Horizontal Art

Oil on canvas by Laure Stella BRUNI, France, 1926. Landscape of Drome. with frame: 109x90x8 cm - 42.9x35.4x3.15 inches ; without frame: 92x73 cm - 36.2x28.75 inches. 30F format. Sign...

Work on canvas with a frame; total size 80x93 cm

3910C Antique impressionistic winter landscape.Oil on canvas applied to board Displayed in a gilt wood frame, Signed lower left by Johanssen. Image size 17.5 H x 23.5 W

Oil on Canvas. French school of the 2nd half of the 18th century. Probably the work of a follower of Claude Joseph Vernet (1714 -1789), a French painter who specialized in seascapes ...

Georg Gelbke, Untitled (Women Bathing), etching, 1920. Signed and dated in pencil. Initialed and dated in the plate, lower right. A fine, richly-inked im...

3792 Oil on canvas set in a hand painted frame of a French castle with workers in the field

American impressionist nude beach scene oil painting by Nathan Hoffman (1900 - 1979). Framed. Oil on board. Signed. Image size, 16H by 20L.

Medium: wood engraving. Printed in 1929 and published by Douglas Cleverdon. Image size: 4 1/4 x 4 3/8 inches (110 x 112 mm). Not signed.

A stunning ensemble of fiour original mid century illustrations for Herman Melville's "Moby Dick" . Whilst sharing the modernist, stylis...

This original lithograph is hand signed in pencil by the artist "Picasso" in the lower right image. It is hand numbered in pencil from the edition of 25, in the lower left image. The...

#5-3302 Dog Hunting oil on canvas applied to a board ,displayed in a wood frame ,signed by Geyer. Image size 10.25 H x 13.50 W

Beautiful mid century impressionist landscape of Colorado River and hills by Wilfred A. Readio (American, 1895-1961), c.1940. Unsigned; purchased as part of collection of artist's wo...

Artist: Raoul Dufy, French (1877 - 1953) Title: The Band Year: 1949 Medium: lithograph, signed in the plate Size: 19 x 29.5 inches Frame Size: 25.5 x 36 inches Printed by Baynard Pr...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...

Axel Zachrison was a Swedish painter known for his landscapes from Dalsland. Born in Tydje, Dalsland, Zachrison's artistic journey was shaped by his experiences at sea and his encounters with influential artists such as Otto Hesselbom, a relative on his mother's side. This captivating landscape painting titled "Landscape from Dalsland, Sweden" showcases Zachrison's artistic talent and his ability to capture the beauty of nature. The sky, painted in shades of white and gray, features distinct lines around the clouds add a sense of movement and depth to the scene, reminiscent of Hesselbom's painting technique. In the background, we can see some blue mountains, their majestic presence contributing to the overall sense of grandeur. And In the left part, the viewer can see some land illuminated by the warm rays of the afternoon sun. The vibrant colors of orange, green, and yellow bring the landscape to life, infusing it with a sense of vitality and serenity. A shimmering body of water in the the center, reflecting the luminous white light and creating captivating mirror-like reflections. The foreground of the painting consists of a darker forest area which skillfully framing the lower part of the composition. This deliberate contrast adds depth and visual interest to the artwork, drawing the viewer's attention to the enchanting scenery. It's undated but likely executed in the 1920s, the painting carries an undeniable "wow" factor upon first sight. Zachrison's skillful brushwork and his masterful use of decorative color choices create a captivating and immersive experience for the viewer. His ability to evoke emotional responses through his art is a testament to his talent and artistic vision. Zachrison studied under the guidance of renowned artist Carl Wilhelmson...

Medium: pochoir (after the watercolor). Printed in Paris in 1929 at the atelier of Daniel Jacomet for L'Art Cubiste. Image size: 4 1/2 x 5 1/2 inches (112 x 140 mm). A text inscripti...

Bibliography: A.Busiri Vici, Jan Frans Van Bloemen Orizzonte e l’origine del paesaggio romano settecentesco, Ugo Bozzi Editore, Roma 1974, n.41 This artwork is shipped from Italy. U...

The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...

Very finely painted and impressive mid 20th century impressionist seascape with a pelican. Exhibition label verso. Framed.

Rare and wonderfully painted pointillist landscape by Carmelo Vegas. Thick impasto and a fine composition. Housed in a period giltwood frame. Ready to hang. Oil on board. Signed.

Léon Laurent Galand 1872 – 1960 Signed and dated 1928 bottom left Artwork Size: 25.75 x 36" (66 x 92cm) Artwork Size with Frame: 32.75 x 43" (83 x 109cm) Oil on Canvas Discounted ...

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Graham Noble Norwell, Canadian, 1901-1967 Saguenay, circa 1949 watercolour on paper 21 x 28 in (sight) Signed lower right framed

Jan Van Huchtenburg Battle of Peterwardein, 1716 Oil on canvas, 45 x 64 cm monogrammed "HB" n 1670 he settled at Haarlem, where he married Elisabeth Mommes. It seems he practised and kept a dealers...

French School, circa 1720's circle of Nicolas Lancret (1690-1743) oil painting on canvas 15 x 23 inches provenance: private collection, UK Fine depic...

