14.75 x 11 in. (37.47 x 27.94 cm) From the collection of the l...

Unidentified Artist, "Mallia" Edition 38/100, Abstract Lithograph signed and numbered in Pencil, 16 x 22.25, Mid-20th Century, 1965 Colors: Purple, Blue, White, Red, Black *Unident...

Unidentified Artist, "Propels #4" Edition 1/25, Abstract/ Figurative Lithograph numbered and signed in Pencil, 15 x 11 (Image: 11.75 x 9), Mid-20th Century, 1952 Colors: Turquoise, ...

Artist: Kyohei Inukai Title: Nine Units on Mint Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

Robert Israel (American, b. 1939), "Toby the Dog" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, 1970 Colors: Black, White, ...

Untitled 26 Wojtek Kowalczyk, Polish (1960) Date: 2005 Lithograph, signed in pencil Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)

Shelly (Sheldon) Fink (American, 1925-2002), "Beautiful Bird" Artist Proof, Animal Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Gerald Laing City Center Light Opera, 1968 Lime colored Screenprint on die-cut Mylar Hand signed, numbered 6/144 and dated in pencil on the front 25 × 35 inches Unframed Gerald Laing Biography Born in 1936, Gerald Laing attended the Royal Military Academy, Sandhurst 1953-1955 and after a short army career attended St Martin’s School of Art between 1960-1964. After art school, Laing lived in New York for five years and then became artist in residence at Aspen Institute...

Claudio Juarez (Peruvian, 1938 - 2001), "El Condor Pasa" 32/50, Abstract Etching with Aquatint signed and numbered in Pencil, 26.50 x 19.38 (Image: 19....

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Ovalo Verde Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150, AP 25 Paper Size: 22 in. ...

Antoni Clavé Untitled, from the Album International 2 Portfolio, 1977 Mixed media: Lithograph in relief 29 1/4 × 19 3/4 inches Edition 1/50 Signed and number on front Unframed This is a rare lithograph by the world renowned Catalan graphic artist, painter and sculptor, signed and numbered in pencil from the limited edition of only 50. Superb provenance as it is was acquired from the original Album International Portfolio, number 1 of 50. Text from the Colophon page reads as follows: Born in Barcelona, living in St. Tropez, France. Lithograph in relief, edition of 50, each numbered and signed by the artist. Antoni Clavé biography Antoni Clavé was born in Barcelona on April 5th, 1913. From 1926 he attended evening courses at the Escuela de Artes y Oficios "Llotja", a school both Picasso and Miró attended in their youth. In 1927, one of Clavé's teachers found him a position as a house painter's apprentice because of his growing fascination with the hands-on nature of painting and especially with the materials used for such work, like learning how to prepare paints. In 1932, Clavé stopped attending evening classes and, on the recommendation of Illescas, an architect, was employed at the firm of Cinaes, where he designed the weekly cinema posters. During the Spanish Civil War (1936-1939), he served as a draughtsman for the Republican government but eventually was forced to flee to France. After a brief internment at Les Haras camp in Perpignan, Clavé settled in Paris in 1939 without any papers, drawing comics and working as an illustrator to get by. In the 1940s Clavé's work showed the stylistic influence of Bonnard and Vuillard, until he met fellow Spanish expatriate Pablo Picasso in 1944. This meeting marked a pivotal change in Clavé's style, and he was forever grateful to be considered a lifelong friend of Don Pablo, as he called him. From 1946, Clavé created numerous designs for the ballet and theatre in Paris, Munich, London and New York and in the 1950s, he turned to book illustration. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. In 1954, Clavé ceased working as a stage-set designer and illustrator to devote himself entirely to painting, visiting Spain again. His paintings became more abstract and enigmatic; inspired by wall...

ROBERT INDIANA Santa Fe Opera (Hand signed, numbered), 1976 Silkscreen on wove paper 37 1/2 × 27 inches Edition AP 7/50 Hand Signed and dated lower rig...

Peter Halley Heterotopia 2 (Hand Signed by Peter Halley), 2019 Offset lithograph poster (Hand signed by Peter Halley) 23 × 16 1/2 inches. Signed in black marker on the front Published by Greene Naftali, New York Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 2019 exhibition Heterotopia 2, at Greene Naftali Gallery in New York City which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective...

Margaret Harris (American) " The Spirit Of Dutchess County Extending Her Blessings" Edition 6/15, Figurative Etching/Drypoint/Aquatint signed and numbe...

Unknown/ Unidentified, " Untitled: Yellow, Orange, Green, Blue & Purple Abstract Print " (Edition 21/200), Abstract/ Abstract Geometric Serigraph...

Bob Pardo (American) "Bent Over Backwards" Artist Proof, Abstract/ Pop Lithograph signed and numbered in Pencil, 27 x 35.50, Late 20 th Century Colors: Beig...

Unknown/ Unidentified Artist, "Untitled", Abstract Lithograph, 25.75 x 19.75, Late 20th Century Color: Green

Giovanni Pintori Olivetti (Fully Automatic Printing Calculator), 1951 Offset lithograph Framed: held in original vintage metal frame Evocative mid ...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

Diane Williams (American), "Afternoon Treasures" 21/150, Abstract Screen Print Serigraph, 26 x 32.50, Late 20th Century Colors: Blue, Green, Brown, Red, Black, Turquoise

Unknown/ Unidentified Artist, "Untitled", Edition 54/250, Abstract Lithograph signed and numbered in pencil, 26 x 34, Late 20th Century Colors: White, Black, Yellow, Orange, Red, Bl...

Larry Bell Rare, historic Signed and Inscribed Poster, 1981 Silkscreen Poster Exhibition entitled "Fragments and other Considerations" Hand Signed, inscribed and dated by the artist ...

This serigraph was created by Greek artist Chryssa. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, and acrylic glass installations, Chr...

Gary Hume Pinks 2002 Silkscreen 17 3/8 x 14 inches; 44 x 36 cm Edition of 45 Signed, titled, dated and numbered in graphite (lower recto) Frame available upon request Available fr...

V from Double Metamorphosis Series Yaacov Agam, Israeli (1928) Date: Circa 1979 Screenprint on Arches, signed and numbered in pencil Edition of 180 Image Size: 27.5 x 42 inches Size:...

Gerald Lubeck, Kitchen Stuff, Abstract Print (Etching), 29.50 x 22, 1979 Colors: White, Blue, Gray, Brown

Monotype Charbonnel Ink Archival paper

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Artist: Yaacov Agam, Israeli (1928 - ) Title: Untitled - Nine Squares Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 c...

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

100 Francs in the Radishes Jean Messagier, French (1920–1999) Date: 1983 Lithograph on Arches, signed and numbered in pencil Edition of 200 Image Size: 19 x 27.5 inches Size: 21 x 30...

Cris Gianakos, Robert Rauschenberg RAUSCHENBERG (Scarce and collectible early invitation), 1970 Offset Lithograph Invitation 8 7/10 × 11 9/10 inches Unframed Offset lithograph invitation created on the occasion of Robert Rauschenberg's exhibition at SVA's Visual Arts Gallery in 1970. The poster was designed by Cristos Gianakos, with Rauschenberg's approval, who was also a professor at SVA, and the show was curated by Felice Wender, the director of Dayon's Gallery 12 in Minneapolis. The invitation states that "after completing its New York debut, the show will open at the School of the Art Institute of Chicago in January 4...

Eastern Forms George Chemeche, Israeli/American (1934) Date: 1979 Screenprint, signed and numbered in pencil Edition of 250, AP 15 Size: 22 in. x 30 in. (55.88 c...