New Arrivals: Prints and Multiples

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on laid paper was printed by Francois Lienard in 1875 and published in Paris for L'...

The Ghost of Seigen Haunting Sakurahime Color woodcut, May 1889 Signed: Yoshitoshi; seal: taiso, lower right (see photo) Plate 5 from the series "New Forms of the Thirty-six Ghosts" ...

"Daisy (blue center #2)" Print on Aluminum 43x43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member...

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni. This impression on thin japon paper was printed by Francois Lienard in 1875 (before letters were added) and published...

19th century European Group of 13 hand-colored English and Continental fashion plates and costume designs. Each an etching with hand coloring in watercolor. Various sizes and condit...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982: Rare Basquiat announcement card published by Annina Nosei Gallery to advertise the release of ‘Basquiat Anatomy’ (a suite ...

Yoshitomo Nara Piece of mind Offset lithograph on paper Sheet size: 72.8 x 51.5 cm Stamped with title, artist's name, copyright and year published by N's Yard, Japan

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 9...

"Tupac Shakur mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist. The short eni...

"Roads" Black & White Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

This is an original John James Audubon hand-colored lithograph entitled "Canada Porcupine, No. 8, Plate XXXVI" from John James Audubon's Quadrupeds of North America, published in Phi...

Pedal into a world of artistic design with the bicycle advertisement page from "The David Lance Goines Poster Book," published in 1978. This visually striking page features David Lan...

This is an original John James Audubon hand-colored lithograph entitled "Grey Fox, No. 5, Plate XXI" from John James Audubon's Quadrupeds of North America, published in Philadelphia ...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double) J...

This reproduction of an original 1984 cibachrome photograph, The Origin of Drawing by Dianne Blell, showcases her signature approach to staged photographic tableaux. Inspired by myth...

Tom Bartek (American/Nebraska, 1932). "Winter Still Life" -1973, screenprint. Pencil signed, titled, dated and numbered 111 of 112, Approx. 30.25" x 30.25" (frame), 25" x 25.5" (sigh...

Alex Katz, American (1927 - ) - Cow, Year: 2004, Medium: Screen printing on both sides on aluminum, signed and numbered in pen lower left, Edition: 99, Size: 41.25 x 16.25 x 0.25...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double) J...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 8 (double) J...

Mussard, Léopold Costume design for a 13th century Arbalétrier. Paris: 1836. Etching with hand coloring in watercolor on cream wove paper, 5 1/2 x 8 9/16 inches (138 x 216 mm), full...

Eight 18th century-era fashion plates from the portfolio Modes, by Madeleine Connat. Paris: Paris Etching Society, 1951. Each an engraving with hand coloring in watercolor on cream ...

French School 20th century Two naval images depicting 17th century warships flying various flags, including the Plantagenet Lions and St. George's Cross. (2) c1950. Two engravings w...

Once again returning to the themes of death and rebirth, in 2021 Kiki Smith introduced Red Breast as a unique print created with rubber stamps and watercolor. Hand-signed, dated and ...

"Red for Love 9" Photography 18" x 28" inch Edition of 24 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetian...

This is a hand-printed photograph using the 170-year-old cyanotype process. This is a negative (reversal of the dark and light tones) of the original photograph of a branch of a magn...

London: Thomas Holloway, 1794. Engraving on cream laid paper, 9 3/4 x 8 inches (246 x 201 mm), full margins. In good condition with some light discoloration throughout the sheet. As...

Medium: etching (etched by Theophile Narcisse Chauvel after the Jacomin painting). This impression on japon paper was printed by Francois Lienard in 1875 (before letters were added) ...

Medium: etching. Etched by Adrien Didier after the figure by Michelangelo in the Sistine Chapel known as The Libyan Sibyl. This impression on japon paper was printed in 1875 at the A...

Medium: etching. Etched by Jules de Goncourt after Paul Gavarni. This impression on cream laid paper was printed in 1875 by Francois Lienard and published in Paris by L'Art. Plate si...

Medium: etching. Etched by Adrien Didier after the figure by Michelangelo in the Sistine Chapel known as The Libyan Sibyl. This impression on cream laid paper was printed in 1875 at ...

