USA - Cabinets

Chippendale mahogany double cabinet on legs has two compartments, each with double doors. They have floral rosettes in every corner of the molded panels...

Modernist dramatic bow front credenza attributed to Andre Frechet, with a horizontal frieze of diamond and rectangular shapes inlaid in shagreen. Thin n...

English satinwood cabinet or étagère, with satinwood being the primary wood, and all sides, doors, and shelves are crossbanded with mahogany. The cre...

An Japanese mulberry wood kimono cabinet from the 20th century, with sliding doors and drawers. Born in Japan during the 20th century, this exquisite ca...

A large French Directoire style mahogany office cabinet signed Mercier, Paris circa 1900. Having center drop down panel with faux drawer fronts flanked by two leather faced door pane...

An antique Korean side chest from the early 20th century, with petite double doors and traditional brass hardware. Crafted in Korea during the earl...

An antique Indian small cabinet from the early 20th century with carved sunburst pattern and hand painted tiles. Born in India, this wooden cabinet features a small cornice overhanging a perfectly organized façade. A central door, carved with oval sunburst patterns, resting above a single drawer, is surrounded by turquoise tiles...

Chinese (early 20th Century) red wooden display cabinet with an open main shelf framed above a cabinet, and intricate gold figurative scenes car...

Louis XV style bronze mounted China display cabinet / vitrine with exterior inlaid design details. The interior of the cabinet has two glass she...

A large Indonesian cabinet from the early 20th century with beveled glass doors and three drawers. Created in Indonesia during the early years of th...

An antique Chinese two-toned stacking cabinet from the early 20th century, with doors and drawers. Found in Taiwan, this Chinese cabinet attracts our attention with its two-toned pat...

William "Billy" Haines style, dark walnut hand rubbed, and off white lacquered bureau, cabinet angled design middle is shorter depth than ends and center door is lacquered leather, w...

Extremely unusual, antique English oak key box, that probably dates from the early 1900s. Think how convenient it would be, to have a beautiful oak key cabinet...

An antique Indonesian kitchen cabinet from the early 20th century, with fretwork sliding doors, drawers and rattan accents. Born in Indonesia during the ...

A Northern Chinese elm and burl wood cabinet from the early 20th century, with newer brass hardware, two doors and drawers. Created in Hebei during the first quarter of the 20th cent...

An extremely high quality and elegant French late 19th century Louis XVI period mahogany and ormolu-mounted cabinet vitrine which is finished on all sides. The cabinet is raised by t...

A large Dutch Colonial cabinet from Java with bonnet top, double glass doors and sides. Created in Java during the early 20th century, this large cabinet features an exquisite bonnet...

An English Regency style faux rosewood painted console cabinet from the early 20th century, with gilt accents and marble top. Created in England during the first quarter of the 20th ...

Antique Charles II Georgian Japanned carved lacquer China cabinet on base. Item features ornate lacquer decorated case, solid carved walnut stretcher...

Inlaid Hepplewhite style display cabinet, intensely inlaid with bands in gallery, frieze, door and sides, stiles with inlaid medallions above bell flower motifs, beveled glass door a...

Antique French Louis XV small Petite Curio étagère stand with satinwood inlay and one-drawer. Item features a mirror back, bronze ormolu, satinwood inlay, nice petite size, small imp...

A fine and unusual English 19th century Edwardian style painted satinwood and silver-mounted two-door side cabinet with a twin-front-doors and a single apron drawer. The doors, sides...

Country French carved oak vitrine display cabinet with Linenfold Panels, circa 1900, with glazed side panels, sliding glass door to front, over double-...

The front of this tall cabinet has five-drawer front panels that are simulated by molded dividers. The drawer panels are framed with shaped molding. The top has bull nose molding. Th...

This Chinese side cabinet from the turn of the century (19th-20th century) features two drawers over two doors and is made of elm with burl wood panels on its front. The skirt is nic...

A vintage Art Deco French cabinet with a lustrous ebonized black finish, enhanced by detailed brass décor in good condition. The tall polished cupboard is composed with two doors, co...

The marble top of this painted French inlaid console cabinet is framed with shaped brass molding. The frieze has bookmatched herringbone inlaid panels framed by boxwood and ebony line inlays. There is raised brass molding below the frieze. The cabinet below the frieze is recessed in a shallow breakfront...

