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Item Ships From: New York
Every Bodies Been There (Signed twice with both printed AND rare hand signature)
By Tracey Emin
Located in New York, NY
Tracey Emin Every Bodies Been There (signed twice), 1998 Lithograph on paper Underneath that existing plate signature, Tracey Emin has, exceptionally hand signed and dated the work f...
Category

1990s Contemporary New York - Abstract Prints

Materials

Lithograph

Untitled Mid Century Modern Geometric Abstraction Signed silkscreen 7/100
By Max Bill
Located in New York, NY
Max Bill Untitled Mid Century Modern Geometric Abstraction, 1970 Silkscreen on wove paper 27 1/2 × 19 1/2 inches Signed, dated and numbere...
Category

Mid-20th Century De Stijl New York - Abstract Prints

Materials

Screen, Pencil

Mojo, Signed Abstract Expressionist Screenprint by Dan Christensen
By Dan Christensen
Located in Long Island City, NY
Mojo by Dan Christensen, American (1942–2007) Date: circa 1980 Screenprint, Signed and numbered in Pencil Edition Size: 175 Size: 43 in. x 29.5 in. (109.22 cm x 74.93 cm)
Category

1980s Abstract Expressionist New York - Abstract Prints

Materials

Screen

Taureau et Cheval, Cubist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
This dramatic print by Pablo Picasso focuses on the danger of traditional Spanish bull fighting. Goring into the house, the bull at the center of the fight thrusts forward with its h...
Category

Late 20th Century Cubist New York - Abstract Prints

Materials

Lithograph

Growth 1
By Shirley Gorelick
Located in New York, NY
Susan Gorelick ( American, 1924-2000) "Growth 1" A/P, Abstract Etching signed, titled and numbered in Pencil 15.25 x 11.50, Late 20th Century Colors: Gold, Black Shirley Gorelick (...
Category

Late 20th Century Abstract New York - Abstract Prints

Materials

Etching

Bernar Venet, Position of an Undetermined, Line, Minimalist lithograph signed/N
By Bernar Venet
Located in New York, NY
Bernar Venet Position of an Undetermined, Line, ca. 1979 Lithograph Hand signed and numbered 4/100 by the artist on the front 11 1/2 × 8 1/4 inches Unframed This lovely lithograph is...
Category

1970s Minimalist New York - Abstract Prints

Materials

Lithograph

Untitled: Horse Show (Edition D'Artiste)
By Urbain Huchet
Located in New York, NY
Urbaine Huchet (French, b. 1930) "Untitled: Horse Show" Edition D'Artiste, Abstract Impressionist Lithograph signed and numbered in Pencil, 28.25 x 20.63,...
Category

Late 20th Century Abstract Impressionist New York - Abstract Prints

Materials

Lithograph

Graphics and Drawings at the Louisiana Museum print, Hand Signed by Jasper Johns
By Jasper Johns
Located in New York, NY
Jasper Johns Graphics and Drawings at the Louisiana Museum, Leo Castelli Collection (Hand Signed by Jasper Johns), 1992 Offset lithograph (Hand Signed and dated by Jasper Johns) Signed and dated 7 March 1997 in black ink on the front (see close up photo) Jasper Johns ink signature and date are on the outer yellow circle - see close up photo Extremely rare collectible...
Category

1990s Pop Art New York - Abstract Prints

Materials

Lithograph, Offset

Geometric Abstract Silkscreen by Louise Nevelson
By Louise Nevelson
Located in Long Island City, NY
Artist: Louise Nevelson, Russian/American (1899 - 1988) Title: untitled Year: 1984 Medium: Silkscreen, signed and numbered in pencil Edition: AP X Image Size: 34 x 24 inches Size: 3...
Category

1980s Abstract New York - Abstract Prints

Materials

Screen

Afterlight
By Tom Coolen
Located in New York, NY
ABOUT THIS ARTIST: Tom Coolen is a graphic designer and illustrator based in Hasselt, Belgium. He has an eye for nature and futuristic nostalgia. His main goal is to express our diff...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Historic poster for Park Place Artists (Robert Grosvenor, Leo Valledor & others)
Located in New York, NY
Edwin Ruda, Dean Fleming, Leo Valledor, David Von Schlegell, David Novros, Tony Magar, Bernard Kirschenbaum, Robert Grosvenor, Peter Forakis, Mark di Suv...
Category

