Sweden

Serene sunset over the waters near Smögen on Sweden's west coast, with the sun setting just behind the island of Hållö and its lighthouse by female artist Ingeborg Westfelt-Eggertz. ...

Large antique root basket from northern Sweden. The basket is woven with birch root around the 1880s and is unusually large. Good vintage condition with some minor marks and traces o...

A Ring with engraved and enameled shoulders, central Silver cluster featuring heart rose cut Diamond 5.5 mm x 4.4 mm / ca. 0.5 ct. color ca. N - P, VS. The back of the stone is close...

The painting captures a wonderfully amusing family moment set in the 16th century. In the center of the painting we see the father, exhausted by worries and dozing in his chair in fr...

Very rare collectible desktop telephone L. M. Ericsson model BC 2000 (Old Catalogue No. 400) for battery ringing. Exclusive and unusual design in the form of an old times book press. Framework of polished walnut. Micro-telephone RE 2002 (Old Cat. No. 520) with cord RS 7021 (Old Cat. No. 2252) and switch in the handle resting on a cradle switch, flexible cable, RS 9000 (Old Cat. No. 2084) and terminal block within Ericssons serial number that dates device on 1900 Stockholm, Sweden. Size app.: 22.5 cm (roughly 8.9 in) high, 27 cm (roughly 10.6 in) wide, 11 cm (roughly 4.3 in) deep. Very good condition, age and usage wear plus tiny losses. Please study high-res pictures for cosmetic condition! In person actual item may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 2 kg it is going to measure some 3 kg packed for shipment. Lars Magnus Ericsson began his association with telephones in his youth as an instrument maker. He worked for a firm which made telegraph equipment for the Swedish government agency Telegrafverket. In 1876, aged 30, he started a telegraph repair shop with help from his friend Carl Johan Andersson. The shop was in central Stockholm (No. 15 on Drottninggatan, the principal shopping street) and repaired foreign-made telephones. In 1878 Ericsson began making and selling his own telephone equipment. His phones were not technically innovative, as most of the inventions had already been made in the US. In 1878, he made an agreement to supply telephones and switchboards to Sweden's first telecom operating company, Stockholms Allmänna Telefonaktiebolag. Also in 1878, local telephone importer Numa Peterson hired Ericsson to adjust some telephones from the Bell Telephone Company. This inspired him to buy a number of Siemens telephones...

Antique Austrian Silver Seed Pearls & Blue Enamel Bracelet made in Wien - the capital of Austrian - Hungarian Empire in late 19th - early 20 cent. Hallmarked with period Austrian ha...

Listed price is for 1 (one) chandelier, 4 pieces available. Original glass shades available. Lovely patina. New wiring.  

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

This intimate plein air study by Olof Arborelius captures the quiet beauty of a sunlit forest edge reflected in still water. The confident, spontaneous brushwork and delicate handlin...

Rare, hard to find. Telephone “C” Mark 1 (Mk 1), designed by Ericsson’s of Stockholm, was the first portable military telephone. It was used in large numbers in the South African War of 1899-1902 by the Telegraph Battalion RE and became the standard field telephone...

A pair of silver earrings designed almost like Christmas tree decorations. They are hollow ad therefore hang light and easy on your ears. These are ear ri...

Rectangular shape mahogany veneered casket made in first half of 19th century presumably in Europe. High quality work of applied arts in Neoclassical (Biedermeier) style. The fork of...

Signed: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...

Rare Swedish dark brown antique decorative wooden bowl made out of birch wood produced in Sweden, 1793. In good condition with some old and genuine repairs. Dimensions: H: 13 cm / ...

This painting by Elisabeth Keyser beautifully captures a scenic view from the northern city wall of Visby, near Lübeckerbräschen. The landscape showcases a stretch of coastline leadi...

Well matched victorian era amethyst demi parure, in silver collet settings. 31 (necklace) + 14 (bracelet) oval stones in vibrant light purple color. The name rivière comes from the ...

Elegant cigarette case in silver from Birmingham, England in 1899. Beautifully decorated with leaves and gilding on the inside. Wear consistent with age and use.

Late 19th Century chest of drawers painted in black. This classic Gustavian commode is a very versatile piece that works well in a foyer, living room or bedroom.

This evocative autumnal scene, painted in 1885, coincided with Schultzberg’s breakthrough at the Royal Academy’s Spring Exhibition. At only 23 years old, he garnered the attention of...

