Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Gwendolen Young
Gwendolen Young - 1930s Art Deco Design for fabric or paper

1940

$206.23
£150
€176.46
CA$282.33
A$316.31
CHF 164.64
MX$3,851.99
NOK 2,097.25
SEK 1,975.02
DKK 1,317.23
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

GWENDOLEN KITTY YOUNG (1914-1994) Red, Yellow & Grey Design Signed on the reverse Gouache Unframed 21.5 by 4.5 cm., 8 ½ by 1 ¾ in. (mount size 35.5 by 19 cm., 14 by 7 ½ in.) Gwendolen Young was born in Bournemouth, the daughter of Henry Cecil and Catherine Mary Young. By 1939 she was working at a commercial artist and living in Purley, Surrey
  • Creator:
    Gwendolen Young (1914 - 1994, British)
  • Creation Year:
    1940
  • Dimensions:
    Height: 8.47 in (21.5 cm)Width: 1.78 in (4.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU1028314740462

More From This Seller

View All
Plenty - 1930s British Art Deco design for a Mural by Harry Carleton Attwood
Located in London, GB
HARRY CARLETON ATTWOOD (1907-1985) Plenty - Design for Eltham Palace Chalks Framed 20.5 by 12 cm., 8 by 4 ¾ in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in.) Attwood was born i...
Category

1930s Art Deco Figurative Drawings and Watercolors

Materials

Chalk

Olivia - 1930s British Art Deco Graphic Design for Paper by Marie Palmer-Smith
Located in London, GB
MARIE PALMER-SMITH (1899-1997) Olivia Bears artist’s studio stamp on the reverse Gouache on textured paper, unframed in mount 22 by 17 cm., 8 ¾ by 6 ¾ in. (mount size 37 by 31 cm....
Category

1930s Art Deco Drawings and Watercolor Paintings

Materials

Watercolor

Lallia - British 1930s Art Deco graphic design by Marie Palmer-Smith
Located in London, GB
MARIE PALMER-SMITH (1899-1997) Lallia Bears artist’s studio stamp on the reverse Gouache, unframed in mount 24 by 17 cm., 9 ½ by 6 ¾ in. (mount size 39 by 31 cm., 15 ¼ by 12 ¼ in....
Category

Early 20th Century Art Deco Drawings and Watercolor Paintings

Materials

Watercolor

Marie Palmer-Smith - 1930s British Original Graphic Design for Advertising
Located in London, GB
MARIE PALMER-SMITH (1899-1997) Fabric Inspirations Signed and inscribed with title; bears artist’s studio stamp on the reverse Gouache on pen and ink on tinted paper Unframed in mo...
Category

1930s Realist Figurative Drawings and Watercolors

Materials

Gouache

Gilbert Ledward - 1930s Watercolour Design for a Decorative Sculptural Frieze
Located in London, GB
GILBERT LEDWARD, RA, PRBS (1888-1960) Tennis, Golf, Shooting, Ice-Skating, Dreaming – Proposed Design for Decorative Frieze in the Italian Drawing Room at Eltham Palace, commissioned by Stephen Courtauld Signed and dated July 9th 1933 Watercolour and pencil 12.5 by 49.5 cm., 5 by 19 ½ in. (frame size 36 by 67 cm., 14 ¼ by 26 ¼ in.) Exhibited: The artist’s daughter; London, The Fine Art Society, A Centenary Tribute, Feb 1988, no. 43. Gilbert Ledward was born in London. He was educated at St Mark’s College, Chelsea. In 1905 he entered the Royal College of Art to study sculpture under Edouard Lanteri and in 1910 he entered the Royal Academy Schools. In 1913 he won the Prix de Rome for sculpture, the Royal Academy’s travelling award and gold medal, which allowed him to travel in Italy until the outbreak of the Wold War I. During the war he served as a lieutenant in the Royal Garrison Artillery and was appointed as an official war artist in 1918. Following the war he was largely occupied as a sculptor of war memorials including the Guards Division memorial in St James’s Park and the Household Division’s memorial in Horse Guards Parade. In 1934, supported by Eric Gill and Edwin Lutyens, he established a company called Sculptured Memorials and Headstones, which promoted better design of memorials in English churchyards. His war memorials after World War II include one in Westminster Abbey to the Submarine Service, Commandos and Airborne Forces. Ledward was Professor of Sculpture at the Royal College of Art (1927-1929) and in 1937 was elected at Royal Academician. He became President of the Royal Society of British Sculptors and a trustee of the Royal Academy. The present work is a design for an intended decorative frieze for the Italian Drawing Room of Eltham Palace. In 1935 the remains of the medieval royal palace of Eltham was rescued from decay by Stephen and Virginia Courtald who built an ultra modern Art Deco house to adjoin the existing Great Hall. They employed the architects John Seeley and Paul Edward Paget and the fashionable Mayfair interior designer the Marchese Peter Malacrida to design the strikingly glamorous 1930s interiors of the new house. The dramatic entrance hall was created by the Swedish designer Rolf Engstromer...
Category