"Red for Love 1" Photography 24" x 37" inch Edition of 11 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetian...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Anne Sager (American, 1930-2024), "Angst", Chromogenic Print on Paper, photo collage composition in the silhouette of a person's head, with artist's estate stamp to verso, unframed. ...

Anne Sager (American, 1930-2024), "Angst", Chromogenic Print on Paper, photo collage composition in the silhouette of a person's head, with artist's estate stamp to verso, unframed. ...

Anne Sager (American, 1930-2024), "Angst", Chromogenic Print on Paper, photo collage composition in the silhouette of a person's head, signed lower right, titled to interior of mat, ...

"Double Daisy" Print on Aluminum 43x43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Fleetw...

Anne Sager (American, 1930-2024), "Exit", Digitized Iris Print on Paper, 1999, apparently unsigned, with artist's estate stamp to verso, unframed. Image: 10.25" H x 17" W; sheet: 19....

Margo Humphrey, 'The Garden (Adam and Eve)', reductive color woodcut, 1989. Signed, dated, and annotated 'A/P' in pencil. Signed and dated in the image, lower right. A fine, richly-inked, artist's proof impression, with fresh, vivid colors, on BFK Rives, heavy, off-white wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Scarce. Image size 27 1/4 x 39 1/8 inches (692 x 994 mm); sheet size 29 1/2 x 42 inches (749 x 1,067 mm). ABOUT THIS WORK "Humphrey continued to reinterpret stories from the Bible with African American figures. In 1989 she published the woodcut print 'The Garden' at Magnolia Editions in Oakland, CA. For this rare foray into relief printmaking, she employed the reductive method, which uses only one block that is successively carved for each color segment, reducing the block with each cutting. Technically challenging, this lush and elaborate print is a testament to Humphrey’s skills as a printmaker. A youthful Adam and Eve are depicted in a luxuriant tropical landscape. Here, Humphrey chooses not to include the traditional symbols of humanity’s downfall but instead portrays them as being protected by angels in an atmosphere of idyllic bounty. ...Although Humphrey challenges traditional representation of Christian themes, her images are not iconoclastic but present a broader, more inclusive engagement with religious spirituality." — Adrienne L. Childs, 'Margo Humphrey, The David C. Driskell Series of African American Art: Volume VII,' Pomegranate Communications, Inc., 2009, page 71. ABOUT THE ARTIST American printmaker, illustrator, and art teacher Margo Humphrey was born in Oakland, California, in 1942. She earned a BFA in Painting and Printmaking from the California College of Arts and Crafts and a Master of Fine Arts degree in Printmaking from Stanford University. Humphrey began teaching in 1973 at the University of California Santa Cruz and has since taught at the University of Texas at San Antonio, the San Francisco Art Institute, and the School of the Art Institute of Chicago. She has also taught at the University of the South Pacific in Suva, Fiji; Yaba Technological Institute of Fine Art, Ekoi Island, Nigeria; the University of Benin in Benin City, Nigeria; the Margaret Trowell School of Fine Art in Kampala, Uganda, and the Fine Art School of the National Gallery of Art, Harare, Zimbabwe. In 1989, she was appointed Department Head of Printmaking at the University of Maryland in College Park. Humphrey has worked in lithography, monoprint, and woodcut with significant printmaking ateliers, including the Rutgers Center for Innovative Print and Paper, the Bob Blackburn Printmaking Workshop, and the Tamarind Institute in New Mexico. She was one of the earliest African-American woman artists to distinguish herself as a lithographer in a highly technical, male-dominated profession and was the first to have her prints published by Tamarind in 1974. Humphrey’s imagery combines historical perspective, autobiography, and fantasy to illuminate her experience as an African American woman. Bold, saturated color, animated figures, and syncopated rhythmic arrangements are hallmarks of Humphrey's oeuvre. Though Humphrey labels her distinctive style "sophisticated naive," the narrative complexity and technical skill of her works attest to her artistic virtuosity. Joyful, expressive, and at times humorous, her works offer engaging commentary on the presumptions of American culture and myth while embracing her personal vision of authenticity and spirituality. She developed her 1987 work The Last Bar-B-Que, a vividly colored transformation of the Last Supper, following a three-year period during which she examined portrayals of the iconic subject by artists from Pietro Lorenzetti to Emil Nolde. Her narrative work The Garden, a monumentally scaled reductive woodcut, is a further example of an archetypal subject—Adam and Eve in the Garden of Eden—debunked and rendered with fresh, life-affirming vibrancy. Since her first solo exhibition in 1965, Humphrey’s works have been exhibited internationally. They are held in major institutions, including the Museum of Modern Art, The Smithsonian American Art Museum, the Philadelphia Museum of Art, the Hampton University Museum, the Victoria and Albert Museum (London), the Museum of Modern Art, Rio de Janeiro, and the National Gallery of Modern Art, Lagos. In 1996, she was invited to be part of the World Printmaking Survey at the Museum of Modern Art, New York. In 2011, Hampton University Museum mounted a 45-year retrospective of Humphrey’s work Her Story: Margo Humphrey Lithographs and Works on Paper, jointly curated by Robert E. Steele, executive director of the David Driskell...

