Amy Dean

The Creation, after Ovid's Metamorphosis

2018

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Katherine Porter Country Music (Nashville is an Enigma), 1986 Mixed media; colored pencil, gouache, and graphite on paper, uniquely signed and inscribed with Nashville dateline Hand ...

"#187 – HE SAID IT WAS A LIE" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 187 of a found copy of Er...

"#220 – PEACE" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 220 of a found copy of Ernest Hemingway's W...

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

Delicate kimono by Patricia A. Pearce (American, b. 1948). This piece has an iridescent quality to the coloration. This piece is unsigned, but was acquired with a collection of other...

Robert Indiana Untitled homage to Ellsworth Kelly (Acquired from the studio of Robert Indiana), 1959 Watercolor and pencil on Plover Bond paper This is an original, hand signed and d...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

Charcoal and gouache on paper Paper size: 9x 11.5 inches Framed size: 23.5 x 25.75 inches Signed lower right Provenance: Raymond Spencer Co.; Galerie Dominion, Montreal, 1982; Dr Max Stern, Montreal, 1982; Leslie Sacks Fine Art, Los Angeles; Purchased by Haynes Fine Art...

Signed lower right, 'V. Vigil' for Veloy Vigil (American, 1931-1997). Previously with: Los Robles Gallery, Palo Alto, California Born in Denver, Colorado,...