1960s Abstract New York - Abstract Prints

Materials

Lithograph, Offset

Endless Summer No7
By Jessica Nugent
Located in New York, NY
ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Los Angeles Olympic Games 1984 (hand signed with official Olympic Committee COA)
By Martin Puryear
Located in New York, NY
Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately 200-250 remain) 21 × 34 1/2 inches Unframed This limited edition, pencil signed offset lithograph was published in a limited edition of 750, and printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher. This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming...
Category

1980s Contemporary New York - Abstract Prints

Materials

Parchment Paper, Lithograph, Offset

His Black Eyes Snapped Shut, Signed Modern Screenprint by Michael Challenger
Located in Long Island City, NY
His Black Eyes Snapped Shut by Michael Challenger, British (1939) Date: 1970 Screenprint, signed, numbered, dated, and titled in pencil Edition of 66/150 Size: 15 x 22.5 in. (38.1 x ...
Category

1970s Abstract New York - Abstract Prints

Materials

Screen

Pueblo, Abstract Expressionist Lithograph by Adja Yunkers
By Adja Yunkers
Located in Long Island City, NY
Adja Yunkers, American (1900 - 1983) - Pueblo, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 56/70, Size: 33.5 x 25 in. (85.09 x 63.5 cm), Frame Size:...
Category

1970s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

Flashback VII, Abstract Lithograph by John Chamberlain
By John Chamberlain
Located in Long Island City, NY
Artist: John Chamberlain Title: Flashback VII Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 28 x 20 inches
Category

1980s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

The Prayer
By Alexej Jawlensky
Located in Brooklyn, NY
"The Prayer" by Alexej von Jawlensky was painted in 1923. The work is a prime example of Expressionism, specifically influenced by German Expressionism and abstract spiritualism. "Th...
Category

1980s Modern New York - Abstract Prints

Materials

Offset

Live Composition I by African American Artist Bai, Painting on Paper
By Bai (Carl Karni-Bain)
Located in New york, NY
Bright with pastel colors Live Composition I, 2024 by African American artist Bai is a 30” x 22” abstract acrylic and oil pastel work on paper. Rendered in a primitive art style that...
Category

2010s Abstract New York - Abstract Prints

Materials

Oil Pastel, Acrylic, Rag Paper, Ballpoint Pen

Situation #1, Abstract Minimalist Etching by Shlomo Cassos
Located in Long Island City, NY
Situation #1 Shlomo Cassos, Moroccan (1936) Date: circa 1980 Etching, signed and numbered in pencil Edition of 60/95 Image Size: 26 x 19 inches Size: 30 ...
Category

1980s Minimalist New York - Abstract Prints

Materials

Etching

One: Yellow
By Patrick Lichty
Located in New York, NY
Patrick is a conceptual artist, curator, and theorist exploring how media shape our perception of reality as well as the borders between the digital and the material. He is best know...
Category

21st Century and Contemporary Conceptual New York - Abstract Prints

Capitulo XXI, Surrealist Lithograph by Rufino Tamayo
By Rufino Tamayo
Located in Long Island City, NY
Rufino Tamayo, Mexican (1899 - 1991) - Capitulo XXI, Portfolio: Apocalypse de Saint Jean, Year: 1959, Medium: Lithograph on BFK Rives, Edition: 93/255, Size: 13 x 10 in. (33.02 x 25....
Category

1960s Surrealist New York - Abstract Prints

Materials

Lithograph

Untitled (Cyan on Grey)
By Johan Van Oeckel
Located in New York, NY
ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts ...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Mount Pleasant, Abstract Expressionist Screen Print by Peter Kalen
Located in Long Island City, NY
Peter Kalen - Mount Pleasant, Year: 1965, Medium: Screenprint on Laid paper, signed, dated, titled and numbered in pencil, Edition: 4/10, Size: 28.75 x 18 in. (73.03 x 45.72 cm)
Category

1960s Abstract Expressionist New York - Abstract Prints

Materials

Screen

NO SMOKING, Rare historic 1970s Fluxus hand pulled silkscreen mid century design
Located in New York, NY
Maciunas & George Brecht, George Maciunas, George Brecht No Smoking, ca. 1973 Rare, historic Hand pulled Fluxus silkscreen Limited edition and rarely found collectible (though exact number produced not known) 16 31/50 × 16 3/4 inches Black and white hand-pulled silk screen by George Maciunas of George Brecht's iconic ”No Smoking” offset wallpaper squares George Maciunas was a Lithuanian American artist, art historian, and art organizer who was the founding member and central coordinator of Fluxus, an international community of artists, architects, composers, and designers. "George Maciunas had an extreme dislike of smoking. Being an asthmatic he could not tolerate it personally and with his complete devotion to Fluxus, professionally he felt there was no time or space for such a self-indulgent act. This disdain led fellow Fluxus artist, George Brecht to suggest a “no smoking” sign...
Category

