Tri-State Area - Tapestries

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of qui...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

Large 1970s Pop Art Wall Mounted Lips Rug. Pop Art made of wool. The back has a half wood section with the wire for hanging purposes.

Created from disparate elements, Industrial netting, crane straps, military tents, and a eighteenth century textile, Jadot’s tremendous tapestry, Luncheon on the Grass...