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

Pablo Picasso, Spanish (1881 - 1973) - La Fosse Commune, Year: 1947, Medium: Etching on Arches, Image Size: 10 x 8.75 inches, Size: 11 x 17.75 in. (27.94 x 45.09 cm), Reference: Blo...

Signed oil on canvas laid on board landscape by American Impressionist painter Abram Molarsky. The work, painted in mostly pastel shades of green, blue and purple depicts a view of b...

John Bowers Lounging Nude 1940s Charcoal on Paper 25"x19", unframed Came from a portfolio from the estate of John Bowers John Henry Bowers September 9, 1921 - January 30, 2017 Joh...

Georgina Klitgaard Spring Ploughing Signed lower right Oil on canvas 34 x 42 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists ...

"Mexican Orchestra" is one of the George Overbury Hart's largest pieces. It is #14 from a limited edition of 50. The image captures a festive event with hanging lanterns, an orches...

Vibrant mid century California landscape of the beautiful San Ynez Valley Indian Trail with Native American children walking towards the sunset by H. Hansen (American, 20th Century), 1944. The small figures walk through a majestic, sprawling landscape full of plants, rocks, and tall trees flanking this gorgeous trail that leads towards an epic mountain range in the distance. Signed and dated "H. Hansen 1944" lower left corner. Label on verso with title and "Rubicon Lodge" (an old California...

Serene 1920's watercolor landscape of calm water snaking through a lush marshy wetland, dotted with small birds, wildflowers and swaying grass, by an unknown artist (American, 20th C...

Original horizontal “Resilio Scotchspun” vintage fashion poster. Archival linen backed and presents in excellent condition. “A Bonnie Heila...

HENRI MATISSE (French 1869-1954) LE REPOSE du MODELE 1922 . (Duthuit 416) Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...

This is an original rare and extremely collectible first octavo edition John James Audubon hand colored lithograph entitled "Brown Pelican, Young First Winter", No. 85, Plate 424, fr...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...

This charming mid-18th-century oil painting depicts a veritable array of revellers holding a feast by a tavern. It’s after a work by Flemish artist, David Teniers the Younger (1610-1...

Very finely painted early French impressionist street scene. Oil on canvas. Signed illegibly. Framed and ready to hang!

A rare figurative for this well-listed California artist of a Nevada mining town landscape with prospector and burro by George Sanders Bickerstaff (American, 1893 - 1954), circa 1920. Signed lower right corner. Presented in patinated gilt-toned wood frame. Image size: 24"H x 30.5"W. Frame size: 32.5"H x 38"W. Bickerstaff was active/lived in California, Arkansas. George Bickerstaff is known for Landscape, coastal views, still life, western painting. Landscape painter. Born in Marianna, Arkansas on April 12, 1893. Bickerstaff was a self-taught artist except for a brief period at the Art Institute of Chicago. He led a peripatetic existence before moving to California in 1922. His early years were spent in San Diego, Los Angeles, and Van Nuys. He exhibited often in the latter with Paul Lauritz. A prolific oil painter of mountain and desert scenes, his landscapes often include eucalypti as well as rolling hills of California wildflowers...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Susan Ricker Knox 1874-1959 was a famous Female American Impressionist painter. She studied at the Drexel Institute in Philadelphia with Howard Pyle and the Cooper Union Art School ...

An early 1940s fashion study featuring women's hats in pink tobes. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Institute of Chicago...

Pair of large painting oil on canvas with the Wedding Feast of Bacchus and Ariadne scene . Italy 18' century . Amazing landscape background and roman Temple with classical archite...

This gouache is a museal and historical piece. Gouache and charcoal on paper stuck on panel by Henri Rapin, France, 1924-1928. "Fructidor". With frame: 80x114x3 cm - 31.5x44.9x1.2, w...

Signed lower right, "C. Stilling" for Carl Conrad Stilling (Danish, 1874-1938) and inscribed 'Hyères'; dated lower left, '1928' and titled in Danish, verso...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Large and finely painted American impressionist landscape oil painting by Raymond A. Ewing (1891 - 1976). Framed. Oil on canvas. Signed.

Brooklyn Bridge NYC American Scene Ashcan 20th Century Social Realism Modern John Marin (1870-1953) Brooklyn Bridge 7 1/2 x 9 7/8 inches Graphite on paper Signed lower right, c. 1...

This striking original poster, dating from the 1940s, was created to support the French Forces of the Interior (F.F.I.), the armed resistance movement that played a crucial role in t...

Work on cardboard Golden wooden frame 41 x 50.5 x 6 cm

Herbert Rothgaengel was a well known German artist who paunted female nude The painting we have for sale is a wonderful 1920’s example by the artist house in a Newcomb Macklin frame...

Carl Wuermer Winter Silence Signed lower left Oil on canvas 25 x 30 inches Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards includi...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

Signed lower right dated 1944 Signed verso William Malherbe "The Thetford Hill Vermont" Provenance: Palm Beach Galleries Framed in a gold frame

Rare Hawaiian landscape of coastal Maui. Oil on canvas. Framed. Signed. Oil on canvas. Image size, 20"H x 24"L.

Thomas Smith of Derby (1720-1767) View of Matlock High Tor, Derbyshire Oil on canvas Canvas Size 25 x 30 in Framed Size 32 x 37 in Provenance Private Collection, London Thomas Smit...