USA - Interior Prints

The Woman and the Street Etching, 1927-1930 Signed in the plate lower right corner (see photo) From: The Fables of La Fontaine, Plate 84 From the deluxe portfolio edition of 40 examp...

This exact subject is in the permanent collection of the Portland Art Museum (OR). Root also has works in the McNay Art Museum, San Antonio, and the Smithsonian Museum American Art M...

This artwork titled "Scotts Antiques" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

This is an original 19th century hand-colored lithograph entitled "Convent of St. Catherine Mount Sinai Looking Towards the Plain of the Encampment" by David Roberts, from his Egypt ...

CITY LIGHTS by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CITY LIGHTS is a modern Art Deco style city couple portrait of a sophisticated pair elegantly dressed to go out for the evening holding bubbling champagne glasses, both with pouty lips, staring at the viewer with one-eyed gazes. Ms. Morris utilizes her characteristic Art Deco stylized drawing in creating a portrayal of a modern couple - the woman with her flowing strawberry blonde hair, red blushed cheeks, dramatic long white pearl necklace and red evening gown; her male companion sporting a black with yellow satin band boater hat and formal grey tweed suit with big squared shoulders, white shirt, and red bow tie. A deep, dark blue moonlit evening sky in the background, tall gray city buildings with light yellow glowing windows, and black and white checkered floor...

"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...

This original limited edition graphic art lithographic poster entitled "Chez Panisse Twenty-First Birthday" was created by David Lance Goines in 1992 in h...

Anish Kapoor Shooting into the Corner (hand signed and dated by Anish Kapoor), 2009 Offset lithograph poster (hand signed and dated 2016) Boldly signed and dated by Anish Kapoor on t...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in sepia brown ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone using traditional hand lithography techniques, not a photo reproduction or digital print. RABBI TEACHING is a realistic, detailed portrait depicting an elder Rabbi teaching a young boy. RABBI TEACHING is in good condition, superb craftsmanship, never been framed or mounted, pencil signed AP (Artists Proof) by Vladimir Dashevsky, printers chop mark embossed on lower corner, from the master printers private collection. Print size - 22" x 30", unframed, good condition, slight handling on print margins, pencil signed by Vladimir Dashevsky Year printed - 1975 Master Printer - Joseph Kleineman, J K Fine Art Editions.Co., NYC Judaic Art...

Etching on cream wove paper, 5 3/8 x 4 1/4 inches (135 x 107 mm), signed in the plate, lower right. Third state (of 3), from the novel The Flower Girl, vol. 2. by Paul de Kock. In go...

Remington Strip Tease had a black iron dome covering the moving parts and suppressing noise. It is presented in a light that suggests a monument. It is f...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...

RABBI TEACHING is an original hand drawn, limited edition lithograph printed in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone usin...

Finns always seek the solace of nature. Is this mysterious stairway an escape from the challenges of civilization? Vanttinen created this mezzotint in an edition of 100 and it is tit...

Lorna Patrick, American - Kiva Wall, Medium: Screenprint, Signed and Numbered in Pencil, Edition: 165, Image Size: 35 x 24 inches, Size: 42 x 34 in. (106.68 x 86.36 cm), Descri...

Lorna Patrick, American - Fireplace, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 256/295, Image Size: 27 x 38 inches, Size: 34 x 44 in. (86.36 x 1...

Lorna Patrick, American - Kiva Wall, Medium: Screenprint, Signed and Numbered in Pencil, Edition: CXXIII/CLXV, Image Size: 35 x 24 inches, Size: 42 x 34 in. (106.68 x 86.36 cm)...

Lorna Patrick, American - Fireplace, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 27 x 38 inches, Size: 34 x 44 in. (86.36 x 111.7...

Artist: Francois Batet Title: Soiree Chez Maxine Date: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 155/200 Image Size: 19 x 23 inches Paper Size: 22 x 27 inches

Artist: Susan Sahall, American ( - 2012) Title: Veranda Medium: Lithograph, signed and numbered in marker Edition: 92/300 Image Size: 29 x 29 inches Frame Size: 39.5 x 39.5 inches

If Series: Runner Peter Max, German/American (1937) Date: 1981 Screenprint, signed and dedicated in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: 16.75 x...

Crisp antique copper engraving of a unique floor plan of French horse stables from Recueil d'Architecture, 1780. Original artwork on paper displayed on a...

