Landscape Paintings on Sale

Watercolor and silkscreen on Fabriano vélin paper. Paper size: 12 x 13.75 inches. Inscription: Hand signed in ink, as issued. Notes: Published, printed, and painted by Peter Max, New...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

This contemporary abstract expressive nature painting, created by French artist Natalya Mougenot, bursts with color and emotion. "Spring on the Horizon" captures the fresh energy of ...

Impressive American modernist winter landscape. Detailed and well painted skating scene. Oil on canvas. Nicely framed.

Jaume Mariné - Coastal view - Oil on canvas board Oil measurements 27x22 cm. Without frame. Born in Poblenou in 1935. died in 2012. He was the son of a wall painter, in whose smal...

Serenity at Dawn - a beautiful misty morning at a River in the English Countryside by 20th Century British Artist, Spencer Coleman. Unique Vintage Original, Oil on Canvas, Signed. A...

James MacMaster Gray Morning Signed and titled lower left Watercolor on paper 10 1/4 x 14 inches Provenance: Private Collection, New Jersey

Oil Painting of Derwent Water, Keswick, in the English Lake District by Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art...

Gudrun Sibbons (1925- ) German-born British Artist. Oil Painting of Family Picnic by the River with Horse & Dog. Oil on Board, Signed. Framed in a high ...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

This lovely British Victorian landscape oil painting is by artist William M Davies. It was painted in 1895 and the location, inscribed verso, is Loch Restil Glen Croe in Scotland. In...

one-of-a-kind painting on canvas XXL Large size 102x172cm (105X175cm) the painting will be shipped rolled without frame without stretcher bars original painting on canvas hand sign...

Oscar Lycke was a Swedish artist from Sundsvall. He is best known for his impressive colourful landscape paintings in a national romantic and realism styl...

Large European impressionist seascape sailboat oil painting by Thorolf Holmboe (1866 - 1935). Framed. Oil on canvas. Signed. Image size, 26H by 29L.

Frank Myers Boggs Bateau au Quai (Docked Sailing Vessel at Low Tide) Signed lower left Oil on canvas 15 x 21 1/2 inches Provenance: David Findlay Galleries, New York Charles R. Brown Fine Art, Locust Valley, New York The Impressionist Frank Myers Boggs spent his formative and mature years abroad and in 1923 became a naturalized French citizen. He was born in Springfield, Ohio, but moved as a young boy to New York, where his father was a newspaper executive. The artist began his career at the age of seventeen as a wood engraver for Harper’s, preparing illustrations for Harper’s Weekly and for an American edition of the works of Charles Dickens. It has also been stated that he studied with the portraitist John Barnard Whittaker (1836–1926). After working at Niblo’s Garden in New York with a scene painter named Vauglin, Boggs went to Paris to study scene painting. On his arrival there in 1876, he was unable to find anyone to instruct him in this field and instead entered the École des Beaux-Arts. Realizing that Boggs was not well suited to painting figurative subjects, his teacher Jean-Léon Gérôme (1824–1904) advised him to try some outdoor landscapes. Between 1877 and 1881, he concentrated on marine...

John Nost Sartorius (London 1759-1828) A bay horse in a wooded landscape Signed 'J.N.Sartorius' lower right Oil on canvas Canvas Size - 12 x 14 in Framed Size - 19 x 21 in John Nost...

Impressive early American modernist forest landscape oil painting. Framed. Oil on board. Signed. Image size, 24H by 16L.

"Tempest" is a large warm sunset abstract landscape painting. This painting was made in the high Rockies of Colorado in the late autumn, when the winds roll through the sky with the ...

«Breathe Slowly/8» by Helen Mount is an embodiment of tranquility, in which shades of green and gray and white accents depicting the mobility of clouds are intertwined. The atmospher...

Original Post-War Oil Painting of Mournes from Dundrum Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inches Frame measures 36 x 26 inches (...

Very finely painted early French impressionist street scene. Oil on canvas. Signed illegibly. Framed and ready to hang!

Alfred Juergens (American, 1866 - 1934) Signed: Alfred Juergens (Lower, Left) " Indian Creek " (Michigan) Oil on Board 14 1/2" x 19" Housed in a 3...

Very nicely painted 19th century American landscape painting. Oil on canvas. Framed. Image size, 12H x 16L. Signed illegibly.

Impressive early American impressionist forest interior landscape oil painting by William McKendree Snyder (1848 - 1930). Framed. Oil on board. Signed. Image size, 18H by 24L.

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Gorgeous plein air oil painting of Pacific Ocean as viewed from top of Santa Cruz Mountains, showing the tree-line and distant ocean in the soft t...

Rafael Duran Benet (1931-2015) - Garda Italy - Oil on canvas on cardboard Oil measurements 41x33 cm. Frame 46x38. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan ...

Original oil on canvas painting by the well known artist Jonas Gerard. Signed by the artist lower right “Gerard”. Condition is excellent. Strong, vibrant colors. Circa 1965. Bridg...