A wonderful painting by British artist Sidney Pike (1846-1907). Pike is best known for his depictions of the English countryside, and he attended many time...

Rare and striking Renaissance Revival Austrian Bracelet. Complexly structured and one-of-a-kind design, lavishly decorated with natural polished Red ...

A very stylish and elegant 19th century model. Newly upholstered in cream white/yellow fabric. The mahogany frame is in a good unrestored condition. This stool/banquette is free stan...

Antique Vienna Silver box with floral decorations, both machine and hand - engraved elements. Internal gilding . Size: 75 mm x 41 mm at axes x 13,5 ...

"Harvest Scene With Farmer and Scythe, 1886" is a captivating painting by the Swedish artist Alfred Thörne. Created during his travels through Germany, France, Italy, and Belgium bet...

A gustavian table made in Sweden about 1800. The secondary color has been removed by hand and the rest is original color. The iron urns are a pair ...

A view of Stockholm painted from the Royal Park of Djurgården and overlooking the small island of Kastellholmen painted by Alfred Bergström (1869-1930) The church visible in the background is Katharina church, built in 1695, located in Södermalm, Stockholm. Signed: Alfr. Bergström, 1887. Oil on canvas. A very early work by Bergström when he was only 18 years old. Painted en plein air, probably during the late autumn or early winter of 1887 when he did his first year of study at the Royal Art Academy. Alfred Maurits Bergström was a Swedish artist and professor at the Royal Academy of Arts. He was a painter, watercolorist and etcher. During the years 1887–1891 he studied at the Academy and won the Royal Medal...

Ormolu-mounted blue celeste Sevres porcelain bowl center piece, probably second half of 19th century. Unusual mounting in rococo style with four winged putti supporting each corner o...

Maternal Delight III, or Mothers Joy III, (In Swedish Modersglädje III) by Anders Zorn depicting a young woman lovingly playing with her child. A small amusing detail is the small child face visible on the lower left side, just outside the oval. This is an extremely rare etching and is one of two or possibly three known in existence of a so called cancellation proof. A cancellation proof etching of the Maternal Delight III is in the Boston Public Library Collection, USA. Signed Zorn in the plate. When Zorn decided that the vey limited number of prints were all done he took his burin, (the steel cutting tool used in engraving also, back in history, called graver), and made cross hatched lines across the figures on the original plate, after which he made a couple of after proofs or cancellation proofs and the present etching is one of them. This gives the present work a special and interesting image of one of Zorns best and rarest etchings. Created in London 1883, the first year he made etchings. Etching 276 x 406mm Sheet circa 33,5 x 48cm Literature Asplund 6. Delteil. 5. Hjert & Hjert 6. Lidbeck 6. Unfortunately some reflexes in the photos. Anders Zorn (1860-1920) was a Swedish artist who attained international success as a painter, sculptor, and etching artist. He was to become one of Swedens foremost artists ever. No technique was foreign to him, he worked equally well with watercolors, wash technique or oil painting. The etching technique also attracted this virtuoso and the etchings contributed greatly to his success. Between 1875 to 1880, Zorn studied at the Royal Swedish Academy of Arts in Stockholm, where he amazed his teachers with his talent. Members of the Stockholm Society approached him with commissions. In early 1881, Zorn met Emma Lamm, whose background was quite different from his. Emma Lamm was from a wealthy Jewish merchant family. She was interested in art and culture and, after a long engagement, they were married in 1885. During the 1880s Zorn traveled extensively, to London, Paris, the Balkans, Spain, Italy, and the United States. In the 1890s when he was in Paris, he spent much time with Albert Edelfelt. He quickly became an international success and one of the most highly regarded painters of his era. In the beginning of Zorns career, it was primarily his skill as a portrait painter that gained him international acclaim, based principally upon his incisive ability to depict the individual character of his model, he came to portray many great people including three American Presidents: Grover Cleveland, William H. Taft, and Theodore Roosevelt. Zorn also depicted Swedish dignitaries, for example King Oscar II in 1898, King Gustaf V in 1909, Queen Sophia in 1909, Prince Eugen in 1891, fellow artist Carl Larsson in 1897 and August Strindberg in 1910. In the late 1880s, Zorn began working in the genre that is probably his hallmark for the general public, nude studies in the open air. Zorn had long been fascinated by the movements of water and the reflections of light on the water surface. Now Zorn chose to place a nude model by or in the water, with the aim of depicting people in nature. When Zorn started the art of etching, he developed a technique with Rembrandt as a model, where he built up the motif with bursts of lines. The first etching was created in London in 1883, the same year as our Maternal Delight. Axel Herman Hägg, then active in London, was Zorn's teacher in this special technique. Hägg was the person Zorn depicted in his first etching. Zorn quickly mastered the etching technique itself and a unanimous art expert was able to conclude early on that Rembrandt had now found his equal. At the age of 29, he was made a Chevalier de la Légion d'honneur at the Exposition Universelle 1889 Paris World Fair. Zorn's reputation as an etcher spread across the world. Soon he could find his etchings in the major world metropolises in Europe and the USA. Zorn produced 289 different etchings, including portraits, genre studies and nude studies. The motifs on Anders Zorn's graphic sheets are most often based on his own paintings, as ours, which is based on a watercolor he made in 1882 on his first trip to Spain. Even during Zorn's lifetime, his etchings were considered to be artistically superior to his paintings. As a result, his graphics quickly became sought after on the international art market. He was compared to Rembrandt, who as mentioned earlier was Zorn's great role model in the art of etching. Zorn was able to combine the old technique with his personal form of impressionism and the temporary and everyday with the universal. On the printing plates, one can study his outstanding etching technique, his characteristic play with parallel lines drawn in different directions, with varying degrees of force and intensity. Zorn's art made him wealthy and he was thus able to build up a considerable collection of art. In their joint will, Anders and Emma Zorn donated their entire holdings to the Swedish State. Some of his most important works can be seen at the National Museum of Fine Arts in Stockholm. Other museums holding major works by Zorn include the Musée d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. The Zorn Collections located in Mora and Garberg, Älvdalen, consist of four museums dedicated to the life and works of Anders Zorn. Shown there are extensive works of Zorn and his collected art. The Bellman Prize (Bellmanpriset) is a literature prize for "an outstanding Swedish poet", every year awarded by the Swedish Academy. The prize was established by Anders Zorn and his wife Emma in 1920. The motif: The present etching is based on a central and important work from Zorns first important trip to Spain, 1881-1882. After visiting Madrid and Seville, Zorn set off for Cádiz, tempted by the sea and the city’s women who were reputed to be the most beautiful in all of Spain. In Maternal Delight, also translated to Mothers Joy and Mothers Pride...

