New Arrivals: Abstract Sculptures

ENCANTO INDOOR MONUMENTAL Santiago Medina ITALIAN STAINLESS STEEL 99 x 10 x 6 in WITH BASE Edition of 5 All sculptures are made with the highest quality Italian stainless steel ava...

Katie Yang's abstract ceramic sculptures delve into the unknowable nature of our world, exploring the interplay between control and chance. Influenced by artistic traditions from bot...

Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

Italian stainless steel with blue tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, ...

ZEN SUSPENDED Santiago Medina ITALIAN STAINLESS STEEL 71 x 5.5 x 4.5 in Edition of 5 All sculptures are made with the highest quality Italian stainless steel available and imported ...

FUTURA SUSPENDED Santiago Medina ITALIAN STAINLESS STEEL 68 x 5 x 2 IN Edition of 5 All sculptures are made with the highest quality Italian stainless steel available and imported f...

Italian stainless steel that shows the genesis of sculpture from rough unfinished at the bottom to highly polished at the top (unique piece). Sculptor Santiago Medina Italian stainl...

Italian stainless steel with a special high-temperature patina. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvar...

Italian stainless steel with red tint. Sculptor Santiago Medina Italian stainless steel sculptures are at marquee public art venues worldwide such as Harvard, Stanford University, C...

Two-piece Italian stainless steel with a blue tint. Allows the collector to change the position of the pieces so the collector can become part of the artistic expression. Sculptor S...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...

Cambre 7-21 Slate and Bronze 21.5 x 13.5 x 4.5 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a m...

Rockslide 7-21 Bronze and Slate 17.5 x 16 x 6 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a ma...

PABLO PICASSO (1881-1973) Visage no.144 (A.R. 480), 1963 Ed. 126/150 pcs White earthenware clay, decoration in engobes and enamel under glaze D. 25 cm I D. 9 7/8 in Inscribed and num...

PABLO PICASSO (1881-1973) Pichet Visage (A.R. 611), 09.01.1969 Ed. 280/500 pcs Earthenware clay, decoration in engobes engraved by knife under partial brushed glaze Stamped, annotate...

This is a one of a kind original mixed media (Sari silk, antique silk paper, dye, acrylic, plexiglass) abstract layered acrylic sculpture (4 slabs of clear painted acrylic) by Califo...

This is a classic work by Roger Phillips, who is noted for his meticulously designed "kinetic" sculptures. This is a table top model meaning it is light enough and sized to be on a ...

Abstract Form is a mid-century modern sculpture by Dutch artist Leo De Beer, exemplifying his commitment to uncovering form from within. Rendered in a styl...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...

Melanie Yazzie (1966-) Pollen Keeper II (maquette) Powder-coated metal, 2008 Hand signed, titled, dated and numbered 2/30, attributed, titled, dated and numbered again to paper label Mounted to a white composition plinth Provenance: The Freund Family Collection Melanie Yazzie is a Navajo sculptor, painter, printmaker, and professor. She teaches at the University of Colorado at Boulder. Yazzie was born in 1966 in Ganado, Arizona, United States. She is Navajo of the Áshįįhí, born for Tó Dichʼíinii. She grew up on the Navajo Nation. Although she grew up on the Navajo Nation, Melanie Yazzie is of the Salt Water Clan born for the Bitter Water Clan. She first studied art at the Westtown School in Pennsylvania. Yazzie earned a BA in Studio Art with a minor in Spanish from Arizona State University in 1990 and an MFA in printmaking from the University of Colorado at Boulder in 1993. Melanie Yazzie works a wide range of media that include printmaking, painting, sculpting, and ceramics, as well as installation art. Her art is accessible to the public on many levels and the main focus is on connecting with people and educating people about the contemporary status of one indigenous woman and hoping that people can learn from her experience. Her subject matter is significant because the serious undertones reference native postcolonial dilemmas. Melanie's work focuses primarily on themes of indigenous people. Her work often brings images of women from many indigenous cultures to the forefront. Thus her work references matrilineal systems and points to the possibility of female leadership. Yazzie is known for her multilayered monotype prints that focus on storytelling and reflect her dreamtime friends and companions. The works are filled with colors and textures that reflect different world. The works are made with stencils and often she is printing with soy based inks called Akua inks that are safe for the artist and the environment. The works most often are printed on Arches 88 due to the absorbing quality of that 100% rag paper. It is a fine art paper made in France and very soft to the touch. It is a paper designed originally for screen printing but is the perfect surface for many of the works Yazzie creates. The works often are monotypes as opposed to monoprints. So the works are a one of a kind work of art and not made in multiples. She is a Professor and Head of Printmaking at the University of Colorado at Boulder. She teaches printmaking courses and travels extensively to indigenous communities within the United States and abroad. She can always be found through the University of Colorado Art and Art History Department. In addition to teaching at the Institute of American Indian Arts, the College of Santa Fe (now Santa Fe University of Art and Design), Boise State University, and the University of Arizona, Yazzie has taught at the Pont Aven School of Contemporary Art in France. Yazzie has led over 100 international print exchanges over a 20-year time period. Many of these exchanges include artists from Siberia, Japan, New Zealand, Australia, Canada, Mexico, and Germany. In 2012, the Denver Art Museum welcomed Yazzie as artist-in-residence, making her the first in the Native Arts department. A selection of major exhibitions from the 1990s to present include "Between Two Worlds" (2008) at Arizona State University, "Traveling" at the Heard West Museum (2006), "About Face: Self-Portraits by Native American, First Nations, and Inuit Artists" at the Wheelwright Museum (2005), "Making Connections" (2002) in Bulova, Russia, "Navajo in Gisborne" (1999) in Gisborne, New Zealand and "Watchful Eyes" (1994) at the Heard Museum. In September 2013 she co-curated the exhibition "Heart Lines: Expressions of Native North American Art" in Colorado University Art Museum, partially based on her private collection and including her work "Pollen Girl". Artists featured: Norman Akers, Maile Andrade, Kenojuak Ashevak, Pitseolak Ashoona, Corwin Clairmont, Jimmie Durham, Joe...