1970s Conceptual New York - Abstract Prints

Materials

Screen

Olympian Gestures: Rare LACMA Exhibition offset print (Hand Signed by Jim Dine)
By Jim Dine
Located in New York, NY
Jim Dine Olympian Gestures (Hand Signed by Jim Dine), 1984 Limited Edition lithograph and offset lithograph poster Hand signed on the front 38 1/5 × 25 inches The limited edition, h...
Category

1980s Pop Art New York - Abstract Prints

Materials

Screen, Lithograph, Offset

Martin Kippenberger Self-Portraits, rare poster designed by Christopher Wool
By Christopher Wool
Located in New York, NY
Christopher Wool Martin Kippenberger Self-Portraits Poster, 2005 Offset lithographic poster in colours on smooth wove paper. 36 × 24 inches Published by Luhring Augustine Unframed T...
Category

Early 2000s Minimalist New York - Abstract Prints

Materials

Lithograph, Offset

ART, poster for Colby College Museum hand signed and inscribed by Robert Indiana
By Robert Indiana
Located in New York, NY
Robert Indiana ART, poster for Colby College Museum exhibition (hand signed and inscribed by Robert Indiana), 1973 Offset lithograph poster Hand signed and inscribed by the artist on the front 35 × 23 inches This uniquely signed and inscribed poster was published on the occasion of an exhibition at Colby College Art Museum from September 16 - November 3, 1973, featuring new acquisitions...
Category

1970s Pop Art New York - Abstract Prints

Materials

Offset, Permanent Marker, Lithograph

Geometric Composition, Abstract Expressionist Color Lithograph by Mark Tobey
By Mark Tobey
Located in Long Island City, NY
Mark Tobey, American (1890 - 1976) - Geometric Composition, Year: 1970, Medium: Color Lithograph on BFK Rives, signed, numbered and dated in pencil, Edition: 22, Image Size: 13 x 1...
Category

1970s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

Blue Streaks, Abstract Expressionist Etching by Robert Savoie
Located in Long Island City, NY
Robert Savoie, Canadian (1939 - ) - Blue Streaks, Year: 1976, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 38/50, Image Size: 17.75 x 19 inches, Siz...
Category