Signed “Henning Ö” lower right for unidentified professional Scandinavian painter, oil painting of the second half of the 19th century on canvas pasted on (or supported by) wooden bo...

Alfred Schönian (1856-1936) Germany Rooster With Hens and Ducks by a Pond oil on panel signed A.Schönian München panel dimensions 6.29 x 9.44 inc...

6 Late Gustavavian chairs made by Ephraim Ståhl. The chairs are beautifully hand carved with nail clippers and leaf shaped decorations. The chairs are made by Ephraim Stahl, who wor...

A pair of Japanese cloisonné enamel vases. Meiji era Japan (1867-1912), a period marked by rapid transformation of Japanese traditional society into a global power. The period of gro...

Carl Henrik Nordenberg, born 19 May 1857 in Asarum, died 1 November 1928 in Düsseldorf,was a Swedish-German artist, nephew of the artist Bengt Norden...

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression. His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals. Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush. Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum. Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922. Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism...

This captivating maritime painting, likely the work of an English artist, dates to the late 19th century and showcases a masterful command of light and texture. The composition featu...

European hand -made 19th cent. ring with dome of the crown in Silver on 9K Rose Gold holding 24 rose cut Diamonds average Ø 2 mm / 0. 04ct each , total ...

Antique leather travel trunk. The leather is marked with the name Beaumont and the street 93 rue du BAC in Paris. The interior is made in linen fabric with loose baskets that can be ...

Very good condition, repairs to dial, minor age and usage wear, gold finish well preserved, movement is running only with pendulum off and not striking at all as needs service.

Hermanus Koekkoek the Younger was part of the famous Koekkoek artist family: grandson of Johannes Hermanus Koekkoek, nephew of the landscape painter, Barend Cornelis Koekkoek...

Gustavian Shaving Mirror in Mahogany – Sweden, Late 18th Century Charming small shaving mirror in mahogany (Swietenia mahagoni), made in Sweden during the late 18th century. Execut...