Gadi Fraiman (Israel, 1958-) A figural metal sculpture depicting a rope with ascending angelic butterfly like creatures with a human or angel body and fluttering wings. This large m...

Created specifically for the exhibition Timeless Remnants in Knokke, "Coal scuttle" is part of Laura Pasquino’s new ceramic series. Rooted in ancient traditions yet free from narra...

"Celestial Alignment" Abstract Sculpture 66" x 18" x 18" in by Shawn Kolodny Medium: Steel & Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 years, he has created large scale installations for cultural institutions and private residences around the world. Kolodny’s work explores the beauty and geometric synergies of the natural world, and our relationship to our innermost thoughts. His signature, playful works made of reflective steel spheres capture the symmetry, volume and balance present in both nature and design. These spheres are placed together to create new forms that reflect the vibrant and dynamic nature of the world around us, and the impact of our ever-changing perspective. Kolodny’s site-specific and shapeshifting installations construct a kinetic and immersive environment for viewers, creating space for moments of mindfulness and self-reflection within their experience. Transcending the traditional boundaries of art, the artist creates new worlds with each installation, that are at once both fantastical and organic. His practice seeks to encourage viewers to engage with the world around them in new, more meaningful and imaginative ways, inspiring a childlike wonder. Kolodny’s innovative style has garnered international recognition, and led to collaborations with brands including ​ House of Creed, Missoni, Snow Lodge at the St Regis Aspen, Paris Hilton, Four Seasons, BMF, and Pharell's Something In The Water Festival. He is represented by William Morris Endeavor. Exhibitions ​ 2023 Snow Lodge / St Regis Aspen City of Miami - Espanola Way Art Miami / Context Private Residence Art Basel - Bill Dean The MET / Eincholtz DJ Kahlid Paris Hilton F1 Creed Global Store Campaign Four Seasons Mexico City - Zona Maco - 1776 Bay Drive , Private Residence - Installation Bahamas Cruise Port x BMF - Installation Pharrell's Something in the Water Festival - Installation 2022 Scope Art Fair - Featured Installation Sagamore Hotel / Miami Art Week Art With Me Festival - Featured Installation 2018 Art Market Hamptons - Art & Design Buzz Art Auction / Miami Oliver Cole Gallery...

Mid fire ceramic totem designed for an interior desktop. The style is mid-century modern with line and color shapes. Featured colors are white ,blue ,pumpkin and purple. The base is ...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

This work titled "From the Stars" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This collection is made up of meticulously fabricated a...

One Step Forward edition 1/9 Abstract Bronze Sculpture Deborah Stern (British / Florida, born 1938), bronze abstract sculpture with a curved triangular form and central void. Incise...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

This piece titled "What If I Told You I Believe in You?"is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This exhibition is made up of met...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

This sculpture titled "Badass with a Needle" is an original artwork by Kelly Kozma as part of her newest exhibition, "Watch Me Backflip." This exhibition is made up of meticulously ...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...