1970s Abstract Expressionist New York - Abstract Prints

Materials

Etching

Yankee Flame Pop Art photorealist Lt Ed Signed/N. Statue of Liberty US President
By Ben Schonzeit
Located in New York, NY
Ben Schonzeit Yankee Flame, from the portfolio: America: the Third Century, 1975 Collotype on wove paper Pencil signed and numbered 50/200 on the front Publisher: APC Editions, Chermayeff & Geismar Associates, Inc Printer: Triton Press 27 × 19 3/10 inches Unframed Note: this is the original hand signed and numbered collotype; not to be confused with the separate (unsigned) poster edition. This hand-signed, numbered and dated collotype in colors by photorealist pioneer artist Ben Schonzeit was created in 1975 for the portfolio America: the Third Century, commissioned by Mobil Oil Corporation in which 13 American artists, including Roy Lichtenstein, Ed Ruscha, Robert Rauschenberg, James Rosenquist and others created works celebrating America's bicentennial. Yankee Flame combines the iconic images of George Washington, Coca-Cola and the Statue of Liberty into a collaged interpretation of contemporary American life and the meaning of freedom. "Yankee Flame" is in excellent condition and never framed. It was acquired as part of the America: The Third Century full portfolio. Ben Schonzeit (b. 1942, Brooklyn, New York) is one of the original Photorealist painters and is considered to have pioneered the airbrush technique. His works often depict still life arrangements that are intentionally out of focus. He received his B.F.A. from The Cooper Union in 1964 and has since had over 50 solo exhibitions both in the United States and abroad. His paintings are held in numerous museum collections including the Solomon R. Guggenheim Museum in New York, Virginia Museum of Fine Arts in Richmond, Virginia, and the Metropolitan Museum of Art in New York. In 1973 Nancy Hoffman introduced me to Ben Schonzeit in the backroom of her gallery on West Broadway. She had been open less than a year, and Ben was one of the artists in her original stable. His large Crab Blue It had arrived from his studio a few days earlier and was leaning against the wall. I thought at the time it was one of the most impressive, virtuosic Photorealist works I had seen. That first encounter was more than a quarter of a century ago and I have always considered it to be one of the quintessential, tour de force paintings of American Photorealism. In the early seventies one could stand on West Broadway on any pleasant, sunny weekday and see less than a dozen people on the street between the Nancy Hoffman Gallery and OK Harris Works of Art. Almost all of the SoHo galleries, such as Leo Castelli, Paula Cooper, Ward-Nasse, and Ivan Karp’s Hundred Acres, could be visited in an afternoon. At night the streets were almost deserted. With the exception of Andy Warhol, there were no art world superstars. More importantly, none of the artists expected to achieve celebrity status. That was a phenomenon of the eighties and nineties. There were a only a handful of restaurants and watering holes, such Elephant and Castle, Fanelli’s, the Spring Street Bar and Prince Street Bar. Fanelli’s closed on weekends, which was a holdover from their sweatshop clientele during lunch and ragtag group of artists in the evenings. In those early days of SoHo, the drafty, raw sweatshop spaces with their large windows, rough floors, and service elevators provided large, inexpensive living quarters and studios for many artists. Unlike today, there were no boutiques. The area was not chic and with the exception of Lowell Nesbett’s showplace, the lofts were not glamorous. Schonzeit was in the same living and working space the he now occupies when I first visited him, but SoHo was a very different time and place. When the National Endowment of the Arts recommended me to curate America 1976, which turned into one of the major visual arts projects for the Bicentennial, Ben Schonzeit was on the first list of participants I made up for the U.S. Department of the Interior. His large diptych, Continental Divide, was one of the most memorable works produced for the exhibit. I stopped by his studio four or five times while it was in progress and have visited him many times over the years. We have maintained a very cordial working relationship and friendship over the past three decades. I saw The Music Room exhibit in 1978 and realized at the time that the vigorously rendered mural sized canvases and mirror and related works represented a major catharsis in his painting. In many ways, it and the other paintings and drawings based on the same image represented a sharp, decisive break with the tenets of Photorealism, or at least the photo-replicative aspects that had been so widely heralded in America and abroad in the mid-seventies. Over the years we have continued to work together. He has been in almost all of the major exhibitions I have curated here and abroad and in almost all of the books I have written. I am familiar with his studio habits, his quiet, internalized restlessness that manifests itself in the hundreds of small, unknown drawings and watercolors, doodles on napkins during lunch, and imaginary landscapes. I also know that he would rather do a painting than think or talk about it. Over the years I have followed the shifts in his studio procedure from the monumental airbrushed fruit and vegetable paintings to the most recent bouquets of flowers and decorative paintings. Our discussions of these matters tends to lapse into a verbal shorthand at this point. The following essay is based on both my longstanding familiarity and admiration for his work and involvement with contemporary realism and figurative painting. A booklet of color xeroxes with notes made up by Schonzeit was extremely helpful. In addition to several interviews, much of the information unfolded through a lengthy series of Emails. Due to our different working habits these were composed and sent out very late at night and answered by Ben the following morning. They dealt with the specifics of many of the paintings, generalities, his background and childhood in Brooklyn, and occasional bits of art world gossip. And there were odd discoveries. Prior to discussing his witty, tongue in cheek painting of Buffalo Bill, I did not know or had long forgotten that William Cody...
Category

1970s Pop Art New York - Abstract Prints

Materials

Other Medium, Lithograph, Pencil

Campbell's Soup Can offset lithograph poster on thin board Foundation authorized
By Andy Warhol
Located in New York, NY
(after) Andy Warhol Campbell's Soup Can Poster, 1993 Offset Lithograph Poster on thin board. Unframed. Authorized by the Andy Warhol Foundation of the Visual Arts, Inc. 30 × 23 1/4 i...
Category

1990s Pop Art New York - Abstract Prints

Materials

Lithograph, Offset

Set of three woodcuts by Victor Mira colorful abstract forms
Located in New York, NY
These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...
Category

1980s Abstract New York - Abstract Prints

Materials

Woodcut

Medrano Clown with Flower
By Manfred Schwartz
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), Medrano Clown with Flower, Lithograph on Paper, circa 1955, marked "artist's proof" lower left, signed in pencil and with the artis...
Category