CIGARS,CIGARETTES by the woman artist Robin Morris, is an original limited edition lithograph printed in 15 colors using hand lithography techniques on archival Arches paper, 100% acid free. CIGARS,CIGARETTES is a modern, Art Deco styled portrait of a glamorous and shapely cigarette girl...

This extravagant subject is a clear exception in the oeuvre of Bernard Sanders. Signed in pencil; interestingly signed in the plate at the upper right ...

Over 350 year old exquisite antique copper engraving of the architectural floor plans to Massimi Palace in Italy by Giovanni Giacomo de' Ross...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...

Japanese Kimono by the American photorealist artist Douglas Hofmann is an original hand drawn lithograph(not a photo reproduction or digital print) printed using hand lithography tec...

Artist: Ralph Fasanella, American (1914 - 1997) Title: Family Supper Year: 1974 Medium: Screenprint on Arches Paper, signed in pencil Edition: 250, AP 25 Size: 41 in. x 31 in. (104.1...

This artwork titled "Dreamland Touys" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered...

This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...

Finely balanced etching by Benjamin Vasserman (Estonian, b 1949). A squash sits atop a small black box with a latch. There is a drapery behind the squa...

"I'm always creating new patterns to use in my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. I think these look nice a...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Artist: Peter Milton (American, 1930-) Title: Interiors IV: Hotel Paradise Café Year: 1987 Medium: Resist-ground etching and engraving on copper Paper: BFK Rives Image size: 23.5 x ...

Daumier was a master of French satire and caricatures. In this lithograph entitled "TYPES PARISIENS NO. 1, Eh bien malin! comment le trouvez vous celui-là! - Oui, oui, mais enfin - O...

Richard Serra Early Work (Hand Signed), 2013 Offset lithograph (Hand Signed by Richard Serra) Boldly signed by Richard Serra on the front 18 × 24 inches Unframed This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner Richard Serra Biography Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965). In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print...

Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New Y...

This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...

London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper (published August 1st, 1835), 9 7/8 x 14 inches ...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...

ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...

THE DANCE is a handmade limited edition lithograph created by the renowned Polish artist Andre de Krayewski printed using hand lithography printmaking techniques on archival Arches paper 100% acid free. THE DANCE is a richly colored modern Art Deco interior scene portraying a dancing couple printed in shades of neon blue, magenta, orange, red, green, lavender, peach, and dark steel blue gray. THE DANCE is a dramatic graphic composition featuring airbrushed blends of vibrant color defining the light purple pedestal-style vases filled with green spiked leaves; two dancing figures are positioned in the center - one of a woman wearing a backless, form fitting yellow-gray dress, the second figure is a well groomed male dressed in a dark blue gray sharkskin suit...

Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650....

This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent. About the artist: Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...

Giclee on canvas. Hand signed and numbered by the artist. AP edition. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All reas...

Pencil signed and dated, Judaica Lithograph. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. His father was a b...

Artist: John Grillo, American (1917 - 2014) Title: Kaleidoscope V Year: 1980 Medium: Serigraph, Signed and Numbered in Pencil Edition: 200, AP 30 Image Size: 22 x 29.5 inches S...

Edward M. Plunkett, American (1922 - 201?) - Cafe Rouge, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 14.5 x 22 inches, Size: 2...

Vasilios Janopoulos, Greek (1953 - ) - Iris Terrace, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP 50, Image Size: 21.5 x 17 inches, Size: 27 ...

Hospitalities Long Past Clarence Holbrook Carter American (1904–2000) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 27.75 x 20 inches Size...

YSL Yves Saint Laurent by Frank Schott from a series of photographic observances capturing urban interiors in pandemic times 48 x 72 inches / 122cm x 1...

REINHOUD D'HAESE - WOMAN READING Original lithograph, c.1974 Hand signed in pencil Printers proof printed in Paris France on Arches paper using traditional hand lithography WOMAN READING is a very loosely drawn, black line figurative portrait of a woman dressed in her pink robe seated in a dark brown armchair, totally engrossed in reading from a light gray green book. Her black tousled hair and visibly intense focus towards her book suggests she's settled in for the long-haul. WOMAN READING is an expressive and slightly humorous portrait...

"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...

Bernard Sanders (1906-1967) was a master at suggesting layers of meaning. Here, at first glance, this is study of sisters, posed to show subtle differences in height and profile. But...

This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...