A pair of very sophisticated Candlesticks in gilded and darkpatinated bronze. Probably made in Paris, France during the Directoire, circa 1795. Wear consistent with age and use.

Antique Luxurious Bejeweled dessert 18K Gold Filled Silver flatware set in Renaissance style, comprising six knives and six forks in contemporary box. This set is one of a kind,custo...

Swedish 19th century faux marble-top Gustavian style chest of drawers with brass hardware. EUR 175 delivery to most areas of London UK, The Netherlands, Belgium, Denmark, Sweden a...

Original painted Scandinavian miniature chest of drawers from Luleå Norrbotten ,Northern Sweden This small miniature Gustavian 4 drawer dresser can be perfect as a storage of small ...

Late 19th century Table from Hälsingland, Sweden Beautiful patina, with old blue paint that has been worn down over decades of use and touch. Made out of pine. Heigth: 67 cm/26.3 ...

This delightful painting by the renowned Victorian genre and landscape artist Henry John Yeend King captures the serene charm of the English countryside. Depicting an idyllic riversi...

A nicely designed Japanese Tanto with a bone scabbard that has inlays of stones and mother of pearl. Motives of flowers and birds.

A fine small river landscape "Silverån" painted "en plein air" by Elias Erdtman, (1862-1945). Signed E. Erdtman and dated 1883. Oil on canvas mounted on board. This is a rare work f...

This rare pair of Thonet rattan chairs, crafted in 1890, showcases exceptional craftsmanship and timeless design. Produced by the renowned Thonet company, these chairs feature a sturdy rattan frame with intricate woven detailing that adds both elegance and comfort. This particular model is a rare find, making it a unique addition for collectors or enthusiasts of vintage Thonet furniture...

Dresden, Helena Wolfsohn, 1843 - 1878, hand painted porcelain lidded urn. Dual handled. Classical scenes in two cartouches on cobalt ground with gilt highlights. Helena Wolfsohn wa...

"Lake Landscape at Dusk with a Rowboat" is a captivating oil painting by the Swedish artist Erik Abrahamsson. Created in 1896, this work masterfully captures the tranquil beauty of a...

Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...

Rare large Swedish antique and decorative wooden bowl / tray in a wabi sabi style with handles produced in Sweden mid / late 1800s. Original condition with a greyish patina. Dimen...

Beautiful Inkstand in leather in the shape of a heart for your love letters. Made in France during the late 19th Century. Richly decorated with gilded leather and brass. Wear consi...

Beautiful Swedish Card Table in Mahogany Wood, 19th Century. This card flip top game table has strong brass hardware.

Beautiful Antique English Floral Flow Blue 6 Dinner Plates with deep cobalt blue, made by Cauldon, England,in the late 1800's. Serie Benstick The eight sided scalloped edge has or...

"Twilight Landscape with Windmill and Church" is a captivating work by Swedish artist Albert Larsson, painted in 1891 when Larsson was 22 years old. The painting captures a landscape steeped in the quietude of dusk, with a sky ablaze in hues of red and orange, signalling the end of the day. The silhouettes of trees are rendered with astonishing detail against the twilight sky, showcasing Larsson's early mastery of light and shadow. Dominating the pastoral scene is a traditional windmill, its blades stilled against the sky, alongside the spire of a church that pierces the horizon. These structures, together with the meticulously painted trees, are testaments to the human presence within the natural world, suggesting a harmony between the two. A notable feature is the small water-filled furrow in the field, which catches the fading light of the sky, creating a pathway of reflection leading the eye through the composition. This detail highlights Larsson's skill in using light to draw attention to elements within his paintings. Albert Larsson, born on November 4, 1869, in Malmö and passing on August 31, 1952, in Lund, was an artist deeply influenced by his education in Copenhagen at the Art Academy and later at Peder Severin Krøyer...

A beautiful table made in the end of the 19th century, a beautiful mixture of jugend and swedish folk furniture / allmoge. Perfect as a library table, desk or kitchen table. H 79.5 c...

A pair of antique earrings with drop shaped pendants and delicate engraved ornamentations. Freely suspended inner dangles are hollow inside. Swedish hallmarks on both, marked 18K ...

This delightful painting by Carl Ewald Lönngren captures a serene moment of rural life in late 19th-century Sweden. The scene shows a mother kneeling by a wash basin, surrounded by h...