Mid-20th Century Modern New York - Abstract Prints

Materials

Paper, Lithograph

"Nude"
By Auguste Herbin
Located in Astoria, NY
Auguste Herbin (French, 1882-1960), "Nude", Geometric Composition, Serigraph on Paper, 1960, numbered edition "136/150" lower left, apparently unsigned, silver-tone frame. 19.25" H x...
Category

1960s Modern New York - Abstract Prints

Materials

Paper, Screen

Untitled (Yellow on Light Grey 2)
By Johan Van Oeckel
Located in New York, NY
ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts from small sketches based on fra...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Martha Reed, (Fishing)
By Martha Reed
Located in New York, NY
Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...
Category

Mid-20th Century American Modern New York - Abstract Prints

Materials

Linocut

Alan Shields Peace of the Rock mixed media abstract aquatint silkscreen signed
By Alan J. Shields
Located in New York, NY
ALAN SHIELDS Peace of the Rock, 1974 Mixed Media Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements...
Category

1970s Abstract Geometric New York - Abstract Prints

Materials

Aquatint, Screen

New York State Council on the Arts vintage offset lithograph poster abstract
Located in New York, NY
Kenneth Snelson New York State Council on the Arts vintage poster, 1971 Offset lithograph on wove paper Unsigned, Unnumbered 35 × 25 inches Unframed Scarce original 1970s offset lit...
Category

1970s Abstract New York - Abstract Prints

Materials

Lithograph, Offset

Red Mountain, Abstract Art Screenprint by Thomas W. Benton
By Thomas W. Benton
Located in Long Island City, NY
Thomas W. Benton, American (1930 - 2007) - Red Mountain, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 250, XLV, Image Size: 32 x 32 inches, Size: 35 ...
Category

1980s Abstract New York - Abstract Prints

Materials

Screen

3 (Three), Limited Edition from the Numbers portfolio (Sheehan 46-55) - FRAMED
By Robert Indiana
Located in New York, NY
Robert Indiana 3, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame Included This classic 1960s silks...
Category

1960s Pop Art New York - Abstract Prints

Materials

Screen

Eclipse 3
By Nicole Yates
Located in New York, NY
ABOUT THIS ARTIST: Nicole Yates is a painter and digital designer from Portland, Oregon. She believes art enriches living spaces through an aesthetic drawn from the natural and digit...
Category

2010s New York - Abstract Prints

Materials

Photographic Paper

Pettibone's Andy Warhol Cow Wallpaper, pencil signed famed appropriation print
By Richard Pettibone
Located in New York, NY
Richard Pettibone Andy Warhol Cow Wallpaper Silkscreen on paper 26 1/2 × 20 3/4 inches Hand Signed and dated in graphite on the front Unframed Accompanied b...
Category

1970s Pop Art New York - Abstract Prints

Materials

Screen

Pink Dark Sun - Black Wood Framed Abstract Photograph - Digital Print- In Stock
By Susan Daboll
Located in New York, NY
Pink Dark Sun is an abstract limited edition fine art color print by photographer and graphic artist Susan Daboll. This minimal square print is framed in a thin black wood frame and ...
Category

21st Century and Contemporary Abstract New York - Abstract Prints

Materials

Luster, Paper, Digital, Wood

Improvisation, Blue-Brown, Abstract Expressionist Lithograph by John von Wicht
By John von Wicht
Located in Long Island City, NY
John von Wicht, American (1888 - 1970) - Improvisation, Blue-Brown, Year: circa 1965, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 2/15, Image Size: 17 x 8...
Category

1960s Abstract Expressionist New York - Abstract Prints

Materials

Lithograph

English Dancing Mythical Fairies Figurative Engraving
Located in Douglas Manor, NY
#5-2957 Engraving of three dancing Abstract Putti in a forest scene signed E Andrews 30/100 Image size 10 H x 5.5 W
Category

1980s New York - Abstract Prints

Materials

Engraving

Daylilies, Lincoln Center silkscreen (Hand Signed & Inscribed by Alex Katz)
By Alex Katz
Located in New York, NY
Alex Katz (after) Day Lilies (Hand Signed and Inscribed by Alex Katz), 1992 Large silkscreen poster on wove paper Boldly signed, inscribed and dated on the lower, right front in blac...
Category