With imagery consistent with the rain forest that surrounds the artist’s home and studio in Rio de Janeiro where she lives and works, Brazilian artist, Beatriz Milhazes brings vibran...

A bright and colorful paper sculpture of a fantastical botanical form in vibrant teal blue, reddish orange and light lime green and yellow. Composed of hand-colored etchings on hand-...

"Malibu Bandits" Black & White Photography 30" x 24" in Ed 1/7 by Brendan North ABOUT: Brendan North is a fine art photographer based in Los Angeles. Having built a social media p...

The unapologetic Portrait of Maya #10 (2024), originally conceived as a monumental 8-foot-tall artwork as part of the Broad Collection 2017, is a bold celebration of love and sexuali...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Edition of 20 pieces

Edition of 20 pieces

This silkscreen greeting card, a reproduction of Robert Indiana's iconic Love design, was created in 1993 for The Museum of Modern Art, New York. Rarely does a postcard achieve such ...

This original opening invitation card for the exhibition "Men in the Cities, lithographs 1982-1985" held at the Brooke Alexander Gallery from November 9th to December 5th, 1985, was ...

Poplars on a Hill by Vincent van Gogh was originally painted in 1888. This work is from van Gogh's Arles period, a time when he was deeply inspired by the landscape of southern Franc...

ICES Pink Lemonade, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coas...

Artist: Karl Fred Dahmen Title: Growth / A Warm Letter Year: 1980 Medium: Aquatint Etching, signed, numbered, dated, and titled in pencil Edition Size: 75 Image Size: 22 x 28.25 inc...

Ernest Stephen Lumsden RE, RSA Ernest Stephen Lumsden RE, RSA (1883 – 1948) Buddha Frame Size: 40.7cm x 52.5cm Image: 21cm x 34 cm Lumsden reference: 254 Edition 33/50 Whatman w...

Suzanne VALADON (1865-1938) Nude Woman Doing her Hair, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this...

Suzanne VALADON (1865-1938) Woman Naked on the Sofa, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Wave II, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the ...

Suzanne VALADON (1865-1938) Naked Woman in the Bath, 1932 Original etching Signed in pencil On BFK Rives vellum 47 x 37 cm (c. 18.5 x 14.5 in) INFORMATION : Printed in 1932, this e...

Ernest Stephen Lumsden RE, RSA (1883 – 1948) Enthusiast Image Size: 15cm x 30 cm Sheet size: 21.5 cm x 35 cm Mounted: 50cm x 41 cm Lumsden reference: 254 Edition 33/50 Whatman ...

David HOCKNEY The Diver (Olympische Spiele München 1972) Edition published by Edition Olympia 1972 GmbH, Munich Original from the time, no re-print or re-edition Comes with a Certif...

Acknowledged as, ‘One of the most attractive early 19th century colour-plate books on India’ Three rare, hand-coloured aquatints from: GRINDLAY, Robert Melville (1786-1877). Scene...