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Edvard AnderssonHermes 19291929
1929
About the Item
An interesting and highly decorative chalk drawing by Edvard Andersson, 1929. Drawn on a quite large scale. Signed and dated EA, 1929. A tergo written "Hermes".
The drawing is executed in a Cubist style, showcasing Andersson's modernist approach to classical themes. The work features sharp geometric forms and fragmented lines, highlighting the influence of early 20th-century art movements. This drawing was exhibited at "Den Frie Udstilling" in Copenhagen in 1956 (listed as number 457, outside the catalog) and comes from the artist’s estate.
Edvard Ferdinand Lassalle Andersson (1891–1967) was a Swedish modernist painter, draftsman, and drawing teacher from Helsingborg. Despite his immense talent, he remains relatively unknown in Sweden, though his work has gained greater recognition abroad. His art has been displayed in prestigious exhibitions in Copenhagen, Paris, and Biarritz.
Andersson has been described as a classic modernist with an eclectic approach—he borrowed elements from other artists and transformed them into something uniquely his own. His bold use of color and form demonstrates clear influences from the entire modernist avant-garde, including Matisse, Picasso, Brecht, and Miró. The vibrant color shifts in his paintings are particularly reminiscent of Sonia and Robert Delaunay. While all artists draw inspiration from others, only truly brilliant ones succeed in making it their own artistic language—this is what makes Andersson such a fascinating figure in modern art.
He studied at the Technical School in Stockholm and continued his artistic education through study trips to Germany and France. Andersson held solo exhibitions in Helsingborg, Malmö, and Ängelholm and participated in group exhibitions with Sveriges Allmänna Konstförening (Swedish Art Association), Skånes Konstförening (Skåne Art Association), and Helsingborgs Konstförening (Helsingborg Art Association). His works include figure paintings, compositions, and coastal landscapes, executed in oil, gouache, pastel, and charcoal. In addition to his artistic career, he worked as a drawing teacher in Helsingborg. His works are represented in several collections, including the Helsingborg Museum.
In Greek mythology, Hermes is the son of Zeus and the nymph Maia. He is the messenger of the gods, known for his speed and cunning nature. Hermes serves as the protector of travelers, merchants, shepherds, and thieves. He is often depicted as a youthful figure with winged sandals and a herald’s staff, symbolizing his role as a swift messenger and guide between worlds. He is also recognized for his playful and mischievous personality, embodying both benevolence and trickery.
Andersson’s choice to portray Hermes reflects the early 20th-century fascination with classical mythology, reinterpreted through the fragmented and abstracted forms of Cubism. This fusion of ancient themes with modern artistic techniques underscores Andersson’s ability to absorb influences from the avant-garde and transform them into his own distinctive artistic language.
- Creator:Edvard Andersson (1891 - 1967, Swedish)
- Creation Year:1929
- Dimensions:Height: 26.19 in (66.5 cm)Width: 20.08 in (51 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In a good condition, the paper has turned slightly yellow. Needs reframing and a new passepartout.
- Gallery Location:Stockholm, SE
- Reference Number:1stDibs: LU2608216046662
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