1930s Art Deco Figurative Sculptures

Materials

Watercolor

The Model - 1930s mural design for Eltham Palace by Harry Carleton Attwood
Located in London, GB
HARRY CARLETON ATTWOOD (1907-1985) The Model - Design for Eltham Palace Coloured chalks, arched top Framed 21 by 13 cm., 8 ¼ by 5 in. (frame size 39.5 by 31.5 cm., 15 ½ by 12 ½ in...
Category

1930s Art Deco Figurative Drawings and Watercolors

Materials

Chalk

You May Also Like

"Art Deco Abstract" original drawing by Sylvia Spicuzza
By Sylvia Spicuzza
Located in Milwaukee, WI
The present work represents the part of Sylvia Spicuzza's oeuvre where she explores purely abstract, non-representational imagery. In the image, the viewer is presented with colorful...
Category

Mid-20th Century Modern Abstract Drawings and Watercolors

Materials

Paper, Crayon

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing
By Jean Xceron
Located in New York, NY
Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...
Category

1940s American Modern Abstract Drawings and Watercolors

Materials

Paper, Gouache

Vintage French Mid-Century Abstract
By D. Wargon
Located in Houston, TX
Mid-century oil pastel abstract incorporating a vast array of color and unique shapes by artist D. Wargon, circa 1950. Signed lower right. Original artwork on paper displayed on a...
Category

1950s Abstract Drawings and Watercolors

Materials

Oil Pastel, Paper

Serge Gladky - Art Deco Colorful Composition - Original Pochoir
By Serge Gladky
Located in Collonge Bellerive, Geneve, CH
Serge Gladky - Art Deco Colorful Composition Original Pochoir Circa 1925 33 x 26 cm So what is a "pochoir?" In its most basic sense, it is a stencil. By the 1920’s and 1930’s, th...
Category

1920s Art Deco Abstract Prints

1950s Mid Century Abstract Expressionist Drawing
Located in Arp, TX
From the estate of Jerry and Ruth Opper Abstract Expressionism Drawing c.1950s Ink and Pastel Drawing 18" x 12" Unframed Unsigned *Custom framing available ...
Category

Mid-20th Century American Modern Abstract Drawings and Watercolors

Materials

Paper, Pastel, Ink

ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing
By Irene Rice Pereira
Located in New York, NY
ABSTRACT American Woman Abstract Non-objective Mid 20th Century Modern Drawing Irene Rice Pereira (1902-1971) Abstract 8 1/2 x 5 1/2 inches Watercolor, gouache, and ink on black paper Signed lower right Framed by Bark BIO rene Pereira was born in 1902 in Chelsea, Massachusetts and grew up in Great Barrington. She was strongly influenced by her mother who was an amateur artist. Irene began art lessons at the age of fifteen; she took a secretarial job because her father had died. She took art classes at the Art Students League in New York City. At the age of twenty-one she married the first of three husbands, Humberto Pereira, whose name she kept. She traveled extensively in Europe and North Africa and was much inspired by the expansive vistas of the Sahara Desert. Returning to New York, she began incorporating these visions into her work, increasingly experimental in her styles and methods. At first she painted on canvas, then she devised a means of actually incorporating light into her works by painting on layers of glass and mounting the layers together. In 1942 she married George Brown, an engineer, who helped her experiment with a variety of materials. By the 1950s she became more interested in writing poetry and, divorced from Brown in 1952, she married George Reavey, an Irish Poet...
Category

1950s Abstract Abstract Drawings and Watercolors

Materials

Paper, Watercolor, Gouache