Nicey painted American modernist portrait oil painting. Framed. Oil on board. Image size, 8H by 10L.

'Ajaccio: Heart of Corsica', oil on cardstock, by René Gaston Lagorre (circa 1960s). Ajaccio, nestled on the west coast of Corsica, graces the shores of one of the island's most beau...

Heavily textured, 1962 abstracted landscape by Humbolt area artist Alma B. Leamey (American, 1901-1996). The viewer looks out over a valley, with a ranch at the focal point. In the d...

Antique American impressionist landscape oil painting by Arthur E. Ward (1863 - 1928). OIl on board. Framed. Signed.

Colorful and expressive abstracted seascape with thick impasto dynamically swirling together by California artist Richard Lofton (American, 1908-1966). Signed and dated "RICHARD LOFT...

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 9.25H by 15L. Artist Bio: This following biography was researched, compiled...

Vintage American modernist landscape oil painting. Oil on canvas. Framed. Signed.

Highland Cattle By The Loch, 19th Century by ALOIS STOFF (1846-1890) Large 19th Century Scottish Highland Loch landscape with cattle gathered near a Loch, oil on canvas by Alois St...

We are delighted to offer for sale this exquisite painting by the Swedish artist Otto Lindberg, titled "Bränningar vid Utö" (Breakers at Utö). Completed in 1928, this stunning piece ...

Impasto Oil Painting of a Moorland in the English Countryside by British Landscape Artist. Original on Canvas. Expressive and atmospheric depiction of a stormy. Art measures 26 x ...

Very well executed tonalist work of a sunset over Amsterdam Harbor in Holland by the well known American artist, George McCord. Signed lower right with A.N.A following the signature which stands for Associate of the National Academy. Circa 1890. Condition is good. The painting is oil on canvas (relined) and is housed in an semi-antique style gold ornate frame. Frame is in very good condition. Overall framed measurements are 30 by 35 inches. Provenance: A Sarasota, Florida estate. GEORGE HERBERT McCORD (1848-1909) Born on August 1, 1848 in Manhattan, New York, George Herbert McCord was considered a central figure of the second generation Hudson River painters. While McCord described himself as mostly self-taught, he attended the Hudson River Institute and the Claverack Academy in New York. He also spent time studying in the studios of Samuel Morse...

"Colossi of Memnon, Egypt" Rare Orientalist Landscape Painting by Frederick Arthur Bridgman (American, 1847-1928) A wonderful oil on canvas painting by American orientalist painter Frederick Arthur Bridgman depicting The Colossi of Memnon - two large stone statues...

Children Fishing by a Riverside with Wild Flowers & Farmhouse in the English Countryside by British Artist, Les Parson Art measures 20 x 16 inches Frame me...

Erma Zago (Bovolone 1880 - Milan 1942) - The port of Genoa. 24.5 x 35.5 cm without frame, 50 x 61 cm with frame. Antique oil painting on wood...

Mid Century fauvist style landscape of California Gold Country home by an unknown artist (American, 20th Century) c.1960. Unsigned. Presented in ru...

Josep María Vila Cañellas (1914-2001) - Canyelles Sitges Spain - Oil on board. Oil measures 14x18 cm. Frame 30x34 cm. Josep María Vilá Cañellas (Vic, Osona, 1914 - Barcelona, 2001)....

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

This signed 25.5" x 29.5" oil on canvas painting is by an unknown artist as the signature is unintelligible in the bottom right corner of the painting. The painting depicts a busy st...

Nicely painted Italian seascape painting. Oil on board. Nicely framed. Signed.

Wonderfully painted American impressionist street scene oil painting. Framed. Oil on board. Signed. Image size, 12H by 16L.

A vibrant and attractive oil painting, depicting a rural landscape scene with a small cottage by a river. Signed to the lower right-hand corner. Presented in an ornate, gilt effect f...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

Oil Painting by Maurice Levis "Le Moulin de Jarcy" S.F.A 1860 - 1940 French painter of landscapes and town views, pupil of Harpignies and member of the French Artists where he was a...

Military Camp Scene and Battle. Pietro Graziani (XVII/XVIII century), entourage. A pair ( two) of small paintings. Antique XIX century frames in gilt wood.  In good condition. Oi...

Signed Adolfo Perez Frameless

Swimmers, 20th Century by Maria FILOPOULOU (1964) Huge 20th Century Greek Swimming Pool scene of swimmers underwater, oil on canvas by Maria Filopoulou. ...

Italian painter (18th century) - Landscape with shepherds at rest. 44 x 61 cm. Antique oil painting on canvas, without frame. Condition report: Lined canvas. Good condition of the...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...

Original Art Ready to Hang 70x80 cm 2024 Marilina Marchica was born in Agrigento, where she works and lives, After receiving her diploma at Liceo Artistico "Michelangelo" in Agrigen...

Charming Hudson River school antique oil painting of a sailboat on a lake, circa 1880-90. Signed "R. Labarr." after Richard LaBarre Goodwin...