1990s Pop Art New York - Abstract Prints

Materials

Screen

Zapata-Tiempo signed/N by BOTH Ed Ruscha & Billy Al Bengston, Etching & Aquatint
Located in New York, NY
Ed Ruscha, Billy Al Bengston, Ed Ruscha and Billy Al Bengston Zapata-Tiempo, hand signed by both Ed Ruscha and Billy Al Bengston, 1988 (Engberg & P. 168), 1988 Color etching and aqua...
Category

1980s Pop Art New York - Abstract Prints

Materials

Etching, Aquatint

A Muse (single print #11) by Dieter Roth abstract black and white lithograph
By Dieter Roth
Located in New York, NY
This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...
Category

1970s Abstract New York - Abstract Prints

Materials

Lithograph

Lawrence Weiner Homage to Vincent Van Gogh Vintage
By Lawrence Weiner
Located in Brooklyn, NY
Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...
Category

1990s Conceptual New York - Abstract Prints

Materials

Offset

Untitled (3): Contemporary print depicting a sunflower
Located in New York, NY
A contemporary print by a Japanese artist Fumihiro Kato. The focal point of the composition is a stunning sunflower, rendered in various shades o...
Category

2010s Contemporary New York - Abstract Prints

Materials

Color

Thou Shalt Not Commit Adultery (The 7th Commandment) lithograph + collage Signed
By Vito Acconci
Located in New York, NY
Vito Acconci Thou Shalt Not Commit Adultery (The Seventh Commandment), 1987 3 Color Lithograph with Collage with Rives paper Hand signed and numbered AP 2/15 on the front Also bears ...
Category

1980s Abstract New York - Abstract Prints

Materials

Lithograph, Mixed Media

Formulation : Articulation, Portfolio II Folder 20 (B)
By Josef Albers
Located in White Plains, NY
A black, white, and grey silkscreen by Josef Albers from, "Articulation : Formulation," published by Harry N. Abrams, 1972, and printed by Ives - Still...
Category

1970s Abstract New York - Abstract Prints

Materials

Screen

Rare Italian exhibition invitation Ugo Ferranti hand signed by Sol Lewitt Framed
By Sol LeWitt
Located in New York, NY
Sol LeWitt Untitled geometric abstraction for Ugo Ferranti Gallery Exhibition Invitation, Rome, Italy, 1980 Rare vintage silkscreen poster for Ugo Ferranti in Rome. Signed by Sol LeW...
Category

1980s Abstract Geometric New York - Abstract Prints

Materials

Screen

Inward Eye #2, Geometric Abstract OP Art Screenprint by Richard Anuszkiewicz
By Richard Anuszkiewicz
Located in Long Island City, NY
A limited edition screenprint from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, America...
Category

1970s Op Art New York - Abstract Prints

Materials

Screen

Temporal Perception 92 (Diptych) (Abstract photography)
By Serge Hamad
Located in London, GB
Temporal Perception 92 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30"...
Category

2010s Abstract New York - Abstract Prints

Materials

C Print

Billy Al Bengston Signed LA Olympic print 1984 (COA from Olympic Committee) LtEd
By Billy Al Bengston
Located in New York, NY
Billy Al Bengston LA 1984 (with official COA from Olympic Committee), 1982 Offset Lithograph and lithograph on Parson's Diploma paper (hand signed), with COA from Olympic Committee &...
Category

1980s Pop Art New York - Abstract Prints

Materials

Offset, Lithograph

Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator) Offset Lithograph. Hand signed and inscribed by Dan Flavin 18 × 22 inches Provenance: Estate of artist and collector Rick Collar Unframed Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson. An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s. We may not see the likes of something like this anytime soon! Dan Flavin Biography From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space. Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others. A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category

1970s Abstract Geometric New York - Abstract Prints

Materials

Pencil, Lithograph, Offset

Red and White, Feb 10, 2017
By Donald Sultan
Located in Fairfield, CT
Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.
Category

2010s Contemporary New York - Abstract Prints

Materials

Enamel

Putu, Large Colorful Geometric Abstract Etching by Al Held
By Al Held
Located in Long Island City, NY
Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...
Category

1980s Abstract Geometric New York - Abstract Prints

Materials

Etching, Aquatint

City 131, Silkscreen by Risaburo Kimura
By Risaburo Kimura
Located in Long Island City, NY
Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 131 Year: 1970 Medium: Silkscreen, signed in pencil Edition: AP Size: 22.75 x 28.5 in. (57.79 x 72.39 cm)
Category

1970s Conceptual New York - Abstract Prints

Materials

Screen

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