This beautiful breakfront vitrine showcases multiple shelves for displaying your favorite items. A locking glass door, which opens to a single shelf...

Monumental Hollywood Regency sideboard, console in the manner of Maison Jansen. This fully refinished sideboard is impressive in size and most ass...

An antique Chinese elmwood two-toned cabinet from the early 20th century, with cut bronze hardware and brushed yellow hued patina. Attracting our attention with its clean lines and t...

English painted satinwood display case is painted with floral leaf and ribbon motifs.  

Art Deco etched mirrored bar cabinet with hidden revolving door compartment, bottle holder and mixing compartment.

20th century cabinet bar on stand, Varqueno, Bargueño, buffet, Spain Impressive carved and polichromed cabinet bar on stand. Beautiful reliefs with h...

Antique, valuables safe display cabinet is a piece of New York history as it is reputedly from R.H. Macy & Co., Herald Square, circa 1902. The two-piece,...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

1920s English industrial metal storage cabinet. With a slightly arc-shaped top, ribbed metal door handle and streaked, mottled texture, the piece has a cool and industrial feel. A f...

A Dutch Colonial Indonesian antique lacquered wooden cabinet from the early 20th century, with paneled glass doors, carved apron and claw feet. Crafted during the Dutch Colonial peri...

Painted Italianesque cabinet has the original marble with a shaped top edge and is painted with delicate floral arabesques. The corners are fluted, and end in fluted feet.  

Italianesque cabinet, the door carved in very high relief with a floral urn and birds eating berries perched on floral arabesques. The inside has seven shelves.    

A Very Fine French 19th-20th Century Louis XVI Style Mahogany, Tulipwood and Ormolu-Mounted Parquetry Three-Door Vitrine Commode 'Meuble d'appui with a Brêche Violette Marble Top, at...

A fine companion pair of early 20th century gilt bronze mounted Louis XV style chest of drawers by François Linke Surmounted by a Brèche d’Alep marble top above a pair of short dr...

French Modernist Art Deco cabinet by DIM (Joubert et Petit) in rosewood and mahogany, with Bakelite escutcheons and pulls. Model presented at the 1926...

A French carved and fruitwood marquetry inlaid Ombelliféres vitrine by Emile Gallé. The vitrine has marquetry ombelle flowers in its interior and on the panel below the bottom shelf....

English office cabinet or shops cabinet A fantastic Edwardian era office cabinet or called shops cabinets. The top divided into eight sections....

This is a hand carved Swedish birch armoire. Its has incredible carved handles on each drawer, and the handle on the door is OMG. its a 2 piece, upper an...

Pair of singed Linke bronze mounted and parquetry commodes in the Louis XV style. Parisian made cabinets are signed "F. Linke" on the bronze mounts. S...

Chinese lacquer, carved and gilt decorated cabinet. Gold gilt decorates the body of the dynamic red cabinet, deep relief carved panel insets and black lacquer central panels with fin...

Antique Renaissance Revival figural carved walnut cabinet. Item features ornately carved walnut panels of shields and crests, horse heads, as well a...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

Antique Venetian Hand-Painted Buffet/Commode is the perfect choice for adding a refined neutral color and elegant neoclassical flair, while adding a functional surface and storage. ...

Beautiful from every angle, this oak collector's cabinet features a drop-down door that opens to five graduated drawers. Raised on turned, block legs, the cabinet is the perfect size...

Rustic Old Hickory hutch with natural log legs, a slatted tabletop and shelf, one drawer, decorative cutouts and rope detail. (Signed).

French Modernist sideboard in exquisite palissander showing fine detailed craftsmanship. The wood grain runs horizontal while the cabinet bo...

Highly important Tommi Parzinger tall Limed sawed oak and Cane front Bookcase /Cabinet . 1930's together with original photo and sketch fro catalog page ,one of three possibly made. ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Early 20th French Renaissance style golden oakwood small cupboard China cabinet. Item features solid wood construction, beautiful wood grain, nicely carved details, 2 swing doors, 10...

Carved English rosewood miniature cabinet, carved applied moldings surround the mirrors, drawer, and base molding. The applied front stiles have applied turnings and the inside has f...

A Portuguese colonial refectory cabinet with plentiful storage from the early 20th century. This antique paneled and painted wood cabinet from Portug...